Omah Lay Links With BEAM and Gyptian on Afro-Dancehall Cut ‘As We Get High’
The most interesting thing about “As We Get High” is not who is on it, but who put it together.
The most interesting thing about “As We Get High” is not who is on it, but who put it together.
The moment Koffee walked out on stage at KOKO in Camden, the crowd stopped singing and just screamed.
Few voices in the history of Caribbean music carry the weight, range, and authority of Buju Banton.
Ask any selector worth their weight in vinyl: picking the best dancehall albums of all time is an argument that never ends.
The best dancehall love songs do something that few other genres can match: they compress raw desire, tender devotion, and irresistible riddim into a single track that plays equally well at a Kingston bashment, a London wedding, and a Saturday-morning kitchen.
When the conversation turns to the best Shenseea songs, the sheer range of the catalogue is the first thing that stops you.
One of dancehall’s most lucrative riddims has returned to the spotlight—but for veteran producer Colin “Iley Dread” Levy, the renewed attention has reopened a 23-year-old wound.
Skatta Burrell just said something that a lot of people are going to have strong feelings about.
Malie Donn just proved his UK fanbase is no joke, pulling off a fully sold-out show in London that had people talking well after the last riddim dropped.
Capleton is turning up the heat ahead of his SoulFoodFestival416 appearance, taking to Twitter to remind fans that there are only six days left before he brings “Fyah In The Park” to Vaughan, Ontario.