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Willie Colón: A Voice For Latinos In America Is No More

By Madelyn Herrera

News Americas, NEW YORK, NY, Wed. Feb. 25, 2025: The American-born, Puerto Rico-roots artist Willie Colon, who helped design the sound and swagger of New York, the Caribbean, and Latinos around the world, has died from health complications at age 75. Colón didn’t just break boundaries for a genre that had yet to enter the U.S mainstream; he also championed Hispanic political and social causes.  

Willie Colón performs live during his Idilio Sinfónico concert with Orquesta Filarmonica de Puerto Rico at Coca-Cola Music Hall on August 9, 2025 in San Juan, Puerto Rico. (Photo by Gladys Vega/Getty Images)

His achievements extend far beyond best-selling albums and collaborations with Salsa legends. Colón’s music often carried political messages, but that was just the tip of the iceberg. He didn’t just sing about social issues; he actively engaged with his community, paving the way for many Puerto Ricans and Latinos.

His Awards and Achievements

So influential was his career that he even performed for U.S president Bill Clinton at his inauguration ceremonies in 1993. Over time, his interest in activism grew, leading him to take on leadership roles in various cultural and humanitarian organizations. His music addressed poverty, masculinity, immigration, life in the barrio, and other pressing social issues.

Colón’s journey began at 15, when he was signed to Fania Records, the record label that had other salsa legends like Celia Cruz and Rubén Blades. By 17, he had sold over 300,000 copies of his debut album. He started with a trumpet but later switched to the trombone, creating a sound that reflected the energy of New York. Drawing on styles from Cuba, Puerto Rico, Brazil and Africa, he transformed traditional Cuban music into something that resonated with his Bronx community.

His Activism

His activism first gained national recognition when, in 1995, he became the first minority to serve on the board of the American Society of Composers, Authors and Publishers (ASCAP). This milestone opened doors for emerging Latin artists across the U.S, helping them step forward in a historically challenging industry. Colón also served with the Congressional Hispanic Caucus Institute, a nonprofit that creates opportunities for Latino students,

In 1989, his song “El Gran Varon” made a significant impact on the LGBTQ community by confronting the stigma surrounding HIV/AIDS. The song tells the story of Simon, who moves to the U.S, transitions, and eventually dies, presumably of AIDS, neglected by a father who did not accept him. Colón’s advocacy extended beyond music; he served with the Latino Commission on AIDS and the United Nations Immigration Foundation. He used his platform to support those affected by AIDS< as well as the homeless and vulnerable. He broke the silence in the Latin community around LGBTQ issues and the AIDS crisis.

His Legacy

For his contribution to music and activism, Colón received many awards and honors. In 2004, he earned the Lifetime Achievement Grammy Award from the Latin Academy of Recording Arts and Sciences. In 2015, Billboard Magazine named him one of the 30 most influential Latin artists of all time.

For more than 50 years, Colón has shaped Latin music and inspired generations of artists. His work transformed salsa into a genre that remains vibrant today, infused with Caribbean, African and Latin roots. He will be remembered not only for his groundbreaking music but also for his tireless activism, which paved the way for the Latin music we know today.

Specific funeral arrangements have not been publicly detailed as of press time.

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From The Stage To Strength: Miss Jamaica Universe Recovery Becomes A Story Of Resilience

News Americas, KINGSTON, Jamaica, Tues. Feb. 26, 2026: Three months after a devastating fall at the Miss Jamaica Universe preliminary competition in Thailand, Miss Universe Jamaica 2025 Gabrielle Alexis Henry is no longer defined by the moment that stunned global audiences. Instead, her journey has evolved into a powerful story of resilience, recovery, and Caribbean strength.

Miss Universe Jamaica Gabrielle Alexis Henry’s recovery continues in hospital in Jamaica, three months later.

Henry suffered a fracture and intracranial hemorrhage after tumbling from the stage during the evening gown segment in November, 2025, forcing her to withdraw from the competition immediately. The incident, captured on international broadcast, left supporters across Jamaica and the Diaspora in shock.

But today, the narrative is shifting.

In a recent Instagram update, Henry shared glimpses of her recovery process – from hospital care to physical rehabilitation – including a photo of herself working steadily on a stationary bike in rehab. Her words reflected determination rather than despair.

“At a time when I wanted only to represent Jamaica at my fullest, I faced the most unexpected injury of my life,” she wrote. “My greatest strength has been in choosing to rise, even while I am still on the journey.”

