Why Our Dreams Sometimes Know Us Better Than We Do

By Ron Cheong

News Americas, TORONTO, Canada, Tues. Dec. 9, 2205:  With Christmas fast approaching, thoughts inevitably turn to ‘A Christmas Carol,’  Charles Dickens’ timeless tale of Ebenezer Scrooge, a man so tightly wound that even his dreams staged an intervention.

Behind the ghosts, the moral uplift, and the supernatural theatrics lies something very down-to-earth: a man being forced to sit through the psychological cinema of his own unconscious. Scrooge didn’t get spirits – he got dreams with a production budget.

So, in the spirit of the season, we take a lighter look at the dream world Dickens so wisely tapped into, where forgotten memories, repressed feelings, and questionable late-night snacks all come together in a show that nobody bought tickets for.

The Nightly Movies No One Asked For

Whether we like it or not, we all operate a small, unregulated cinema in our heads. Every night the projector snaps on and we’re shown a private screening:

a thriller,

a romantic comedy (starring people we’d never cast),

or an anxiety-fuelled disaster film directed by leftover curry.

Sigmund Freud, Victorian psychology’s biggest Dickens fan, believed dreams were windows into the unconscious. And while many of his original theories have since been gently retired, one idea still resonates:

Still, the old idea lingers: our dreams often know things about us that our daytime selves politely ignore.
And thank heavens they do, because without dreams we’d have no idea what our minds get up to when left unsupervised. Dreams are basically the office Christmas party version of the mind: louder, stranger, and someone always ends up dancing with unresolved trauma.

Once consciousness clocks out for the night, the unconscious grabs the keys and announces:
“Right then. Time to unpack your emotional baggage. But let’s do it in costume.”

What follows is our cheerful, seasonal walk through the Dickensian theatre inside all of us—minus the ghosts, plus more questionable symbolism.

The Grocery-List Dreams: A.K.A. Brain Maintenance

Some dreams are incredibly practical:

the leg-cramp emergency broadcast,

the “where’s the toilet?” scavenger hunt,

and the famous “what demon possessed me to eat spicy food at midnight?” drama.

These are the Scrooge-before-redemption dreams: blunt, cranky, and strictly task-oriented.

The Universal Classics: Humanity’s Shared Embarrassments

Then come the classics:

falling,

flying,

showing up to work naked except for confidence you do not possess.

Dickens taught us that the human condition is universal. Dreams confirm this by reminding us that everyone, everywhere, occasionally imagines themselves accidentally attending a meeting in their underpants.

When Dreams Hit A Little Too Close To Home

Then there are those dreams -the sticky, symbolic ones where your childhood home, your boss, your ex, and a giraffe all merge into one confusing emotional metaphor.

These are the dreams that force you, over your morning coffee, to mutter:
“What exactly is my brain trying to tell me, and why did it choose interpretive chaos as the medium?”

Modern psychologists would say: because you ignored it during the day. Dreams are emotional customer service—and they work night shifts.

How Our Inner Scrooges Shape Our Dreams

Just like Dickens’ ghosts tailored their messages to Scrooge, our dreams reflect our personality styles – some gentle, some dramatic, some in full Broadway regalia.

1. The Well-Adjusted Dreamer: Christmas Spirit Lite

If you’re generally optimistic, your dreams tend to be more “gentle nudge” than “haunting.”

A dream of missing the train =
Pardon me, maybe lighten your schedule? Kind regards, Your Brain.

A forgotten exam =
A small reminder that you need a break. Warmly, The Subconscious.

These dreamers get the Ghost of Christmas Past with a cup of tea and a kindly tone.

2. The Timid or Anxious Dreamer: Christmas Drama Edition

For the worriers, the unconscious does not hold back.

Missing the train becomes:
THE ENTIRE RAILWAY NETWORK HAS COLLAPSED AND IT’S YOUR FAULT.

Forgetting the exam becomes:
You’re writing it in the wrong century, with the wrong people, in a towel.

