Teejay Finds His Own Lane At Warner Music

The content originally appeared on: Dance Hall Mag

Jamaican artist Teejay has signed with Warner Music Group, in a deal that was described as “Dancehall’s biggest for the year.”

“Me Feel Good… a music we a duh from long time and me hard work is finally paying off!! dis is just the start!!… Drift… a suh we F+@K up in yah!!” the Owna Lane deejay said in a release sent to DancehallMag.

Details of the arrangement, which was signed in Manhattan, were not provided, but the release suggests that it is a publishing deal.

Teejay, in an Instagram post, credited the deal to his latest hit Drift, released in April.

Guy Moot, Co-Chair and CEO of Warner Chappell Music (WCM), the publishing arm of Warner Music Group, said he was happy to see Dancehall music and another Jamaican artist on the global rise.

“It’s the right artist with the right music and the right time,” the release noted.

“With a major deal like this one and Warner Music machinery behind him, the artiste’s music will be exposed to sync rights, gaming, and sky is the limit.”

According to the release, Moot has worked with Steely & Clevie, Stefflon Don and has been integral in Stephen ‘Di Genius’ McGregor’s career.

Solid Agency’s Sharon Burke, who took over management of Teejay in 2021, after his exit from Romeich Entertainment, said the deal was only two weeks in the making after sifting through myriad offers and finally “feeling at home with Warner.”

“TeeJay will do well because he is a good artiste who is committed to the music and the journey to the top,” Burke said.

From left: Sharon Burke, Teejay, Guy Moot

TeeJay, whose real name is Timoy Jones, emerged on the Dancehall scene in 2009 with the single Starlight

In 2012, he released tracks such as My Life, Summer Time, Living My Life and Move From Deh.   During that period, Teejay joined forces with Ryme Minista and other Montego Bay artists where they started a music ensemble, for which he did the studio engineering work, on songs such as Rhyme Minista’s Killaz and Killaz.

Following his performance at Reggae Sumfest in 2018, Teejay caught Romeich Major’s eye and later joined the entertainment management family with Ding Dong and Shenseea as stablemates.

TeeJay started his own label, Top Braff Music, in 2019, and is best known for his songs From Rags To Riches, Unfaithful Games, Owna Lane, Henne & Weed, Uptop Boss, Up Top, People, and most recently Drift.

In August 2021, the Rags to Riches singer said the move to Solid Agency was motivated by an inclination to progress his career after feeling stagnant for some time.  He added that he felt the focus was not on him, but more so on other artists in the Romeich Entertainment camp.

Teejay

Teejay, however, wanted to make it clear that Romeich did, in fact, help his career.

“Honestly, one thing mi haffi say one hundred percent, mi always a go respect Romeich Entertainment .. because him see the ting [eventhough] mi did already a tour, mi did already a go places … but it just neva structured the proper way and mi respect Romeich Entertainment fi say Teejay, ‘mi cant sign you as an artist but make we structure the ting’ so mi a go always respect you dawg one hundred percent,” he said at the time.

Last month, he announced an upcoming EPI Am Chippy, an eight-track project to be released by Ranch Entertainment and VP Records.

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Spice Relives Near-Death Ordeal On LHHATL’s MTV Premiere

The content originally appeared on: Dance Hall Mag

Queen of Dancehall Spice kickstarted the ‘rebooted’ Love & Hip-Hop: Atlanta (LHHATL) series with an emotional moment as she relived her near-death experience in the Dominican Republic and how it affected her children.

The series, which had called VH1 home since its debut in 2012, has moved to MTV for its eleventh season, which is billed as a reboot with a “more docu approach to storytelling.”

The move comes as Tyler Perry reportedly acquired BET and VH1 from Paramount, which has decided to keep a number of its biggest titles (including LHHATL) on its other network, MTV.

Spice first appeared on the show during season six, and was later promoted to the main cast in season eight.

In the premiere episode on Tuesday (June 13), titled Out Of The Woods, Back In These Streets, the producers touched on her Grammy nomination last year before turning to the Dancehall singer’s medical scare in the Dominican Republic in October.

“Spice In A Coma In Dominican Republic” and “Spice Unresponsive” flickered on the screen as the Queen of Dancehall made her way to sit in herconfessional scene with the assistance of an escort. 

“Welcome back Spice, how are you?” the show producers were heard asking the Romping Shop singer, who replied, “I’ve been better.”

In a brief flashback, Spice appeared in the hospital along with several chilling post-surgery photos. “My world just came crashing down,” Spice said. “The last thing I remember when I went into that emergency surgery was everyone looking real puzzled like ‘Oh my God how is she still alive.’”

Spice

“I was admitted to the hospital, fighting for my life, fighting through this sepsis infection that was taking over all the organs in my body. My lungs were collapsing and everything was just going bad for me. My world was upside down, I was living in hell,” she continued. 