For many Jamaicans, Henry’s recovery speaks to something deeper than a pageant setback. It mirrors a broader Caribbean ethos – one rooted in endurance, faith, and the quiet resolve to rebuild after unexpected blows.

Her gratitude toward neurosurgeons, neurologists, nurses, and physiotherapists in both Thailand and Jamaica also highlights the cross-border collaboration that often supports Caribbean nationals competing on global stages.

Henry, who is also an ophthalmology resident, has not yet returned to medical practice, according to her legal representatives. For now, her focus remains on healing – physically and emotionally.

In a region that celebrates beauty, culture, and achievement, her comeback story resonates as a reminder that representation is not only about crowns and titles. It is also about courage under pressure.

As she continues her recovery, Henry’s message has become one of restoration and renewal – not simply for herself, but for young Caribbean women who see in her the embodiment of grace beyond glamour.

The fall may have ended her Miss Universe run. But in many ways, it has elevated her into something even more meaningful – a symbol of strength in the face of adversity.

Major Lazer’s Boost To The Jamaican Bobsled Team

News Americas, NEW YORK, NY, Fri. Feb. 13, 2026: When American electronic dance music and DJ group Major Lazer stepped forward with a $10,000 donation to support the Jamaican bobsled team at the Winter Olympics in Milan, the gesture represented more than financial help. It underscored the enduring bond between Caribbean culture, diaspora success and national pride on the global stage.

FLASHBACK – Diplo performs onstage during the Major Lazer Mixtape Release Party at Coyo Taco on December 04, 2025 in Miami, Florida. (Photo by Julia Beverly/Getty Images)

The internationally acclaimed music collective – whose roots are deeply intertwined with Jamaican sound system culture – did not just support athletes. They reaffirmed a cultural lineage that continues to propel Jamaica beyond geographic and economic limits.

For a tropical island nation with no natural winter sports infrastructure, Jamaica’s continued presence in Olympic bobsledding has always been a symbol of resilience, ingenuity, and belief. Since the team’s historic debut at the 1988 Calgary Winter Olympics – later immortalized in the film Cool Runnings – Jamaica’s bobsledders have come to represent the audacity of small nations to compete in spaces never designed for them.

Major Lazer’s donation arrives at a critical moment, as the team prepares to compete once again against countries with far greater funding, facilities, and institutional support.

Walshy Fire, a Chinese-Jamaican member of the group, has long emphasized that Major Lazer’s creative DNA is rooted in Jamaican culture. That connection reflects a broader truth: the Caribbean diaspora has become one of the region’s most powerful global assets.

From music stages to Olympic tracks, diaspora success is increasingly feeding back into national advancement. This act of support highlights an evolving reality – Caribbean athletes and cultural ambassadors are no longer operating in isolation. They are part of a growing ecosystem where diaspora influence, cultural capital, and global visibility converge to create opportunity.

The Jamaican bobsled team’s continued journey at this 2026 Olympics is not simply about medals. It is about visibility, identity, and defying expectations as they get ready for their heats on Feb. 16th in Milan.

And Major Lazer’s contribution sends a clear message: Caribbean excellence does not stand alone. It is powered by a global community that understands its value – and is willing to invest in its future.

ABOUT THE GROUP

Major Lazer maintains a deep, foundational connection to Jamaica, blending dancehall, reggae, and soca with electronic beats. Founded in 2008, the group often collaborates with Jamaican artists, headlines local shows, and has recently added British-Jamaican artist America Foster to its lineup. Their 2025 project, Gyalgebra, continues this Caribbean focus. 

The Moss Center Presents Jamaican Jazz Legend Dr. Monty Alexander For A Powerful Black History Month Celebration

News Americas, CUTLER BAY, FL, Feb. 6, 2026: This Black History Month, The Moss Center in Miami brings a living legend to its main stage as world-renowned, Jamaican-born pianist, Dr. Monty Alexander, C.D., O.J., headlines an unforgettable evening of music, culture, and legacy on Saturday, February 21, 2026, from 8:00 – 9:30 p.m.

Titled ‘Monty Alexander: Jamaica To Jazz,’ the concert traces the electrifying journey of Jamaican music into global jazz – told through the hands of one of its original architects. From early ska sessions in Kingston’s first recording studios to international jazz stages alongside the greats, Alexander’s story is the story of Caribbean sound shaping the world. The moment is especially poignant as Alexander reflects on the legacy of Jamaica’s musical giants and the fragility of an era shaped by pioneers such as Jimmy Cliff, Third World co-founder Stephen “Cat” Coore, and legendary drummer Sly Dunbar, whom he has recorded with in the past.