These dreamers get all three Dickensian ghosts at once, each carrying a clipboard.

3. The Narcissist: A Full Scrooge-Before-Redemption Production

Meet “Victor” a modern Scrooge minus the self-awareness.

By day:
He radiates confidence, avoids introspection, and posts heroic quotes about misunderstood brilliance.

By night:
The unconscious stages symbolic catastrophes:

He wins awards – but no one claps.

He gives a grand speech – but his microphone dies.

He enters a room – but the room sighs.

These dreams aren’t punishing him – just giving his ego the performance review it refuses to schedule.

But like pre-conversion Scrooge, Victor wakes up annoyed and blames the bed, the pillow, or society at large.

How Dreams Smuggle In the Truth

Dreams use symbolism because it’s the only way the unconscious can slip difficult truths past security.

Annoyed with someone? They show up in your dream disguised as a hybrid of:

your boss,

your mother,

and someone who once cut you off in traffic.

Avoiding a problem? It shows up as a symbolic plot twist so bizarre even Dickens would say, “Alright, that’s a bit much.”

Everyone’s dream symbols are unique – a private dictionary the ghosts of past, present, and future all share.

Why Talking Helps (Scrooge Could Have Used Therapy)

Freud called it the “talking cure.”
Dickens called it “three supernatural visits and a moral reckoning.”

Whether through a therapist, a friend, or a long reflective walk, acknowledging what a dream hints at often provides the relief we didn’t know we needed.

Scrooge did it with ghosts.
We can do it with fewer nightgowns and less fog.

Final Word: Don’t Wait for Three Ghosts

Dreams don’t always hold grand revelations. Sometimes they’re just housekeeping. But they do highlight the parts of ourselves we ignore during daylight hours.

Well-adjusted people get gentle seasonal reminders.
Timid people get Dickensian drama.
Narcissists get full musical productions – though they rarely give them good reviews.

If there’s a lesson, it’s this:
Pay attention to your inner life now, so your dreams won’t have to stage a Christmas-themed intervention later.
Scrooge waited for ghosts.
You don’t have to.

EDITOR’S NOTE: Ron Cheong, born in Guyana, is a community activist and dedicated volunteer with an extensive international background in banking. Now residing in Toronto, Canada, he is a fellow of the Institute of Canadian Bankers and holds a Bachelor of Science degree from the University of Toronto. His comments are his own and does not reflect those of News Americas or its parent company, ICN.

There It Is, The G-Word: An Exploration Of Gentrification, Memory, And The Unfinished Fight For Home

By Nyan Reynolds

News Americas, NEW YORK, NY, Tues. Dec. 9, 2025: There are certain words you avoid as a writer because they carry emotional landmines. You avoid them because they evoke old wounds, introduce political tension, or reveal uncomfortable truths that society is still not ready to confront. Gentrification has always been one of those words for me. I remained silent on it for years. I stayed away from debates that felt too charged or too politicized. I convinced myself that objectivity required restraint. Yet, there comes a moment in a writer’s life when silence becomes a betrayal of lived experience. Today is that moment. There it is, I finally said it. The G-word.

I grew up in inner-city America. Before that I grew up in Kingston, Jamaica where race was not the lens through which people experienced the world. My understanding of privilege and oppression was shaped by class structures and colonial residue, not by skin color. When I moved to the United States at the age of thirteen, the first place I lived at was the South Bronx. Simpson Street, Intervale Avenue, then Gun Hill Road, etc. These were not the glamorous symbols of the American dream. They were gritty and alive, tough yet communal, and they carried a pulse that outsiders rarely understood. If you were not from those neighborhoods, you stayed away. But for those who lived there, these places were home. They were the first chapters of my American story.

I remember my early visits to Harlem in 1999, long before its renaissance was mainstream, when 125th Street exploded with music, laughter, street art, food, and the distinct feeling of belonging. You could walk down Adam Clayton Powell Boulevard and feel the rhythm of a people who had created beauty from struggle. Harlem was a cultural mecca, a world within a world, a place that reflected the fullness of Black identity. To someone coming from Jamaica where racial tension was not embedded into everyday life, Harlem was powerful. It was bold. It was love wrapped inside resistance.