Spice also shared a video taken in the hospital after her surgery with a touching testimony. “I might sound crazy when mi say dis but the truth is on October 31, 2022, I died,” she revealed. “And God literally gave me a second chance and I’m so grateful to be here.” 

The LHHATL cameras caught up with the Go Down Deh singer three months later at her Atlanta home with her family and kids. Spice revealed that her family all flew in from Jamaica to be with her when they heard the rumors of her death on social media. 

Her children, Nicholas and Nicholatoy, were especially affected by the speculation. “My son Nicholas, and Nicholatoy, they are my life. Losing me would just be devastating for them,” Spice said.

“I always ask God to spare my life and not to do that to my children ’cause I went through so much losing my father. My family have seen me through the darkest time in my life … that was a time you know, that was a moment,” she continued.

With a hectic work schedule ahead, however, the QOD – a single mother – decided there was no better option than to send her children back to Jamaica in the care of her mother and sister. Besides, they both had to return to school.

On the ride home from a tearful goodbye at the airport, Spice and her cousin Nancy agreed they would never want to relive those terrifying moments again. “Every time I think about it I get emotional,” Spice said, “Because the doc called my sister and was like, ‘I’m sorry to say this but it doesn’t look good for Grace. It was bad.” 

Nancy mentioned that in the midst of her tragedy, her son Nicholas told his aunt to “Bring my mommy home,” which brought the singer to tears. 

“Really,” she said. “I think that was the hardest part for me, cause when everything was on the Internet and then my son go pon di Internet and see, how say mi dead, you understand? And it nuh true! You can imagine what dat do to the kids?” … “Mi nuh like talk bout it,” she concluded before breaking into tears. 

The show ended with highlights of what’s to come this season, including the infamous table flip during a heated argument between Spice and Erica Mena.

Watch upcoming episodes of LHHATL at 8 p.m. ET on MTV. 

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Shenseea Reaches Settlement With Stephanie Sarley To End Copyright Lawsuit Over Music Video

The content originally appeared on: Dance Hall Mag

Shenseea and her record label Interscope Records have reached a settlement with American visual artist Stephanie Sarley in a copyright infringement lawsuit over the Jamaican singer’s 2019 music video for her song Foreplay.

In a ‘Notice of Settlement’ obtained by DancehallMag, Sarley’s attorneys, Pietz & Shahriari, LLP, notified the California court where the matter was being heard that a “settlement to resolve all claims at issue in this case has been reached.” 

Terms of the settlement were not disclosed, but Sarley had sought up to US$450,000 in damages in the suit filed on October 21, 2022.

In the notice, which was filed on Wednesday, June 14, Sarley requested that the Court suspend all scheduled court dates and maintain jurisdiction to enforce the terms of the settlement agreement until formal dismissal paperwork is filed, anticipated within a 60-day timeframe.

The California-based artist, whose provocative work has been featured in the Guardian, had initially targeted Shenseea and Interscope (a subsidiary of UMG), alleging that nearly forty seconds of footage from three of her unique fruit video clips were unlawfully incorporated into the music video for Foreplay.

The clips in question, Sarley claimed, were subtly altered in tone or hue and used in the music video without her permission.

In May 2023, the lawsuit expanded to include Marco ‘FrameXGod’ Ruiz, the director of the music video, after Shenseea and Interscope denied the allegations and claimed that, if any infringement had occurred, it wasn’t their responsibility as it would have been the fault of other persons or entities over which they had no control.

Stephanie Sarley

Sarley’s lawsuit had sought an unspecified award of damages and profits, or alternatively, statutory damages of up to $150,000 for each of her three clips allegedly used without her consent.

Produced by Rvssian, Foreplay was released in October 2019, after Shenseea signed with Interscope Records and his Rich Immigrants imprint in May of that year.

The original video was removed from YouTube after Sarley complained about the alleged infringement on Instagram.

In early December 2019, Shenseea released an edited version of the Foreplay video, devoid of Sarley’s fruit clips. It now stands at 20 million views on YouTube.

This marks the second copyright infringement lawsuit Shenseea has settled this year.

In March 2023, she resolved a dispute with New York-based producer Anastas ‘Pupa Nas-T’ Hackett, who had claimed that she released Lick with rapper Megan Thee Stallion without his consent. Lick had sampled a 2002 remix of Denise ‘Sacey Wow’ Belfon’s Work, which was produced and co-written by Hackett.

Hackett, who had sought over US$10 million in damages, profits, and legal fees, had told DancehallMag that he could not reveal the actual settlement figure because of a confidentiality agreement.

“This is just business, it’s over and everyone is agreeable and satisfied with the outcome,” the producer had said.

