New Caribbean Music This Week: Sean Paul, Anthony B, Machel Montano, Fay-Ann Lyons & More Drop Fresh Releases

BY NAN ET Editor

News Americas, NEW YORK, NY, Fri. Dec. 12, 2025: New Caribbean music continues to surge with purpose, rhythm, and global appeal as several of the region’s most celebrated and emerging artists release new tracks this week, spanning dancehall, reggae, soca, and world music.

Sean Paul

Sean Paul drops new track Faith We A Keep

Leading this week’s releases is Sean Paul, whose new single “Faith We A Keep” dropped today under Dutty Rock Productions, with exclusive licensing to Milk & Honey Records. Inspired by the resilience of the Jamaican people following Hurricane Melissa, the track delivers an uplifting message centered on perseverance, faith, and protection during challenging times. Blending emotional depth with Sean Paul’s signature delivery, the dancehall release is expected to resonate across radio playlists and inspirational programming.

“Faith We A Keep” was produced by Daramola and written by Sean Paul alongside Stephen “Di Genius” McGregor Henriques, Karen Amanda Reifer, and Abraham Olaleye. Recording took place at Paramount Studio and Dutty Rock Studio, with engineering by Kahlil “Tanned Jesus” Vellani and Andre “Suku Ward” Gray. The track is officially released on December 12, 2025.

LISTEN HERE

Anthony B

Veteran reggae and dancehall artist Anthony B also returns this week with his new single “Good Music,” now available on all major streaming platforms. Produced by GRAMMY Award-winning producer J-Vibe, the song delivers classic feel-good roots reggae vibes and marks the second release from Anthony B’s upcoming 2026 album on Ineffable Records. While Anthony B remains globally known for his iconic hit “World A Reggae Music,” his more recent track “Chill Out” from the 2023 album Bread & Butter has emerged as his top-performing digital release to date, signaling sustained audience demand for his sound.

MACHEL MONTANO

Soca fans are also being treated to a high-energy collaboration as Voice, Machel Montano, and litleboy lsbeats767 team up on “Bam Bam,” a track already gaining traction ahead of the 2026 Carnival season. Produced by litleboy lsbeats767, Precision Productions, and Machel Montano, with additional production by Mega Mick, the single blends modern soca with infectious hooks designed for both stage and fete settings.

The song features writing contributions from Aaron St-Louis (Voice), Machel Montano, Art Raoul Travis Philip, Foster Marcel Xavier, and Kasey Phillips, with recording sessions split between Trinidad studios. “Bam Bam” is released under Monk Music and is available on streaming platforms and YouTube.

Fay-Ann Lyons

Meanwhile, Trinidad and Tobago’s soca powerhouse Fay-Ann Lyons teams up with producer GusBus on “Can’t Fling Mud To A Love Song,” a world-soca release blending lyrical reflection with melodic warmth. Written and performed by Lyons, the track is released under Bad Beagle with exclusive licensing to Diaspora Sound, continuing her tradition of pairing social commentary with Caribbean rhythms.

Adding to this week’s diverse offerings is the Guardians Riddim, released by Blackstarr Productionz under Larnox Global Entertainment Ltd, featuring a world and soca-driven soundscape designed for multiple artist interpretations.

Also new is “Earthquake” by YelloStone, released via Jahmari Records / Dimmie Joe Muzik, delivering contemporary Caribbean energy with crossover appeal.

Rounding out the week is rising Jamaican reggae artist Ras-I, who releases “Reggae Mountain (Feel No Way),” a modern take on uplifting roots reggae. The single marks the first release from his upcoming 2026 album on Ineffable Records. Ras-I, who won Best New Reggae Artist at the 2024 Caribbean Music Awards, continues to gain international attention following the selection of his song “Somewhere Wonderful” as the official theme for the Jamaica Tourist Board earlier this year.

Together, this week’s releases reflect the Caribbean music industry’s continued global influence – balancing heritage, innovation, and messages that resonate far beyond the region.