A Pioneer Who Helped Shape Modern Music

Born on June 6, 1944, in Kingston, Jamaica, Alexander’s musical journey began early. By the age of four, he was playing Christmas carols by ear, and by 14, he was performing in local clubs. As a teenager in late-1950s Jamaica, Alexander played in the island’s earliest recording studios and took part in the formative sessions that sparked ska – the rhythmic foundation that would later give rise to reggae.

At just 16, he already had recordings on the Jamaican hit parade before making the leap to the United States. He landed in Miami in 1962 and by 1963, at only 19, had moved to New York City, where he was soon captivating audiences at Jilly’s, the legendary club owned by Frank Sinatra’s close confidant, Jilly Rizzo. This led to a collaboration with Sinatra and later Tony Bennett, Ray Brown, Milt Jackson, Wes Montgomery, Dizzy Gillespie, Miles Davis and Sonny Rollins. Sinatra eventually encouraged Alexander to join him in New York and his career took off. 

For Alexander, jazz and Jamaican music are inseparable – intertwined in a signature sound that is joyful, improvisational, and steeped in history. During the Miami performance, he will use the opportunity to share personal stories from his journey as a pioneer of Jamaican music, offering audiences rare insight into the moments that shaped his extraordinary career.

A Legacy Beyond Compare

With more than 75 albums and performances at virtually every major jazz festival and venue worldwide, Alexander is widely regarded as one of the greatest pianists of all time. He was named the fifth greatest jazz pianist in ‘The Fifty Greatest Jazz Piano Players of All Time’ (Hal Leonard Publishing).

His honors include:

Commander in the Order of Distinction (C.D.) – Jamaica, 2000.

Order of Jamaica (O.J.) – 2022, for sterling global contributions to Jamaican music and jazz.

Honorary Doctorate (DLitt) – University of the West Indies, 2018.

Music With A Mission: Hurricane Melissa Relief

During the performance, the Global Empowerment Mission, (GEM), will collect monetary donations to support Hurricane Melissa relief efforts in Jamaica. Guests are encouraged to visit the GEM table in the lobby. The Moss Center will also collect canned goods and hygiene items, including:

Canned: protein, vegetables, fruits, beans.

Hygiene: toothbrushes, toothpaste, deodorant, feminine hygiene products, toilet paper, wet wipes.

GEM’s Caribbean team, based in Kingston, has already deployed over one million pounds of emergency aid across the island and remains committed to long-term recovery.

Ticket Information

Ticket Prices: $35 – $65 or $80 VIP (includes premium table seating + complimentary wine, beer, or soft drink).

Get Tickets: https://tickets-smdcac.miamidade.gov/TheatreManager/1/login?event=2649 or by calling the Box Office: 786-573-5300

Discounts available for seniors, students, and groups and free parking is available on site.

All patrons, including infants, require a ticket; no outside food or beverages and no strollers are permitted inside the auditorium

Stay Connected With Monty

Keep up with Monty and his journey across stages worldwide:

Facebook: facebook.com/officialmontyalexander

Twitter/X: @_MontyAlexander

Instagram: @monty.alexander

YouTube & Official Website: montyalexander.com

YOU MAY ALSO LIKE: Oliver Samuels And CBS Star Zay Harding To Lead Explosive Easter Revival Of The Rope and The Cross

Oliver Samuels And CBS Star Zay Harding To Lead Explosive Easter Revival Of The Rope and The Cross

News Americas, NEW YORK, NY, Fri. February 5, 2026: Jamaican acting icon Oliver Samuels and CBS television star Zay Harding will headline the cast of The Rope and The Cross, the groundbreaking religious epic by legendary Jamaican playwright Easton Lee, returning to the New York stage for a one-night-only Gala Easter Sunday performance on April 5.

Jamaican acting icons David Heron and Oliver Samuels. Photo courtesy of Karl O’Brian Williams.

The special presentation will take place at the Jamaica Performing Arts Center, (JPAC), in Queens at 7 p.m., following a complimentary Caribbean Cuisine Easter Reception hosted by The Door Restaurant at 5:30 p.m.