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Isaiah Laing Wants “10 Giants Of Dancehall” For Sting 2023

The content originally appeared on: Dance Hall Mag

Supreme Promotions chairman and founder of Sting Isaiah Laing says Bounty Killer, Beenie Man, Sizzla, and Capleton are among his “10 giants of Dancehall,” who he wants to grace the show on Boxing Day this year.

The annual event, dubbed the Greatest One Night Show on Earth, is set for its home base Jamworld, in Portmore, St. Catherine, on Tuesday, December 26, and, according to Laing, although the Dancehall legends have not formally signed off on their appearances, he is confident they will be there in all their glory, as he would personally be “going for my veterans.”

“We talking about 10 of the big names in Dancehall… you don’t expect to see a likkle baby out there and call him a giant… Once wi seh veterans, you know Beenie-Bounty, an yuh woulda know seh Sizzla- Capleton.  Alright, mi done.  Naw guh nuh furda,” he added, when pressed to name some of the ten giants.  

“Ten giants at Sting…and guess what?   I’m gonna be doing the five columns too yes – the younger ones,” he added a while later.

The famed “bad bwoy police” gave the explanation during an interview with The Jamaica Star, after he was asked whether or not Supreme Promotions had changed the format used last year, where only “current artists”, were booked, and veterans “ditched.”  

According to him, it was not his idea to shelve veterans in 2022, but was a decision made by other members of his team.  This time, he said, he had taken command and would go for his “10 giants”.

“We never ditched veterans: at least I never ditched veterans.  I, Isaiah Laing never did that.  But, if the team seh wi going a particular way, I work with it.  But I say ‘changes have to be made’… I am going for my veterans,” Laing stated.

Promoter Isaiah Laing

When asked whether the quartet he named had been signed as yet, the promoter replied in the negative, but gave assurances that their appearance at Sting 2023 will come to fruition.

“No, they have not been signed. But this is Sting; this is their culture.  So we are going to be talking very soon,” he said.

“They knew it wasn’t me who made that decision, last year,” he added laughing, whilst admitting that he was “passing the buck”.

In the aftermath of Sting 2022, an aggrieved Bounty Killer had lamented that the quality of the show, which he described as sub-par, and a “puppy-show”, was “the last nail in Sting coffin”. 

The Warlord had contended that Sting had “flopped”, and that Dancehall was “stuck in a barrel and losing its appeal to the world”.  He had also cautioned that if Jamaica does not take heed “and try to fix the problem right now Soca would be bigger than Dancehall”. 

However, the Living Dangerously artist’s comments did not go down well with veteran music selector Foota Hype, who described the Coppershot deejay as being “ungrateful” to the show that catapulted him to stardom in 1993.

In dismissing Bounty’s statements, Foota had rebuked the deejay for making negative utterances about Sting, describing his comments as a show of ingratitude, while declaring that: “Bounty Killa mus neva throw shade at Sting!”

Foota, who was Bounty Killer’s DJ in the 1990s and part of his Alliance outfit, had declared fiercely, that no disrespect of Sting ought to be tolerated as, throughout its existence, the show had brought more positives to Dancehall artistes, as opposed to negatives, and had enrichened them in the process.

“Oonu fi measure weh Sting has done fi oonu career.  Sting propel oonu inna billions a dalla…,” he had stated.  “Di whole a dem become diva.  Now, choo Laing weak, everybaddy ongle rememba whatever bad Laing do fi dem.  Dem naw rememba what good Laing or Sting eva do fi dem!”  

“Yes, Sting create some bad energy to, an some bad vibe, but all thorough the bad vibes oonu still do it di next year dem.  Suh it benefit oonu more dan how it hurt oonu!” the Cassava Piece native had added.

In furtherance of his rebuke of Bounty, Foota pointed out that the Gun Ready artiste ought to be one of the biggest supporters of Sting, whether or not he is booked to perform, and that his  compatriots Beenie Man, Mavado, Vybz Kartel, Ninja Man, Shabba Ranks, Super Cat, Capleton and Sizzla, were among those who ought to never, ever, be disrespectful of Sting.

Foota also went on to point out that the VERZUS battle in which Beenie and Bounty participated in 2020, was predicated on the clashes started by Sting, and therefore Sting’s place in Jamaican history ought not to be discounted. 

However, the Calabar High School old boy had revealed that a proposal regarding a showdown between Beenie Man and Bounty Killer, akin to VERZUZ was also shunned by both deejays.

Foota had also disclosed that Sting promoters’ efforts to have a more robust line-up for the 2022 show, were crippled by greedy veteran deejays, who demanded they be paid exorbitant performance fees, with one artiste wanting close to J$10 million (US$60,000) to perform.