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The Weight Of A Word: Rethinking “Minority” In America

By Nyan Reynolds

News Americas, NEW YORK, NY, Fri. Dec. 12, 2005: “In our country, we believe there should be no minority and no majority, just people.” – Steve Biko

The South African activist Steve Biko used these words to highlight how language itself can be a tool of division. Though Biko was speaking in the context of apartheid, his words hold relevance in the United States, where the categories of “minority” and “majority” remain central to how race is discussed and understood.

Samoset sagamore of the Abenaki people, greeting the pilgrims of the Plymouth Colony in Massachusetts, USA (circa 17th century). Vintage etching circa 19th century.

Few words in American racial discourse are as common or as unexamined as minority. The term appears in government reports, census categories, school curricula, corporate diversity statements, and daily conversation. Black Americans, along with Latinos, Asians, Indigenous people, and immigrants, are routinely described as “minorities.” The word is so deeply ingrained in the national vocabulary that it often goes unquestioned. Yet its history and social implications reveal a different story. Beneath its surface neutrality, minority operates as a marker of marginalization.

From Numbers To Status

The English word minority originally referred to being smaller in number or lesser in status. In political contexts, it described groups with less representation or less authority, such as a minority party in a legislature. In this setting, the meaning was both numerical and hierarchical: fewer members translated into less influence.

In the United States, this logic made its way into racial discourse. By the early to mid-twentieth century, as government agencies and social scientists studied racial and ethnic groups, “minority” became a shorthand for those outside the white mainstream. The U.S. Census, for example, tracked populations according to racial categories, but policy discussions increasingly referred to these communities collectively as “minorities.” The label appeared in debates on education, employment, and voting rights.

This was more than description. It was categorization. To call Black Americans a minority was not only to note their numbers but also to assign them a social position. It implied less power, less visibility, and less belonging. Over time, the word solidified into a label that carried assumptions of inferiority.

The Social Implications

The implications of this language extend far beyond statistics.

Defining by deficit. To be labeled a minority is to be defined by lack. It frames identity in terms of what is missing, population size, influence, resources, rather than what is present. For Black Americans and Caribbeans individuals, this framing compounds the legacy of slavery, segregation, and systemic exclusion, reinforcing a narrative of limitation.

Masking diversity. The category also obscures difference. By grouping together Black Americans, Latinos, Asians, those of Caribbean decent, Native peoples, and others under one label, the word erases the distinct histories and struggles of each. Black Americans, whose presence in the U.S. is rooted in enslavement and centuries of systemic discrimination, are placed in the same category as immigrant populations with very different experiences. The flattening of identity that results prevents deeper recognition of each community’s unique realities.

Sustaining hierarchy. The persistence of the word minority also reinforces a symbolic hierarchy. Even in places where Black and brown communities form the majority, cities like Detroit, Houston, or Atlanta, they are still labeled minorities. Nationally, demographic projections show that by mid-century, nonwhite populations will collectively outnumber whites, yet the label persists. This demonstrates that minority is less about numbers and more about social status.

Historical Usage In Policy And Education

The institutional use of “minority” has reinforced these implications. Civil rights legislation of the 1960s, while groundbreaking, often used the term “minority groups” to identify those entitled to protection. Affirmative action programs in higher education and employment were designed with “minorities” in mind. These policies addressed real inequities but also embedded the label into the structure of law.

In education, textbooks routinely referred to Black, Latino, and Asian students as minorities. For generations of children, growing up meant encountering a narrative that positioned them as small, lesser, and outside the center of American identity. The repetition of the label in classrooms normalized the idea of difference as deficiency.

In the workplace, “minority hiring” became a standard phrase. While meant to promote inclusion, it often created the impression that employees of color were tokens, exceptions granted space within institutions rather than central contributors. Again, the word framed belonging in terms of scarcity.

The Danger Of Internalization

Perhaps the most damaging effect of the word minority is its internalization. Many Black Americans refer to themselves as minorities without questioning the label. Over time, this acceptance can subtly reinforce a sense of smallness.

Research in social psychology has shown that repeated exposure to deficit-based language can shape self-concept. Children labeled as minorities may come to see themselves as outsiders in their own country. Adults who internalize the term may carry an unspoken sense of limitation, even as they succeed. This is not because they lack confidence or capability, but because the language itself imposes boundaries on how they are imagined.