Presented as an exclusive staged reading concert performance, the event is produced and directed by BroadwayWorld Award winner David Heron, in special arrangement with the estate of the late playwright.

A Radical Caribbean Reimagining of the Passion Story

Set across rural Jamaica and ancient Jerusalem, The Rope and The Cross shatters traditional depictions of Christ’s passion. Lee’s visionary work reimagines Jesus and Judas as modern-day Jamaican men – young, defiant, and determined to dismantle injustice and inequality.

As state power closes in through deception and manipulation, the two rebels discover a brutal truth: entrenched systems will stop at nothing to silence change. The result is a searing political and spiritual drama that remains as urgent today as when it premiered in Jamaica in 1979.

Legend Meets Leading Man

Samuels, a three-time Actor Boy Award winner, takes on the role of The Shepherd Narrator, guiding audiences through the story across time and place. With a career spanning more than 60 stage productions, Samuels’ film credits include The Mighty Quinn opposite Denzel Washington and Great Moments in Aviation with Vanessa Redgrave. He recently completed the U.S. premiere tour of Di Prodigal Pickney.

Harding – best known as host of CBS’s The Visioneers With Zay Harding, now in its second season with record-breaking 2025 ratings — portrays High Priest Annas, a calculating power broker whose actions help seal the tragic fate of Jesus and Judas.

His acting credits include American Horror Story, Mistresses, and Hawaii Five-O, as well as stage roles including Camelot at American Conservatory Theater.

Honoring Caribbean Theatre Legacy

For Heron, the production continues a mission to preserve and elevate Caribbean theatre on the global stage.

“Two years ago, we presented the American premiere of Alwin Bully’s McBee at JPAC,” Heron said. “With The Rope and The Cross, we are once again honoring a master whose voice still speaks powerfully. Easton Lee captured the rebellious spirit of Jamaica during the era of Prime Minister Michael Manley and drew striking parallels to resistance in biblical Israel. That tension — ancient and modern — makes this play timeless.”

He added, “Oliver and Zay will be seen in ways audiences have never experienced them before. This is not just theatre — it’s a cultural event.”

Event Details

The Rope and The Cross
Easter Sunday, April 5, 2026
Jamaica Performing Arts Center (JPAC), Queens, NY
Complimentary Easter Reception: 5:30 p.m.
Performance: 7:00 p.m.

Tickets on sale: Tuesday, February 10
Tickets: theropeandthecross.eventbrite.com
Early Easter Special pricing through: February 24
Box Office: 646-533-7021

Stella Jean Brings Haiti’s History And Pride To The 2026 Winter Olympics

News Americas, NEW YORK, NY, Weds. Feb. 4, 2026: After crafting the widely praised opening ceremony outfits for Team Haiti at the 2024 Paris Summer Olympics, Haitian-Italian designer Stella Jean is once again partnering with the island nation — this time to design its uniforms for the 2026 Milan–Cortina Winter Olympics.

Haitian-Italian designer Stella Jean is once again partnering with the island nation — this time to design its uniforms for the 2026 Milan–Cortina Winter Olympics.

Team Haiti’s Winter Olympics delegation may be small, but its cultural footprint is anything but. The 2026 team includes just two athletes — Richardson Viano, 23, and Stevenson Savart, 25 — yet Jean is ensuring their uniforms carry the weight of Haitian history, identity, and global presence.

In an interview with the Associated Press, Jean revealed that her original designs featured an image of Toussaint Louverture, the former enslaved general who led the revolution that established the world’s first Black republic in 1804.

“We have a commitment and a responsibility to convey a message,” Jean said. “There are many messages in this uniform. There is a bit of Haiti’s history, there is a representation of one of the fathers of the nation — Toussaint Louverture — a man feared by the most powerful on earth, such as Napoleon.”

However, the International Olympic Committee flagged the image as a violation of Olympic rules prohibiting political, religious, or racial propaganda at Olympic venues, forcing Jean and her team to rework the design.

“Rules are rules and must be respected, and that is what we have done,” Jean explained.

Drawing inspiration from a painting by Haitian artist Edouard Duval-Carrié, which depicts Louverture riding a red horse, Jean collaborated with Italian artisans to reinterpret the imagery without the historical figure. The final uniforms feature a striking red riderless horse set against a tropical backdrop, with the word “Haiti” emblazoned across the top.

Jean also designed a women’s look for Team Haiti, incorporating the traditional Haitian tignon — a headwrap historically imposed on enslaved women to cover their hair, now reclaimed as a symbol of resilience and cultural pride.