According to him, being caught between a rock and a hard place, Laing and co-promoter Heavy D, were forced to draw for mainly the Millennial generation of newbies, as they did not have the budgetary support to meet the demands of the veterans, many of whom owe much of their popularity and wealth to Sting.

Foota described the wayward veterans as the real agents of destruction of Dancehall music, as in sticking to their hefty fees, they had kept grumbling and whining about Supreme Promoters’ supposed misdeeds of the past.

He argued as well, that Laing and Heavy D must not be faulted for contracting Queenie and Amari to clash at the show, as they acted out of desperation as veteran artistes had in some cases shunned the event, or proved unwilling to reduce the fees they demanded, despite knowing Sting was in rebuilding mode, and Supreme Promotions could not afford it.

Foota said that all the veteran deejays knew that it was a lack of sponsorship which had kept Supreme Promotions from staging Sting over the last seven years, and as a consequence, should have provided the support to the show which, in its heydays, propelled them to stardom.

In upbraiding those he considered Dancehall’s most influential artists, Foota said that Sting’s success was not about Laing, but was about the furtherance of the Dancehall culture, as the show is considered an institution in the genre.

Nevertheless, the Dark Knight producer said that the fact that Sting was still held, in spite of the lack of support from the veterans, was a great triumph for Supreme Promotions.

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Jack Johnson Makes First Entry On Billboard Reggae Chart, Byron Messia Holds For Second Week

The content originally appeared on: Dance Hall Mag

In Between Dub, a remix album by American singer Jack Johnson, has debuted at No. 4 on the Billboard Reggae Albums chart, while St. Kitts sensation Byron Messia‘s No Love slides one place on the usually stagnant weekly listing.

Released on June 2, In Between Dub was available in digital format, CD, and Vinyl through Brushfire and Republic Records.

The album sold 3,500 units from sales and streaming for the week of June 2 through June 8 in the United States, according to data provided to DancehallMag, from Billboard’s sales tracker Luminate. This included 1,100 copies in pure album sales and 1.2 million in streaming across the US for that tracking week.

The album is a collection of some of the Hawaii-born Johnson’s favorite songs from his two-decade career, remixed by the late Lee “Scratch” Perry, Dennis Bovell, Nightmares on Wax, Subatomic Sound System, Scientist, Yaadcore, and more.

Byron Messia

Messia’s No Love, which debuted on the Billboard Reggae Albums Chart at No. 8 last week, almost five months after its release, is now sitting at No. 9.

It has recorded another 1,400 units from sales and streaming for the week of June 2 through June 8 in the US, Luminate told DancehallMag. This included 100 copies in pure album sales and 2.2 million in streaming across the US. No Love has recorded a total of 7,700 units in sales and streaming in the US since its release earlier this year.

The album is being led by the hit song Talibans, which has recorded 12,600 units in sales and streaming in the US for the week of June 2 through June 8. This included 1,000 copies in song sales and 1.7 million in streaming across the US. In total, Talibans has recorded 51,600 units in sales and streaming in the US since its release in February.

No Love, which was Messia’s debut studio album, also featured songs such as Smallest Circle, Vent, and Dream Team with Govana.

The weekly sales and streaming-driven Billboard Reggae Albums chart ranks the most popular Reggae albums in the US, based on consumption metrics that are measured in equivalent album units.  Each of those units represents one album sale or 10 individual tracks sold from an album or 3,750 ad-supported audio or video streaming from an album, or 1,250 paid/subscription-based audio or video streaming from an album.

In the US, 150 on-demand streams are equivalent to one song download or sale.

On the chart dated June 17, Legend: The Best Of Bob Marley And The Wailers remains the No. 1 album for the 178th non-consecutive week.

Best Of Shaggy: The Boombastic Collection by Shaggy is at No. 2, followed by Dutty Classics Collection by Sean Paul at No. 3.

Stick Figure holds Nos. 5, 6, and 8 with WisdomWorld On Fire, and Set In Stone, respectively. 

Greatest Hits by UB40 stands at No. 7, while Rebelution’s Live At Red Rocks is at No. 10.

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Sean Paul Cancels Show In Order To Spend Father’s Day With His Kids

The content originally appeared on: Dance Hall Mag

Dancehall superstar Sean Paul says he recently forfeited a show, just so that he can spend Father’s Day with his children.

The Temperature artist was speaking with Ebony magazine after being asked what fatherhood was like for him at age 50, and what he was “most looking forward to for Father’s Day.”

“Let me tell you something. I literally just cancelled a show that was supposed to take place on Father’s Day because I want to spend it with mi pickney,” Sean said.

“Fatherhood is a new chapter of life for me, you know.  I’m someone who did this late. But, they keep me feeling young, and remind me so much of myself. I think they are the best song I ever wrote. It’s all still new for me, but it’s such a blessing,” he added.