The damage here is not always visible. It operates quietly, through the drip of repetition, until it feels natural. When people embrace the label for themselves: “I’m a minority in this country,” they may unknowingly reinforce the very hierarchy that the term was designed to describe.

Why The Word Persists

Despite its baggage, the term remains widespread. Bureaucracy plays a role. Government agencies and corporate diversity programs are still organized around categories like “minority representation.” Habit plays another role. Once embedded in textbooks, policies, and popular speech, words are difficult to uproot. Convenience also contributes. “Minority” is a single word that groups together diverse populations, offering an easy shorthand.

But convenience is not harmless. The continued use of minority allows the underlying hierarchy to remain unchallenged. It ensures that entire communities continue to be described, and therefore imagined in terms of what they are not.

Rethinking The Vocabulary

Reconsidering the word is not about semantics for their own sake. It is about disrupting the ways language sustains inequality. Several alternatives have been proposed. “Marginalized groups” highlights the active process of exclusion rather than suggesting an inherent lack. “Communities of color” emphasizes shared experiences of racialization, though it still groups diverse populations together. “Underrepresented populations” draws attention to gaps in visibility and influence.

Some advocates use the phrase “global majority,” noting that people of African, Asian, Indigenous, and Latin descent make up most of the world’s population. This term flips the perspective, reminding us that Black Americans and other groups are not minorities in any global sense.

None of these terms is perfect, but each offers a way of framing identity without reducing communities to symbols of smallness.

Beyond Language

Of course, changing language alone will not dismantle racial inequity. The structural barriers that Black Americans face, economic inequality, disparities in education and healthcare, systemic discrimination—require more than new vocabulary. But words matter because they shape the framework through which these realities are understood. Language is both a mirror and a mold. It reflects existing power structures while also helping to reinforce them.

Questioning the word minority is part of questioning the assumptions that sustain inequality. If Black Americans continue to be labeled as minorities, they are continually positioned at the margins of a society they helped build. Rejecting the term does not solve the problem, but it begins to shift the lens through which the problem is seen.

Conclusion

Steve Biko’s vision that there should be no minority and no majority, just people remains unfinished business in America. The word minority may appear neutral, but its history shows otherwise. For Black Americans, it has been less a description of numbers and more a marker of marginalization. It defines by deficit, erases diversity, sustains hierarchy, and quietly shapes self-perception.

The persistence of the word is a reminder of how deeply systems of inequality are embedded in everyday life. To keep using it uncritically is to accept a worldview where some people are always smaller, lesser, or secondary. To challenge it is to recognize that no group’s worth can be measured by numbers alone.

Reconsidering minority is not about erasing history or denying demographic reality. It is about refusing to let language dictate value. If the United States is to move toward genuine equality, it must begin with the recognition that no community is inherently minor.

EDITOR’S NOTE: Nyan Reynolds is a U.S. Army veteran and published author whose novels and cultural works draw from his Jamaican heritage, military service and life experiences. His writing blends storytelling, resilience and heritage to inspire readers.  

Rethinking Caribbean Diplomacy In A Shifting Global Landscape

By Dr. Isaac Newton

News Americas, NEW YORK, NY, Thurs. Dec. 11, 2025: Caribbean diplomacy must begin with a clear understanding of who we are and what we choose to become. Foreign policy is the outward expression of our identity. It carries our values, voice, and vision into the global arena. Strategy is the quiet discipline of listening beneath the noise of events and sensing change before it arrives. An asset is anything that grows in strength when used with intention. Transformation is the decision to rise into something greater than habit or history. When these ideas converge, foreign policy becomes the compass of national renewal and a foundation for a confident regional posture.

Dr. Denzil Douglas

This vision resonates with the Right Hon. Dr. Denzil L. Douglas, one of the most accomplished statesmen in the modern Caribbean. A former four term Prime Minister and now Minister of Foreign Affairs, Economic Development, International Trade, Investment, and Commerce, he guides national engagement where domestic aspiration meets global possibility. His portfolio demands clarity, discipline, and forward-looking imagination. It is from this vantage that he reminds us, “Foreign policy must not simply describe our world. It must shape the world we wish to enter.”