Over the last twenty years, however, the Harlem I knew has changed. So has the South Bronx. So has Brooklyn. So have dozens of communities across the United States. And the leading force behind that transformation is the very word I avoided: gentrification.

The First Lesson: What I Thought I Knew

When I started my graduate program in Public Health, I had a professor who altered the course of my worldview. Dr. Green, a white American woman with a fierce understanding of socioeconomic inequality, assigned a simple task. She asked us to write about whether gentrification was good or bad for minority communities. At the time, my argument was that it was good. I came from neighborhoods lacking resources. We did not have access to fresh groceries, quality schools, healthcare facilities, or safe recreational spaces. Businesses did not dare enter certain blocks of the South Bronx or East Harlem. When gentrification brought stores, transportation upgrades, and new buildings, it felt like an upgrade. It felt like the kind of revitalization every forgotten community deserved.

I wrote my paper with conviction. I believed my stance was morally sound. I believed improvement meant progress. And I will never forget the look Dr. Green gave me after reading it. It was not disgust. It was disappointment. She challenged the inadequacy of my position because I had missed the heart of the matter. I had overlooked the most critical element of gentrification: its human cost.

What she explained to me became the foundation of my evolving understanding. She showed me that gentrification is not merely about economic uplift. It is about the destruction of culture. It is about the erasure of history. It is about the displacement of families who have already survived decades of hardship, only to be forced out once the value of their neighborhoods becomes recognized. She taught me that revitalization without protection is not improvement. It is invasion. It is the theft of memory masked as progress.

Walking Through Harlem With New Eyes

Years later, as a more seasoned scholar and professional, I walked the streets of Harlem again. It was 2015, and I saw a very different landscape. On the West Side, near Frederick Douglass Boulevard, I saw Whole Foods, designer shops, trendy restaurants, and buildings with rent prices that rivaled Midtown. They were marketed as the new Harlem, the reimagined Harlem, the “finally improving” Harlem. But when you crossed east of Fifth Avenue, reality shifted. Suddenly it felt like a different world. It looked like the aftermath of a society that had given up on its people. It looked like abandonment.

East Harlem had become a shoebox in many ways, overcrowded and starved of opportunity. It was still plagued by drug use and homelessness, yet ironically, many of the homeless individuals you saw on the East Side were formerly housed West Side residents who were priced out of their homes. They were pushed across avenues and told to make do. They were casualties of an economic model that rewarded newcomers and punished the original custodians of the community.

It is here that the moral and societal implications of gentrification become unavoidable. If a new community can only flourish when the old one suffers, is that truly progress? And why has gentrification become such a zero-sum game? Why does someone have to lose their home for someone else to gain convenience? Why does someone’s cultural identity have to be erased for fancy coffee shops to appear?

This is not an argument for equal distribution of wealth. This is not an argument for everyone receiving the same opportunities in a capitalist society. The point is far deeper. It is about acknowledging that urban development without equity is simply modern displacement. It is repackaged inequality. It is the same injustice with a cleaner tone and a more polite vocabulary.

The Movie That Warned Us Before We Understood

There was a film I watched when I was younger, starring Laurence Fishburne, Cuba Gooding Jr., and Ice Cube. Fishburne played a professor who warned the younger characters about gentrification. At the time, none of us truly grasped what he meant. It sounded theoretical and distant, a concept belonging to policy analysts, not the average kid on the block. As children, we saw it as an academic idea, not a lived threat.

Years later, many of the kids who watched that movie saw their own families pushed out of their homes. Many saw their parents lose their property, not because they were financially irresponsible, but because the rules of the game shifted. New developers, new buyers, new price points, new language, new loopholes. And suddenly the people who had held their communities together through the drug epidemic of the 70s, the violence of the 80s, and the crippling hardships of the 90s were being told they did not belong in the very places they helped sustain.