Sean Paul became a father at age 44, when he and wife Jodi ‘Jinx’ Henriques, welcomed their son Levi Blaze Henriques in February 2017 after five years of marriage.  

They welcomed their second child, a daughter named Remi Leigh Henriques, in August 2019.

In April last year, the doting dad had revealed to the Star that he took his daddy duties so seriously that he had wasted no time in returning home from Las Vegas following the GRAMMY Awards ceremony, not because SOJA won the Best Reggae Album Grammy Award, but because he “needed to be in Jamaica,” to attend Levi’s sports day.

“The Grammys was in the night and I left basically 4am… and sports day was the next day. Certain things are important in a child’s life and, even right now, I’m scheduling a lot of things around what my children are doing, what’s on their timetable. A schedule is important to them, [so] from meetings to studio and rehearsal times, I schedule a lot around them,” Sean had explained at the time.

Sean Paul also said that he wanted to be a role model for his own children, and to have his presence felt, unlike in his own childhood, where his father was absent from his life for the most part.

The eldest of two boys born to Frances and Garth Henriques, Paul grew up in a multi-ethnic family in upscale Kingston.

When he was about 9 years old, his father, a former coach of Jamaica’s National Water Polo team, made headlines in the summer of 1982 when he was found floating on a life raft about 30 miles east of Port Everglades in Florida with 700 pounds of marijuana that he had attempted to fly in from Jamaica.

He also told Ebony that while his career causes him to spend a lot of time away from his family, one of his main goals in life is to ensure his two children know what it feels like to have fatherly love.

“I know what it feels like to have that void of not having a parent around and I fortunately made it through because I had one parent that really cared and put in a lot of dedication and time.   I figured, maybe if I had two parents doing that, the influence would have been greater and I would have more discipline in areas that I do not,” he had explained.

“When I have to be away, I have to be away. But when I am here, I definitely want them to feel that. To influence children in a positive way, that’s my effort,” he added back then.

Last year, in a News In Germany interview Sean Paul had while it was hard to spend copious amounts of time with his family due to constant touring, he always tried to “FaceTime them often, sometimes even during the show”.

“My children know what I do for a living. My son maybe a little more. He’s seen me on stage – and now he’s face-timed with me while I perform. My daughter knows what I’m doing, but she’s only two years old. So I don’t think she realizes the extent of my work yet. But it’s great to be a father. Even with my job, I can come home and be a normal person to them and just be a parent, that’s great,” he had said.

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Making From “Black Gold To Green Fields” A Reality In Guyana

By Dr. H. Arlington D. Chesney

News Americas, WASHINGTON, D.C., Mon. June 19, 2023: In an April 2023 article by Terrence Blackman and Carolyn Walcott, From Black Gold to Green Fields: The Promise of Guyana’s Oil Wealth in Supporting Agriculture”, the authors emphasized Guyana’s significant oil and as revenues with a projected extraction rate of 1.7 million barrels of oil per day by 2030 and how that could translate into an agricultural revolution for Guyana.

They identified agriculture’s critical input to minimising Guyana’s chances of experiencing the resource curse. Investments, with emphasis placed on small farmers, were recommended to catalyze farming practices and diversification. Small farmers are traditionally the dominant producers of domestic food requirements but have been historically “undermined by the privileging of the plantation sector”.

The major challenges to small farmers, such as increased efficiency and productivity were restated as requiring: focused research and education; enhanced technology  with special attention to climate change resilient systems; improved infrastructure, such as, farm to market roads and drainage and irrigation systems; enhanced support from strengthened institutions; and increased accessibility and availability of appropriate finance.

In my own pieces from February 2022 to January 2023, I also advocated for the use of oil revenues to achieve such an outcome. In November 2022, this point was supported by Finance Minister Ashni Singh, who called for restructuring and modernising the agricultural and food sectors, emphasising the critical role of small farmers. Initiatives and/or actions within the four (economic, environmental, social and institutional) pillars of sustainable development were recommended to address key challenges that would have contributed to making “From Black Gold to Green Fields” a reality.

Agriculture is not always readily identified as a prime beneficiary of oil wealth. Consequently, returning agriculture to the “front burner” to facilitate conversion of “black gold to green fields” requires timely, planned and focused implementation of many discrete but interrelated activities by both public and private sectors.

My earliest piece established that significant quantities of reliable, safe and nutritious supplies of food are required by the offshore vessels (OSVs) involved in oil and gas activities plus the plethora of planned multi-starred hotels. This provides excellent opportunities for small and medium sized farmers to hone their technology, processes, and organisational skills. Small farmers were prioritised because:

They are experienced in the production of commodities, such as, fruits, vegetables, meats, particularly poultry and pork, and eggs, that are primarily needed by the OSVs.