“For us, it is important that this horse — his horse, the general’s horse — remains,” Jean said. “It is the symbol of Haiti’s presence at the Olympics. In just a few meters of fabric, we must concentrate history and meaning. This is not about stylistic exercise.”

Haiti’s ambassador to Italy, Gandy Thomas, underscored the broader significance of the moment.

“Haiti’s presence at the Winter Olympics is a symbol — a statement, not a coincidence,” Thomas said. “We may not be a winter country, but we are a nation that refuses to be confined by expectation. Absence is the most dangerous form of erasing.”

Viano, who made history as Haiti’s first-ever Winter Olympian at the 2022 Beijing Games, echoed that sentiment, noting that participation on the global sports stage helps counter persistent negative narratives about the Caribbean nation.

The moment also comes amid heightened global attention on Haitians abroad. Just days before Haiti’s Winter Olympics appearance, a federal judge blocked an effort to end Temporary Protected Status (TPS) for roughly 350,000 Haitian immigrants living in the United States — a decision celebrated across diaspora communities.

Together, Jean’s designs and Team Haiti’s Olympic presence stand as a reminder that representation — on fabric, on snow, and on the world stage — remains a powerful form of resistance.

RELATED: Haitian American Congresswoman Salutes TPS Ruling As Little Haiti Prays

Keznamdi Wins 2026 Reggae Grammy As Caribbean Artists Turn Spotlight on Immigration

By NAN ET EDITOR

News Americas, New York, NY, Mon. Feb. 2, 2026: Independent Jamaican artist Keznamdi captured the 2026 Grammy Award for Best Reggae Album on Sunday night, edging out genre heavyweights, including Vybz Kartel, in a victory that underscored both reggae’s evolving sound and the growing influence of independent Caribbean artists on the global stage.

Jamaican musician Keznamdi accepts the Grammy for Best Reggae Album for “BLXXD & FYAH” on stage during the 68th Annual Grammy Awards Premiere Ceremony at the Crypto.com Arena in Los Angeles on February 1, 2026. (Photo by VALERIE MACON / AFP via Getty Images)

Keznamdi claimed the honor for BLXXD & FYAH, released independently in August 2025, marking his first Grammy win and his first nomination. The album triumphed over Kartel’s Heart & Soul, Lila Iké’s Treasure Self Love, Jesse Royal’s No Place Like Home, and Mortimer’s From Within.

Keznamdi (Second from left) accepts the Best Reggae Album award for “BLXXD & FYAH” at the 2026 Grammy Awards Pre-Show (Premiere Ceremony) held at the Peacock Theater in Los Angeles, CA, Sunday, Feb. 1, 2026. (Myung J. Chun / Los Angeles Times via Getty Images)

The announcement was made during the Grammy Premiere Ceremony at the Peacock Theater in Los Angeles on Sunday, February 1.

“Reggae music has always been a music weh defend truths and rights, African liberation, and Black man redemption,” Keznamdi said while accepting the award. “We a represent Jamaican culture — dancehall and reggae.”

A Roots-Deep Reggae Journey

Born into music, Keznamdi is the son of Errol and Kerida, lead vocalists of the international reggae band Chakula. He grew up touring globally and recording in a home studio in the St. Andrew hills of Jamaica, where the band produced ten albums.

He recorded his first song at age five and began performing publicly during his mother’s album release tours for her children’s project Save the World, which became a viral hit in Jamaican primary schools. His musical development continued through studies at St. Mary’s College in Northern California, followed by formative years living in Tanzania and completing high school in Ethiopia.

BLXXD & FYAH features collaborations with Kelissa, Mavado, and Masicka, blending roots consciousness with contemporary global production.

A Defining Caribbean Night at the Grammys

Keznamdi’s breakthrough came on a night that proved unusually resonant for Caribbean and diaspora artists across genres — not only in wins, but in message.

Puerto Rico star, Bad Bunny accepts the Best Música Urbana Album onstage during the 68th GRAMMY Awards at Crypto.com Arena on February 1, 2026 in Los Angeles, California. (Photo by Kevin Winter/Getty Images for The Recording Academy)

Puerto Rico–born global superstar Bad Bunny made Grammy history by becoming the first Latin artist to win Album of the Year with a Spanish-language album. During his acceptance speech, Bad Bunny openly criticized aggressive U.S. immigration enforcement.