Norms And Competing Ambitions

The Caribbean operates in a world of shifting alliances, fragile norms, and competing ambitions. Powerful nations speak of rules while bending them and praise sovereignty while ignoring it when convenient. For small island states, this produces both vulnerability and opportunity for those who navigate with insight. Influence no longer depends on size but on resolve, relationships, and resonance. Caribbean diplomacy must move from reaction to deliberate direction, strengthening resilience, economic security, and regional standing.

Diplomacy reaches far beyond negotiating tables. It shapes the price of food, the strength of our borders, the health of our reefs, and the energy that powers our homes. Foreign policy becomes the bridge that determines whether opportunities land on our shores or drift elsewhere. To secure them, Caribbean ministries of foreign affairs must be at the center of national strategy, coordinating systems and sectors with focus and discipline rather than ceremonial visibility.

Looking Outward

Looking outward, partnerships with nations such as Indonesia, Africa, India, Brazil, the Middle East, and other countries with shared needs and compelling interests provide practical paths to renewal. These regions read the sea, the land, and the global economy as teachers rather than boundaries. Shared efforts in marine stewardship, climate resilience, renewable energy, technology transfer, and skills training can lift livelihoods and expand national capacity. These are immediate frontiers where cooperation turns potential into progress. The decade ahead invites the Caribbean to embrace a future powered by clean energy, guided by science, enriched by sustainable oceans, and led by citizens equipped for a complex world. If we meet this moment with clarity and courage, our diplomacy becomes not a mirror of global change but the instrument through which transformation takes flight.

Editor’s Note: Dr. Isaac Newton is a strategist and scholar trained at Harvard, Princeton, and Columbia. He advises governments and international institutions on governance, transformation, and global justice, helping nations and organizations turn vision into sustainable progress.

A Tribute To Potters’ Queen Of Education – Teacher Gen

By Dr. Isaac Newton

News Americas, NEW YORK, NY, Thurs. Dec. 11, 2025: Some lives arrive quietly, yet they leave whole generations glowing. Teacher Gen was such a life. In Potters Village in Antigua, she became our first library, our first lesson, our first understanding of discipline wrapped in devotion. For more than seventy years, she taught us not only how to read and count but how to stand tall in the world.

Her classroom felt like a living garden. Desks opened like fresh soil. Chalk drifted like soft pollen. And we, small and curious, blossomed beneath her care. She could correct you with a look, steady you with a word, or prune you gently with that well-known belt that somehow felt like love disguised as firmness. She knew the balance between shaping and sheltering.

FLASHBACK – Teacher Gen warmly greeted by a community member as schoolchildren stand behind them during a tribute event in Potters Village, Antigua. The gathering reflected her decades of service as a beloved educator whose influence shaped generations.

MEMORY

She remembered every family. She remembered who raised you, who taught them, and how you were expected to carry that legacy forward. Her reminders could sting, yet they settled in the heart like seeds that later broke open into wisdom. Her lessons were not just instruction. They were inheritance.

I spent some of my primary years beneath her watchful eye. Her expectations carved lines of purpose into me. Her affection strengthened me. Even in her later years, when she drifted into brief classroom naps, she still sensed everything. A whisper. A shuffle. A thought of mischief. She woke with your name ready on her lips, as if teaching flowed through her even in rest.

When I became a teacher, I asked her for guidance. She spoke with quiet authority.

“Love the children. Their parents may test you, but do not allow rudeness. You are preparing them for life and for heaven. And go to class prepared. You are shaping destinies.”

I carry those words into every room where learning and leadership meet.

Teacher Gen embodied the mind, the heart, and the hands of true education. Her knowledge was deep. Her compassion was wide. Her influence was lasting. Every Independence poem, every Easter recitation, every Christmas program bore her touch. Our village grew because she planted confidence and character in every child.

Today we stand in the shade of the great tree she became. Her branches reach across generations. Her roots hold our memory steady. We honor more than a teacher. We honor a life of luminous service. She showed us that greatness grows quietly, nurtures patiently, and endures beautifully.

So we celebrate our Queen of Education, whose presence shaped us, whose memory steadies us, and whose legacy will continue to bloom long after us.