In the November 2022 op-ed, Guyana is  reported to have had an unfavourable Inequality  Development Indexand, in 2018, a poverty level of 48%: making it imperative to support businesses from the ground level up.

Guyana’s Minister of Agriculture, Zulfikar Mustapha, stated in August 2021 that “small holder farmers are the key players in food security”, thus reemphasising their importance.

However, both persons recognised that, for their efficiency, small farmers require empowerment through organisation, improved infrastructure, availability of relevant technology, institutional support and meaningful policies. This support is critical, as the OSVs require timely and reliable quantities of safe and nutritious foods at large scale.

The Government has called for supply locally sourced food for the OSVs—a step in the right direction—but challenges remain. Producers must be able to supply consistent quantities and qualities of food to large corporate operations. Even with a strong local content policy, few farmers in Guyana currently have experience providing the necessary level of logistics.

Small farmers must: be organised so as to improve their technical capacity; develop meaningful linkages with the established commercial sector in order to better understand other actors in the value chain; and be involved in programming for supplying the OSVs. They will then become meaningfully satisfied beneficiaries of the oil and gas sector.

Well-managed, focused innovative and proactive research could result in sustainable production of commodities, including those produced by small farmers. Such research, contributing to improved social equity, must include:

production and use of inputs derived from the petrochemical industry for primary and secondary production;

commercial testing on innovative technologies including AI;

policies that address constraints, such as, praedial larceny, to commercial production;

programmes to ensure systems resilient to the more frequent and harsher climate change impacts; ensuring both quality and quantity of the owner and labour cadre.

The educational curricula, primary level upwards, must include Science, Technology, Engineering and Mathematics (STEM) disciplines to ensure the cadre of necessary skill base.

The timely and successful implementation of these actions are critical to (a)enhancing quality of life of small farmers, and (b) ensuring viable management of the entire value chain, from input production to consumption of primary or processed product. Thus contributing to national sustainable development and a modernised and restructured sector.

Guyana, like most Small Island (and Low Lying) Developing States (SIDS), has experienced negative impacts (mainly floods and droughts) of more frequent and intense climate change events. This is particularly critical as 98% of Guyana’s population and economic activity reside on its low lying coastal and river areas. The author as well as the Government, which in its Low Carbon Development Strategy (LCDS) 2030, has critically recognised that agriculture must attract special attention as its most socioeconomically important crops (sugar, rice, fruits, vegetables) and livestock (sheep, cattle and poultry) reside in these areas.

The Government, for the public good, must construct sea and river defences, repair existing coastal infrastructure and expand water management facilities. Both Government and farmers must adopt/modify mitigation and adaptation measures to enhance sustainable production within resilient systems. Additional measures that prioritise natural coastal defences, like maintaining healthy mangrove ecosystems, should be given priority.

The institutional challenge, the most recently identified pillar of sustainable development, was described in November 2022 as “the glue that binds the other pillars”. Lack of properly designed and/or structured institutions, coupled with inadequate human resource capacity, has been established as a major potential cause of the resource curse for “new” wealthy oil and gas nations. Signs have been positive thus far but investing in strong institutions, guided by international best practices, will continue to be vital.

There are many additional ongoing activities in Guyana’s agricultural sector. These are a) geospatial, with the initiation/expansion of commercial production in non-coastal areas, for example, the Intermediate Savannahs (corn and soybeans) and the Pakaraimas (vegetables and onions); b) expansion of commercial production of, for example, sheep (black belly) and inland fisheries; c) intensification of “youth friendly” technology and practices (shade house production); and d) consequently, intensification and expansion of policy, education, research, extension and administrative  activities.

Institutional reorganisation, refocusing and retooling require significant “engine room” activities, with results not generally public knowledge. It’s anticipated that such activity is ongoing.

The final challenge is appropriate (available and accessible) finance to conduct the activities necessary to make agriculture, with climate resilient systems, a key economic driver, if and when the world begins its eventual transition away from oil and gas dependency.

International agencies and/or developed countries have not committed to provide funds required to develop climate resilient agricultural systems. For example, at COP27, no indelible pledges were made to meet the US$100 billion grant funds needed annually by developing countries for mitigation and adaptation practices to address negative impacts of climate change. Identifying this grant financing inadequacy, developing countries must provide, from their own treasuries, the funding needed.

Recognising this dilemma, the USA in December, 2022 promised to support SIDS with grant funds. Within Caricom, Barbados accessed a loan from the International Monetary Fund, through its new Resilience and Sustainability Facility, to support the country’s adaptation and mitigation programmes.