“Before I say thanks to God, I’m going to say ICE out,” he told the audience, referencing recent civilian deaths amid heightened enforcement actions. He later added, “We’re not animals. We’re not aliens. We are human beings.”

Bad Bunny also won Best Global Music Performance and Best Música Urbana Album, further cementing his dominance on the night.

Cuban-born icon Gloria Estefan won Best Tropical Latin Album for Raíces and used her moment in the press room to call for a return to democratic principles and humanity in immigration policy.

“These values are the reason people want to be here,” Estefan said. “I hope our government listens to our plea for humanity.”

Caribbean Britain and the Windrush Legacy

Caribbean heritage star, Olivia Dean attends the 68th GRAMMY Awards on February 1, 2026 in Los Angeles, California. (Photo by John Shearer/Getty Images for The Recording Academy)

British singer Olivia Dean, who has Jamaican-Guyanese roots, was named Best New Artist for Nice To Each Other. In her speech, Dean invoked her family’s immigrant history, noting that her grandmother was part of the Windrush generation.

“I’m here as the granddaughter of an immigrant,” she said. “I’m a product of bravery. We’re nothing without each other.”

“ICE OUT” Becomes A Cultural Marker

Beyond speeches, visible protest marked the ceremony. Several artists wore pins reading “ICE OUT,” including Kehlani, Billie Eilish, Justin Vernon of Bon Iver, and jazz vocalist Samara Joy.

The coordinated symbolism reflected a broader moment of cultural dissent — driven largely by artists whose identities are shaped by migration, diaspora, and cross-border histories.

More Than An Awards Night

While Keznamdi’s Grammy win marked a personal and professional milestone – and a victory for independent reggae – the night itself signaled something larger. Caribbean artists were not only recognized for their musical excellence; they used one of the world’s biggest cultural platforms to assert their humanity, history, and right to speak.

In a genre born from resistance and survival, Keznamdi’s words echoed long after the trophy was raised — on a night when Caribbean voices didn’t just win, they defined the moment.

RELATED: Lifetime Achievement Honors For Mr. Vegas, Sly Dunbar and Leroy Sibbles At Reggae Genealogy

Nicki Minaj Fuels Online Firestorm After Roast From Trevor Noah At The Grammy’s

News Americas, New York, NY, Mon. Feb. 2, 2026: Trinidad & Tobago-born rapper, Nicki Minaj, ignited a fresh wave of controversy Sunday night after posting a series of cryptic messages on X that appeared to reference conspiracy theories involving “satanic rituals,” hours after South African-born comedian, Trevor Noah, poked fun at her political alignment during the 2026 Grammy Awards.

In a late-night post that did not name any individual, Minaj alleged that an unnamed “favorite artist” was involved in ritualistic violence tied to a satanic cult. The post quickly drew widespread attention, prompting confusion and concern among fans and critics alike.

Minaj did not offer evidence to support the claims, nor did she clarify whom she was referring to. In the comment section, users pressed her to explain, with some urging her to “name names,” while others questioned why she would raise such allegations on one of music’s most high-profile nights.

The timing of the posts appeared significant. Earlier in the evening, Noah referenced Minaj during his opening monologue at the Grammy Awards, noting her recent appearance at the White House and joking that she was “still with Donald Trump discussing very important issues.” The remark drew laughter and applause inside the Crypto.com Arena.

Minaj also tweeted: “Trevor refuses to come out the closet when everyone in the industry knows his boyfriend. Allegedly.”

She then made several posts about Jay-Z‘s relationships, including photos of him with Beyoncé and one of him with Aaliyah, the images sporting text suggesting he pursued them when they were under 18.

“Are y’all understanding that these ppl have been sacrificing children as a way of gaining & maintaining power? If you ever vote DemonCrat again, you’re just as soulless as they are & will perish. Maybe it’s time for me to do some story times — since I was trying to not say what I know — yet they continue to attempt bullying,” she tweeted.

In another tweet, Minaj said she would not be releasing new music until her contract is renegotiated and she updates everyone on “all the sabotage this RICO is finding out about Billboard.”

“Your favorite artist has been practicing rituals in a satanic cult where they take babies from other countries & mutilate & kill them as a form of a blood sacrifice to their God. You see, when your master is satan, you must constantly shed blood. However, the JIG IS UP,” she wrote in another tweet.