Editor’s Note: Dr. Isaac Newton is a strategist and scholar trained at Harvard, Princeton, and Columbia. He advises governments and international institutions on governance, transformation, and global justice, helping nations and organizations turn vision into sustainable progress.

Kes The Band To Headline Jazz At Lincoln Center’s Unity Jazz Festival In 2026

News Americas, NEW YORK, NY, Weds. Dec. 10, 2025: Trinidad and Tobago’s globally acclaimed Kes the Band will kick off 2026 on one of the world’s most prestigious stages, headlining Jazz at Lincoln Center’s highly anticipated Unity Jazz Festival on January 8-9, 2026. The group, led by frontman Kees Dieffenthaller, will bring their signature “Creole Soul” sound – infused with soca, calypso, reggae, and contemporary Caribbean rhythms – to the Rose Theater in Manhattan for an unforgettable celebration of music and culture.

FLASHBACK – Kes the Band frontman Kees Dieffenthaller performs energetically on stage in a white suit, bringing Caribbean “Creole Soul” vibes to a live audience. The performance highlights the dynamic stage presence that Kes will bring to Jazz at Lincoln Center’s Unity Jazz Festival on January 8–9, 2026. (Credit: Bennett Raglin/Getty Images)

The two-night festival marks a major moment for Caribbean representation in international jazz programming, pairing Kes with award-winning Trinidadian trumpeter Etienne Charles, who will join the band for a set that blends jazz improvisation with island energy.

Billed as “winter’s hottest jazz festival,” the Unity Jazz Festival transforms every performance space inside Jazz at Lincoln Center into a multi-stage musical journey. Audiences can choose between exclusive access to the Kes and Friends concerts or explore dozens of performances throughout the halls featuring rising stars, jazz veterans, and global innovators.

Kes & Friends: A Caribbean Explosion At Lincoln Center

Kes will headline two shows:

Thursday, Jan. 8 – Rose Theater

Friday, Jan. 9 – Appel Room

Both concerts are included in the All-Access Pass, which guarantees assigned seating for the Kes performance while providing full access to all festival activity on the selected night.

For Kes, known internationally for hits like “Hello,” “Savannah Grass,” and “Mental Day,” the Lincoln Center appearance represents a fusion of Caribbean soul with the improvisational essence of jazz—a meeting point of cultures and genres in one of the world’s greatest performing arts venues.

Trumpeter Etienne Charles, celebrated for weaving Caribbean folk traditions into contemporary jazz, will join the band for collaborative performances that highlight the region’s vibrant musical heritage.

A Festival That Celebrates The Full Spectrum of Jazz

Beyond the headline show, the Unity Jazz Festival showcases over a dozen artists and ensembles that reflect the evolving landscape of jazz. The Nightly Festival Pass gives attendees access to all festival events – except the Kes concerts, offering a rich lineup featuring:

Tributes to Latin jazz legend Eddie Palmieri

Cellist and composer Tomeka Reid

Jazz-funk visionary DJ Logic

Blues and guitar rising star Solomon Hicks

Saxophonist Erena Terakubo

Pianist and composer Gabriel Chakarji

Percussionist and composer Rajna Swaminathan

Kate Kortum, winner of the 2025 Sarah Vaughan International Jazz Vocal Competition

The festival will also present the Jazz Legacies Fellowship Honors All-Star Concert, featuring over 15 master musicians including George Coleman, Amina Claudine Myers, Akua Dixon, Herlin Riley, and Billy Hart.

With performances unfolding simultaneously across Rose Theater, the Appel Room, and various smaller spaces, Jazz at Lincoln Center promises an immersive experience where audiences can wander, discover new sounds, and engage with jazz in its most expansive, creative form.

A Major Moment For Caribbean Music Globally

For the Caribbean diaspora, the Kes + Etienne Charles collaboration at the Unity Jazz Festival is a milestone – a rare opportunity to see the region’s musical identity spotlighted at one of New York City’s most iconic cultural institutions.

The event underscores Jazz at Lincoln Center’s commitment to showcasing global influences within the jazz tradition, while amplifying Caribbean artistry on a world stage.

Tickets & Access

Festival passes are now available HERE

A Weekend of Music, Movement, and Meaning

From Creole rhythms to improvisational brilliance, the 2026 Unity Jazz Festival promises an exhilarating convergence of cultures—inviting audiences to “find their rhythm” and celebrate the unifying power of music.