Fortunately, Guyana, based on its estimated recoverable oil of 11 billion barrels, will have finances to implement activities, previously described as being for the public good. Unfortunately, with the possible exception of Suriname and Trinidad and Tobago, other CARICOM nations will not have such funds. Guyana for extensively documented reasons, cannot endure mass illegal intra-regional  migration. Perhaps, in recognition of this, Barbados’ PM, Mia Mottley, has premised that oil and gas windfall is “necessary to uplift Caribbean people”.

Guyana needs to seriously consider establishing a Fund to support sustainable development objectives across CARICOM member states. This could work within or alongside the already-successful Natural Resources Fund as a vehicle for making smart investments that would also benefit the broader region, similar to the Petroleum Fund that Trinidad and Tobago established during its oil and gas “heyday” and from which many regional development initiatives benefited.

The above addressed finances that would normally be available to governments. However, commercial production is being conducted by primarily small farmers. Historically, this group has experienced major difficulties in accessing funds which may be available from commercial financial institutions. Grants are required in the interim for specific activities.  The oil companies, that are enjoying tremendous revenues, have been identified in as such a source to supplement that being provided by regional governments, particularly Guyana and Trinidad and Tobago.

With the United Nations reporting global hunger at 821 million (10 % global population) and China allegedly targeting USA food reserves, and reported growing regional food insecurity, it’s imperative for Guyana and, by extension CARICOM, to make “Black Gold to Green Fields” a reality. However, for this objective not to succumb to the ever-present Implementation deficit, focused programmes, projects and appropriate supportive policies, which must be regularly monitored and evaluated, should be conceptualised and implemented. This initiative must be guided by Martin Luther King’s the “Urgency of Now”.

EDITOR’S NOTE: Dr H Arlington D Chesney is a leading Caribbean agricultural professional who has served his country, the Caribbean and the hemisphere in the areas of research, education and development. He’s a professional Emeritus of IICA and, in 2011, was awarded Guyana‘s Golden Arrow of Achievement for his contribution to agricultural development in Guyana and the Caribbean.     

MLS Celebrates Juneteenth With ‘The Seeds We Plant, The Flowers We Share,’ Initiative

News Americas, NEW YORK, NY, Sat. June 17, 2023: In honor of Juneteenth 2023, Major League Soccer, (MLS), has announced the launch of its annual Juneteenth initiative for 2023, titled “The Seeds We Plant. The Flowers We Share.” Additionally, select MLS matches will feature the Black National Anthem, “Lift Every Voice and Sing.” This began on June 14 and continued throughout the weekend’s games on June 17th.

The initiative is inspired by the artwork of Black artist Gianni Lee and aims to honor the contributions of Black Americans while raising awareness about their significant role in soccer and society. The Juneteenth programs are a collaborative effort between MLS, clubs, and Black Players for Change, (BPC), an independent organization comprising Black MLS players, coaches, and staff working to bridge racial equality gaps.

Lee, the artist behind the design, emphasized the power of storytelling and its ability to spread information. Through the Juneteenth soccer jersey, Lee aimed to narrate the tale of African cultural unity in the diaspora and demonstrate its flourishing presence within American society. His design incorporates a “blue hand” motif, symbolizing this unity.

The 2023 Juneteenth initiatives by MLS continue their commitment to drive positive social change and promote racial reconciliation. In November 2021, MLS introduced updates and enhancements to its Diversity Hiring Policy for sporting positions within clubs, with a specific focus on hiring Black candidates. In March 2022, MLS made history by securing a $25 million loan exclusively from a syndicate of Black banks, facilitated by the National Black Bank Foundation. Through previous Juneteenth celebrations, MLS has already raised over $300,000 for local organizations supporting Black communities in MLS cities. The proceeds from this year’s Juneteenth initiatives will also benefit organizations uplifting Black communities in MLS markets.

Renowned photographer and founder of Charcoal Pitch F.C, Mel D. Cole, has been chosen as the creative lead for the Juneteenth campaign. Cole, in collaboration with Gianni Lee, has designed the 2023 MLS Juneteenth-inspired collectible jerseys titled “The Seeds We Plant. The Flowers We Share.” Cole, from the agency Charcoal Pitch F.C, highlighted the alignment of Juneteenth’s values with his agency’s principles, emphasizing the importance of freedom. He mentioned the agency’s commitment to ensuring authentic representation of Black individuals throughout the campaign, from involving talented artist Gianni Lee to hiring professionals who understand and resonate with the significance of Juneteenth.

These jerseys will be autographed by players including Jamaican national Akeem Ward and Omar Cummings as well as Noah Delgado of Puerto Rico and Fafa Picault of Haiti. They will be auctioned off, with the proceeds benefiting organizations that make a positive impact on the Black community in each MLS club’s local market. Additionally, a commemorative patch representing each of the 29 MLS clubs has been designed to complement the unique jerseys.