Minaj has become increasingly vocal about her support for President Donald Trump in recent months. Just days before the Grammys, she appeared at a U.S. Treasury Department summit promoting the administration’s “Trump Accounts” initiative, where she publicly described herself as “probably the president’s No. 1 fan” and said criticism of her stance only strengthened her support.

“The hate – or what people have to say – it does not affect me at all,” Minaj told the audience at the Washington event. “It actually motivates me to support him more.”

Following Noah’s onstage comments, Minaj did not directly reference the comedian by name in her social media posts. However, the proximity in timing led many observers to interpret the posts as a reaction to the Grammy monologue.

Cultural critics and media analysts cautioned against conflating satire with personal attacks, while also expressing concern about the spread of conspiracy rhetoric by high-profile public figures. Several commentators noted that such claims, when left vague, can fuel online harassment and misinformation without accountability.

As of Monday morning, Minaj had not issued any clarification or retraction.

The episode adds to an increasingly visible pattern of political polarization spilling into entertainment spaces, where celebrity influence, social media, and national politics intersect – often in unpredictable ways.

Donald Trump threatened to sue Noah for making “false and defamatory” comments regarding his relationship with Jeffrey Epstein.

Writing on Truth Social, Trump said: “Noah said, INCORRECTLY about me, that Donald Trump and Bill Clinton spent time on Epstein Island. WRONG!!! I can’t speak for Bill, but I have never been to Epstein Island, nor anywhere close, and until tonight’s false and defamatory statement, have never been accused of being there, not even by the Fake News Media.

“Noah, a total loser, better get his facts straight, and get them straight fast,” he added. “It looks like I’ll be sending my lawyers to sue this poor, pathetic, talentless, dope of an M.C., and suing him for plenty$.”

RELATED: Trinidad-Born Rapper Nicki Minaj  Signals Citizenship Move

Trinidad-Born Rapper Nicki Minaj  Signals Citizenship Move

News Americas, NEW YORK, NY, Jan. 29, 2026: Trinidad and Tobago-born rapper Nicki Minaj says she has received a special U.S. immigration “gold card” from President Donald Trump, signaling what she described as a fast-tracked path toward U.S. citizenship.

Minaj made the disclosure on Wednesday, hours after appearing alongside Trump at a U.S. Treasury Department summit promoting the administration’s new child investment initiative known as “Trump Accounts.” Posting on X, the rapper shared an image of a gold-colored immigration card bearing Trump’s likeness, captioned simply: “Welp.”

Musician Nicki Minaj (L) joins U.S. President Donald Trump on stage as he delivers remarks during the Treasury Department’s Trump Accounts Summit at Andrew W. Mellon Auditorium on January 28, 2026 in Washington, DC. “Trump Accounts” are a portion of recently passed tax and spending legislation where the federal government will deposit $1,000 into investment accounts for every child born between 2025 and 2028 once parents sign their children up while filing their income taxes.  (Photo by Win McNamee/Getty Images)

She later wrote that she was “finalizing that citizenship paperwork as we speak as per MY wonderful, gracious, charming President,” adding that while the card typically costs up to US$1 million under the program, she received it at no charge.

The so-called “gold card” was created under a September executive order and is designed to offer an alternative pathway to citizenship for highly skilled or high-profile foreign nationals. The White House has not yet commented on Minaj’s specific case.

Born Onika Maraj in Trinidad and Tobago, Minaj has previously spoken openly about her immigration history. In a 2018 social media post, she said she entered the United States as an undocumented child at the age of five, criticizing family separations at the border during Trump’s first term.

At Wednesday’s Treasury event in Washington, Minaj appeared onstage with Trump and businessman Kevin O’Leary, at times holding the president’s hand while he praised her publicly. Trump told the audience he believed Minaj planned to donate significant sums to Trump Accounts on behalf of her fans, though no formal details were provided.

While addressing the crowd, Minaj described herself as “probably the president’s No. 1 fan,” adding that criticism of her political stance has only strengthened her support.

Trump, for his part, praised the rapper, acknowledging that her endorsement has not been without backlash. “She took a little heat because her community isn’t necessarily a Trump fan,” he said. “But I just think she’s great.”

Minaj’s appearance and comments mark a notable political turn for one of the most internationally recognized artists of Caribbean descent, placing immigration, celebrity influence, and U.S. policy squarely at the center of a widening national debate.