Extradition Hearing For US-Indicted Guyanese MP And Next Opposition Leader -Azruddin Mohamed – Set to Resume Next Year

News Americas, GEORGETOWN, Guyana, Weds. Dec. 10, 2025: The extradition proceedings for US-indicted Guyanese MP and next opposition leader, WIN Party founder and businessmen Azruddin Mohamed, and his father, Nazar Mohamed, will continue in the Georgetown Magistrates’ Courts on January 6, 2026, after Principal Magistrate Judy Latchman rejected a defense request to transfer the matter to the High Court.

MP Azruddin Mohamed, second from l., stands with his lawyers outside the Georgetown Magistrates’ Court during his ongoing US extradition proceedings.

The ruling came today during a brief hearing in which the Mohameds’ legal team argued that the extradition request raised constitutional issues that should be determined at the higher court level. They further contended that recent amendments to Guyana’s Fugitive Offenders Act required judicial clarification before the extradition matter could proceed.

Magistrate Latchman disagreed, ruling that the extradition proceedings fall squarely within the jurisdiction of the magistracy and that there was no legal basis to pause or elevate the matter. As a result, the substantive hearing will continue before her court in early 2026.

Bail Conditions Remain in Place

Both Azruddin and Nazar Mohamed remain on $150,000 bail each and must continue to report periodically to the police as required by the court. The father-son duo has been under scrutiny since US authorities issued a sweeping indictment accusing them of participating in a multimillion-dollar gold-smuggling and money-laundering network.

The men are wanted in the United States to face 11 felony charges filed in the US District Court for the Southern District of Florida. The charges include wire fraud, mail fraud, and money laundering, with prosecutors alleging that the gold-export operations of their company, Mohamed’s Enterprises, were used to defraud the US government, falsify documentation, and disguise the origins of gold shipped into the country.

According to US court filings referenced in their indictment, the alleged scheme involved the manipulation of export records and financial transactions designed to sidestep US reporting requirements and funnel illicit proceeds through the American financial system.

Extradition Request Formally Received In October

Guyana formally received the US extradition request on October 30, 2025, following diplomatic communications between Georgetown and Washington. The request was submitted pursuant to the long-standing Extradition Treaty between the United States and the United Kingdom, which continues to apply to Guyana under Section 4(1)(a) of the Fugitive Offenders Act — recently amended by Act No. 10 of 2024.

Those amendments strengthened Guyana’s extradition framework, clarified procedures related to fugitive offenders, and aligned local law more closely with international standards. The Mohameds’ attorneys have argued that these revisions introduce constitutional questions about due process, retroactivity, and judicial power — claims the Magistrate dismissed today.

Background: OFAC Sanctions and US Criminal Probe

This extradition case is the latest development in a series of escalating actions by US authorities against the prominent Guyanese businessmen.

In 2023, the US Treasury Department’s Office of Foreign Assets Control, (OFAC), sanctioned Mohamed’s Enterprises, Azruddin Mohamed, and Nazar Mohamed for alleged involvement in corrupt and transnational criminal activity, restricting their access to the US financial system.

Those sanctions were followed by a federal criminal investigation that culminated in the 2025 indictment announced by the US Attorney’s Office for the Southern District of Florida.

What Happens Next

When the matter resumes on January 6, 2026, the Magistrate’s Court is expected to hear substantive arguments on the applicability of the extradition treaty, the evidentiary submissions from US authorities, and the defense’s position on whether the alleged offenses qualify for extradition under Guyanese law.

Legal observers anticipate a protracted battle, with the Mohameds likely preparing parallel constitutional motions while simultaneously challenging the admissibility and sufficiency of the US evidence.

For now, however, Magistrate Latchman’s ruling ensures that the extradition proceedings will remain on track – and that the high-profile case will continue to unfold in the local courts well into the new year.

Why Our Dreams Sometimes Know Us Better Than We Do

By Ron Cheong

News Americas, TORONTO, Canada, Tues. Dec. 9, 2205:  With Christmas fast approaching, thoughts inevitably turn to ‘A Christmas Carol,’  Charles Dickens’ timeless tale of Ebenezer Scrooge, a man so tightly wound that even his dreams staged an intervention.