Fans can participate in the auctions by visiting MLSauctions.com. Further, fans will have the opportunity to purchase patches and numbers from the Black Players For Change website, apart from bidding on the collectible jerseys.

Tunde Oguntimein, Vice President of the Commissioner’s Office of Major League Soccer, expressed the importance of recognizing Juneteenth as a significant moment in American history and celebrating the freedom, contributions, and rights of Black Americans. He highlighted the pride in partnering with Black Players For Change and collaborating with Mel D. Cole and Gianni Lee to capture the cultural significance of Juneteenth.

Earl Edwards Jr., President of Black Players For Change, emphasized that Juneteenth allows reflection on history and appreciation for the progress made. He commended the collaboration between Black Players For Change and MLS, citing the Juneteenth jersey as a testament to the remarkable work accomplished together. Edwards also expressed anticipation for fans to witness the final jersey, enhanced by the contributions of Cole and Lee.

Yellowman’s Zunggunzungguguzungguzeng Celebrates Its 40th Anniversary

News Americas, NEW YORK, NY, Fri. June 16, 2023: Jamaican emcee and dancehall great Yellow Man is marking a milestone.

His iconic Dancehall masterpiece, ‘Zunggunzungguguzungguzeng,’ marks its 40th anniversary this month! Back in June 1983, Greensleeves Records seized the opportunity to release a timeless LP featuring the hottest emcee in reggae and dancehall, Yellowman.

Born Winston Foster, the lyrical genius had already made waves in 1982 with chart-topping hits like “I’m Getting Married,” “Duppy Or Gunman,” and “Lost Mi Love.” When the single “Zunggunzungguguzungguzeng” hit the streets, it instantly became a sensation, solidifying its place in the early dancehall sound on record. This massive track remains a classic in both reggae and dancehall genres, boasting nearly 37 million streams on Spotify alone and dominating Yellowman’s streaming catalog.

The LP, also titled Zunggunzungguguzungguzeng, naturally followed the success of the single, targeting the global market. Produced by the legendary Henry Junjo Lawes and backed by the talented Roots Radics band, the ten-track album features remarkable rub-a-dub collaborations (many with Fathead) that embody the essence of dancehall.

These tracks pay homage to the early reggae and rocksteady eras, incorporating familiar elements from classic songs. For instance, the title track draws inspiration from Alton Ellis’ “Mad Mad,” “Rub A Dub A Play” references Vin Gordon’s “Heavenless,” “Who Can Make The Dance Ram” incorporates the nursery rhyme “Three Blind Mice,” “Yellowman Wise” is reminiscent of Derrick Harriott’s “Solomon,” and “Take Me To Jamaica” echoes The Heptones’ “Get In The Groove.” The entire album serves as a testament to Yellowman’s exceptional talent and showcases a timeless blend of emcee skills and captivating versions.

Listen to it here:

Caribbean Travel News And Deals

News Americas, NEW YORK, NY, Fri. June 16, 2023: Here are the top Caribbean travel news and deals this week in 60 seconds.

Good news for the Caribbean this year as forecasters anticipate an average Atlantic hurricane season with 12 to 17 named storms.

But forecasters are also predicting an increase in heat waves and hotter nights as well as intense rain and flash flooding in some regions until November.

Get ready to fly non-stop from Orlando to St. Maarten on Frontier Airlines. Frontier’s Orlando-St Maarten service is now operating once weekly, on Saturdays, between Orlando International Airport and St Maarten’s Princess Juliana International Airport.

American Airlines is launching new flights this winter to some of the most popular vacation destinations. The carrier’s hub airport in Charlotte, North Carolina (CLT) will have nonstop daily flights to Belize City, Belize (BZE); Curaçao (CUR); Puerto Plata, Dominican Republic (POP); and St. Croix, U.S. Virgin Islands (STX) in the Caribbean.

Book at aa.com

This Nov. 4th you will be able to fly non-stop for the first-ever from Los Angeles International Airport to Nassau’s Lynden Pindling International Airport in the Bahamas on JetBlue. Book on jetblue.com.

Get to Summer Sizzle in the BVI this July 26th-31st via the first ever daily nonstop Flight from Miami to Beef Island , BVI via American Airlines. Book on aa.com

Blue Diamond Resorts Royalton Grenada​ is offering a Pay now, Save More package that includes 20% off your stay when paying upfront. Book Now HERE

Spice Island Beach Resort located on Grand Anse Beach in Grenada is offering an Escape for the Summer package from now until July 29th that​includes 20% off rates and free stays for up to two children (ages 5-11) when sharing a room with adults. Book at spiceislandbeachresort.com

And Be one of the first to experience An Ascent Cruise by booking one of the Preview sailings, such as the 4-Night Western Caribbean voyage on November 22, 2023, or the 3-Night Bahamas getaway on November 26, 2023. Book Now HERE