RELATED: From Undocumented Immigrant To Trump’s “Number One Fan” – Nicki Minaj Embraces MAGA Spotlight

From Undocumented Immigrant To Trump’s “Number One Fan” – Nicki Minaj Embraces MAGA Spotlight

By NAN ET EDITOR

News Americas, Washington, D.C., Jan. 28, 2026: Trinidad and Tobago–born rapper Nicki Minaj is now publicly embracing former President Donald Trump – calling herself his “No. 1 fan” and dismissing criticism of her political turn as motivation rather than deterrence.

“I will say that I am probably the president’s No. 1 fan,” Minaj told the crowd Wednesday at a U.S. Treasury Department–hosted summit in Washington, D.C., marking the launch of so-called “Trump Accounts,” a new tax-advantaged savings program for children.

US President Donald Trump (R) greets Trinidadian rapper and singer-songwriter Nicki Minaj during an event on ‘Trump Accounts’ at the Andrew W. Mellon Auditorium in Washington, DC, on January 28, 2026. (Photo by Brendan SMIALOWSKI / AFP via Getty Images)

“And that’s not going to change,” the 43-year-old performer added.

Minaj, born Onika Maraj, said backlash over her support has only strengthened her resolve. “The hate or what people have to say does not affect me at all. It actually motivates me to support him more,” she said. “We’re not going to let them get away with bullying him and smear campaigns.”

Her remarks came just ahead of Trump’s own speech at the event, where she claimed divine protection over the former president. “He has a lot of force behind him, and God is protecting him,” she said.

A Sharp Turn From 2020

Nicki Minaj laughs during remarks by U.S. President Donald Trump at the Treasury Department’s Trump Accounts Summit with U.S. Treasury Secretary Scott Bessent (L) at the Andrew W. Mellon Auditorium on January 28, 2026 in Washington, DC. (Photo by Win McNamee/Getty Images)

Minaj’s endorsement marks a striking reversal from her public stance during Trump’s first term. In 2020, she said she would not “jump on the Donald Trump bandwagon,” and had previously spoken openly about coming to the United States as an undocumented child.

In a widely shared 2018 post, Minaj criticized family separations at the U.S.-Mexico border, writing that she herself entered the country without legal status as a child.

“I came to this country as an illegal immigrant,” she wrote at the time. “I can’t imagine the horror of being in a strange place & having my parents stripped away from me at the age of 5.”

She urged authorities then to stop the practice, calling it “so scary” and pleading for compassion toward children detained at the border.

Rising MAGA Visibility

Nicki Minaj (L) joins U.S. President Donald Trump on stage as he delivers remarks during the Treasury Department’s Trump Accounts Summit at Andrew W. Mellon Auditorium on January 28, 2026 in Washington, DC. (Photo by Win McNamee/Getty Images)

Minaj’s appearance at the Treasury summit is part of a broader pattern of increasingly visible alignment with conservative causes. She recently appeared at Turning Point USA’s AmericaFest and has spoken favorably of Trump during interviews and public events – a shift that has drawn both praise and backlash, including online calls for her deportation.

“I have the utmost respect and admiration for our president,” Minaj said at a recent event. “He’s given so many people hope.”

The rapper has also drawn attention for public feuds, including a recent clash with former CNN host Don Lemon, whom she criticized on social media.

Some have suggested her embrace of the president is to help her brother and husband, who have faced legal challenges, obtain a pardon. Her husband, Kenneth Petty previously served four years in prison as a Level 2 sex offender after he was found guilty of raping a 16-year-old girl, whom he held at knifepoint, in 1994.

Her brother, Jelani Maraj, has also faced legal issues. In 2017, Maraj, then 38, was convicted of raping an 11-year-old girl at his Long Island residence. Maraj said the accusations were invented by the victim’s mother to go after Minaj’s family’s fortune. He was sentenced to 25 years to life in 2020.

What Are “Trump Accounts”?

The summit focused on the launch of Trump Accounts, a provision included in last year’s tax legislation. The program provides a $1,000 government contribution for U.S.-citizen newborns, invested in stock market index funds and accessible when the child turns 18 for approved uses such as education, home purchases, or starting a business.

Parents can contribute additional funds annually, with employers, relatives, and philanthropic organizations also allowed to participate. The accounts are managed by private financial firms and are subject to taxes upon withdrawal.

Trump argued the initiative would give children “real assets and a shot at financial freedom,” while critics say it favors families with the means to contribute and does little to address early childhood poverty.

Minaj did not address those criticisms directly but praised the initiative as expanding opportunity for future generations.

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