Communities that survived poverty, racism, underfunded schools, disinvestment, police aggression, and systematic neglect were defeated not by drugs or violence, but by rising rent. They were defeated by an economic apparatus they never agreed to. They were defeated by valuation models that had nothing to do with their lived reality.

What happens to a community’s spirit when the last blow comes not from hostility but from “progress”? What happens when survival is no longer enough to stay?

A Question That Cuts To The Soul: Can These Communities Ever Heal?

A friend once asked me whether the people who lived through these eras could ever truly heal. It is a profound question. Healing is possible when harm is temporary, when the wound is localized, and when the environment eventually becomes safe again. But how do you heal from something that takes not your possessions but your place? How do you heal from losing your community, your roots, your cultural ecosystem, your memories? What do you do when survival is followed by displacement rather than relief?

People have survived the 70s slums, the 80s crack era, the 90s policing crisis, mass incarceration, unemployment, and urban decay. Many of those same people now face the emotional devastation of losing their homes to rising rent, legal manipulation, or private development. They survived decades of external threats only to lose their neighborhoods to a process disguised as improvement.

Healing requires acknowledgment. Healing requires truth. Healing requires inclusion. Yet in gentrified landscapes, the narrative rarely centers the displaced.

It centers property value.
It centers new businesses.
It centers rising tax revenue.
It centers the “new community.”

So where does the healing begin? And more importantly, who leads it?

The Moral Examination Of Gentrification

Gentrification is often framed as an economic phenomenon, but beneath the economics lies a moral crisis. It raises questions about justice, equity, and dignity. It forces us to confront who deserves stability and who is treated as replaceable. It exposes the cracks within urban planning, public policy, and political priorities.

At its core, gentrification represents a failure of policy and imagination. It exposes our inability to revitalize neighborhoods without sacrificing the people who built them. It shows how far we are willing to go to pursue growth, even when growth becomes synonymous with erasure.

We must ask whether revitalization is truly revitalization when it excludes the original residents from enjoying the benefits. We must ask whether it is progress when affordability becomes a relic of the past. And we must question why displacement has become an acceptable byproduct of development.

Where Do We Go From Here? A Future Beyond Zero-Sum Thinking

If we are willing to confront the truth, then we can also imagine a future that does not rely on displacement. A post-gentrification vision is possible. It requires leaders, policy makers, developers, and communities to rethink the fundamental principles of urban development.

A better model would include:

1. Affordable housing guarantees for original residents.
Long-term affordability must be protected through legal structures, not political promises.

2. Community land trusts and resident ownership.
When the community owns the land, displacement becomes optional, not inevitable.

3. Cultural preservation zones.
Protect the identity of neighborhoods in the same way historic districts are protected.

4. Equitable development frameworks.
Prioritize local hiring, local businesses, and generational wealth for long-time residents.

5. Mixed-income models that center dignity.
Housing should not segregate communities based on economic worthiness.

6. Public health analysis in development decisions.
Look at the psychological and social effects of displacement, not just economics.

7. Policy reform that places humanity at the center.
Cities should not become playgrounds for the wealthy at the expense of the poor.

Healing begins when people are no longer treated as collateral damage. Healing begins when development becomes inclusive rather than extractive. Healing begins when we stop believing displacement is the price of progress.

Final Thoughts: The G-Word And The Courage To Confront It

For years, I avoided speaking about gentrification. I thought neutrality was safer. Yet neutrality in the face of cultural loss is a quiet form of surrender. Gentrification is not simply a policy issue. It is not merely an economic trend. It is a human story, one filled with memory, identity, displacement, and unspoken grief.

Communities are not just geographical spaces. They are living archives of struggle and triumph. When they are erased, something irreplaceable disappears.

So here I am, no longer silent, finally naming it. Gentrification. The G-word that reshaped the communities I knew, the neighborhoods that raised me, and the places that shaped who I am today. We must explore it, question it, and challenge it, not with rage but with understanding. Not with despair but with vision. Not with resignation but with hope that the future does not have to mirror the past.