Behind the ghosts, the moral uplift, and the supernatural theatrics lies something very down-to-earth: a man being forced to sit through the psychological cinema of his own unconscious. Scrooge didn’t get spirits – he got dreams with a production budget.

So, in the spirit of the season, we take a lighter look at the dream world Dickens so wisely tapped into, where forgotten memories, repressed feelings, and questionable late-night snacks all come together in a show that nobody bought tickets for.

The Nightly Movies No One Asked For

Whether we like it or not, we all operate a small, unregulated cinema in our heads. Every night the projector snaps on and we’re shown a private screening:

a thriller,

a romantic comedy (starring people we’d never cast),

or an anxiety-fuelled disaster film directed by leftover curry.

Sigmund Freud, Victorian psychology’s biggest Dickens fan, believed dreams were windows into the unconscious. And while many of his original theories have since been gently retired, one idea still resonates:

Still, the old idea lingers: our dreams often know things about us that our daytime selves politely ignore.
And thank heavens they do, because without dreams we’d have no idea what our minds get up to when left unsupervised. Dreams are basically the office Christmas party version of the mind: louder, stranger, and someone always ends up dancing with unresolved trauma.

Once consciousness clocks out for the night, the unconscious grabs the keys and announces:
“Right then. Time to unpack your emotional baggage. But let’s do it in costume.”

What follows is our cheerful, seasonal walk through the Dickensian theatre inside all of us—minus the ghosts, plus more questionable symbolism.

The Grocery-List Dreams: A.K.A. Brain Maintenance

Some dreams are incredibly practical:

the leg-cramp emergency broadcast,

the “where’s the toilet?” scavenger hunt,

and the famous “what demon possessed me to eat spicy food at midnight?” drama.

These are the Scrooge-before-redemption dreams: blunt, cranky, and strictly task-oriented.

The Universal Classics: Humanity’s Shared Embarrassments

Then come the classics:

falling,

flying,

showing up to work naked except for confidence you do not possess.

Dickens taught us that the human condition is universal. Dreams confirm this by reminding us that everyone, everywhere, occasionally imagines themselves accidentally attending a meeting in their underpants.

When Dreams Hit A Little Too Close To Home

Then there are those dreams -the sticky, symbolic ones where your childhood home, your boss, your ex, and a giraffe all merge into one confusing emotional metaphor.

These are the dreams that force you, over your morning coffee, to mutter:
“What exactly is my brain trying to tell me, and why did it choose interpretive chaos as the medium?”

Modern psychologists would say: because you ignored it during the day. Dreams are emotional customer service—and they work night shifts.

How Our Inner Scrooges Shape Our Dreams

Just like Dickens’ ghosts tailored their messages to Scrooge, our dreams reflect our personality styles – some gentle, some dramatic, some in full Broadway regalia.

1. The Well-Adjusted Dreamer: Christmas Spirit Lite

If you’re generally optimistic, your dreams tend to be more “gentle nudge” than “haunting.”

A dream of missing the train =
Pardon me, maybe lighten your schedule? Kind regards, Your Brain.

A forgotten exam =
A small reminder that you need a break. Warmly, The Subconscious.

These dreamers get the Ghost of Christmas Past with a cup of tea and a kindly tone.

2. The Timid or Anxious Dreamer: Christmas Drama Edition

For the worriers, the unconscious does not hold back.

Missing the train becomes:
THE ENTIRE RAILWAY NETWORK HAS COLLAPSED AND IT’S YOUR FAULT.

Forgetting the exam becomes:
You’re writing it in the wrong century, with the wrong people, in a towel.

These dreamers get all three Dickensian ghosts at once, each carrying a clipboard.

3. The Narcissist: A Full Scrooge-Before-Redemption Production

Meet “Victor” a modern Scrooge minus the self-awareness.

By day:
He radiates confidence, avoids introspection, and posts heroic quotes about misunderstood brilliance.

By night:
The unconscious stages symbolic catastrophes:

He wins awards – but no one claps.

He gives a grand speech – but his microphone dies.