This is the real work of writers, leaders, and thinkers. To see what is broken, to understand why it matters, and to imagine what can be rebuilt.

EDITOR’S NOTE: Nyan Reynolds is a U.S. Army veteran and published author whose novels and cultural works draw from his Jamaican heritage, military service and life experiences. His writing blends storytelling, resilience and heritage to inspire readers.  

Veteran Gospel Artist Releases New Single Offering Hope To Jamaicans Affected By Hurricane Melissa

News Americas, New York, Tues. Dec. 9, 2025: A veteran gospel artist has released his highly anticipated new single, “Breakthrough,” dedicating the uplifting track to Jamaicans recovering from the devastation of Hurricane Melissa.

Robert Bailey with sons Joel (left) and Renaldo. (PHOTO COURTESY OF MARIE BERBICK MINISTRIES INTERNATIONAL)

Described as an “anthem of hope,” the single is now available on all major streaming platforms. Jamaican Robert Bailey, says the song is a reminder that “no matter how dark the storm, a breakthrough always follows the struggle.”

BREAKTHROUGH

“Breakthrough” marks a vibrant new chapter for Bailey, whose music ministry spans more than 35 years, including his years as one half of the celebrated gospel duo Robert and Jenieve. Blending Afrobeats and reggae, the track features lyrics penned by Bailey and his wife, Reverend Marie Berbick-Bailey, and aims to resonate with listeners navigating hardship and uncertainty.

Although its message seems tailor-made for the aftermath of Hurricane Melissa, Bailey revealed that the single was completed before the storm, with its release originally planned for the same week the hurricane hit Jamaica.

“My producer friend Leighton Murray encouraged me to get back into the studio, and ‘Breakthrough’ was the first fruit of that season,” Bailey explained. “But when I saw the devastation in Jamaica, I knew I had to dedicate it to my people. It’s a song to uplift, strengthen and remind us that God always carries us through.”

Bailey, who now resides in Queens, New York, said watching heartbreaking scenes from the island compelled him to offer the single as a source of healing. Still, he remains confident in Jamaica’s resilience.

“My heart broke, but I know my Jamaican people – proud, hardworking and strong. We will bounce back,” he said.

BROWNS TOWN BORN

Born in Browns Town, St. Ann, the same area where the father of former US VP Kamala Harris was born, Bailey grew up in a musically gifted Christian family and began performing widely as a teenager. After winning the Youth for Christ singing competition, he joined The Life Singers, managed by Dale Flynn. He later married fellow group member Jenieve Hibbert, daughter of reggae legend Toots Hibbert, and the pair achieved international gospel acclaim with hits such as Preacher Man, I Can Never Outlove the Lord and The Clay.

Despite their 2018 divorce, Bailey and Hibbert’s contributions remain foundational to contemporary Jamaican gospel music. Bailey has since returned to the studio and plans to release a full album in 2026.

“Breakthrough,” more upbeat than Bailey’s traditionally soulful style, signals an intentional evolution. Bailey credits his wife Reverend Berbick-Bailey – known as “The People’s Pastor”- for helping shape the song’s direction and melody.

“I’m blessed to have my wife walking with me through this new musical season,” Bailey said. “This song was birthed through faith and partnership.”

Robert Bailey and his wife Reverend Berbick-Bailey – known as “The People’s Pastor.” (PHOTO COURTESY OF MARIE BERBICK MINISTRIES INTERNATIONAL)

Bailey continues to perform across the United States and internationally, often alongside his sons Joel and Renaldo, whom he describes as “tremendously gifted singers.” He says balancing family, ministry and music has only strengthened his gratitude.

“I see the hand of God moving. I’m honored to share this journey with my family and to offer music that inspires hope,” he said.

“Breakthrough” is now streaming on Spotify, Apple Music, YouTube Music and all major digital platforms. More information is available on Bailey’s social channels at RobertOBaileyMusic.

LISTEN to “Breakthrough” here