He enters a room – but the room sighs.

These dreams aren’t punishing him – just giving his ego the performance review it refuses to schedule.

But like pre-conversion Scrooge, Victor wakes up annoyed and blames the bed, the pillow, or society at large.

How Dreams Smuggle In the Truth

Dreams use symbolism because it’s the only way the unconscious can slip difficult truths past security.

Annoyed with someone? They show up in your dream disguised as a hybrid of:

your boss,

your mother,

and someone who once cut you off in traffic.

Avoiding a problem? It shows up as a symbolic plot twist so bizarre even Dickens would say, “Alright, that’s a bit much.”

Everyone’s dream symbols are unique – a private dictionary the ghosts of past, present, and future all share.

Why Talking Helps (Scrooge Could Have Used Therapy)

Freud called it the “talking cure.”
Dickens called it “three supernatural visits and a moral reckoning.”

Whether through a therapist, a friend, or a long reflective walk, acknowledging what a dream hints at often provides the relief we didn’t know we needed.

Scrooge did it with ghosts.
We can do it with fewer nightgowns and less fog.

Final Word: Don’t Wait for Three Ghosts

Dreams don’t always hold grand revelations. Sometimes they’re just housekeeping. But they do highlight the parts of ourselves we ignore during daylight hours.

Well-adjusted people get gentle seasonal reminders.
Timid people get Dickensian drama.
Narcissists get full musical productions – though they rarely give them good reviews.

If there’s a lesson, it’s this:
Pay attention to your inner life now, so your dreams won’t have to stage a Christmas-themed intervention later.
Scrooge waited for ghosts.
You don’t have to.

EDITOR’S NOTE: Ron Cheong, born in Guyana, is a community activist and dedicated volunteer with an extensive international background in banking. Now residing in Toronto, Canada, he is a fellow of the Institute of Canadian Bankers and holds a Bachelor of Science degree from the University of Toronto. His comments are his own and does not reflect those of News Americas or its parent company, ICN.

There It Is, The G-Word: An Exploration Of Gentrification, Memory, And The Unfinished Fight For Home

By Nyan Reynolds

News Americas, NEW YORK, NY, Tues. Dec. 9, 2025: There are certain words you avoid as a writer because they carry emotional landmines. You avoid them because they evoke old wounds, introduce political tension, or reveal uncomfortable truths that society is still not ready to confront. Gentrification has always been one of those words for me. I remained silent on it for years. I stayed away from debates that felt too charged or too politicized. I convinced myself that objectivity required restraint. Yet, there comes a moment in a writer’s life when silence becomes a betrayal of lived experience. Today is that moment. There it is, I finally said it. The G-word.

I grew up in inner-city America. Before that I grew up in Kingston, Jamaica where race was not the lens through which people experienced the world. My understanding of privilege and oppression was shaped by class structures and colonial residue, not by skin color. When I moved to the United States at the age of thirteen, the first place I lived at was the South Bronx. Simpson Street, Intervale Avenue, then Gun Hill Road, etc. These were not the glamorous symbols of the American dream. They were gritty and alive, tough yet communal, and they carried a pulse that outsiders rarely understood. If you were not from those neighborhoods, you stayed away. But for those who lived there, these places were home. They were the first chapters of my American story.

I remember my early visits to Harlem in 1999, long before its renaissance was mainstream, when 125th Street exploded with music, laughter, street art, food, and the distinct feeling of belonging. You could walk down Adam Clayton Powell Boulevard and feel the rhythm of a people who had created beauty from struggle. Harlem was a cultural mecca, a world within a world, a place that reflected the fullness of Black identity. To someone coming from Jamaica where racial tension was not embedded into everyday life, Harlem was powerful. It was bold. It was love wrapped inside resistance.

Over the last twenty years, however, the Harlem I knew has changed. So has the South Bronx. So has Brooklyn. So have dozens of communities across the United States. And the leading force behind that transformation is the very word I avoided: gentrification.

The First Lesson: What I Thought I Knew

When I started my graduate program in Public Health, I had a professor who altered the course of my worldview. Dr. Green, a white American woman with a fierce understanding of socioeconomic inequality, assigned a simple task. She asked us to write about whether gentrification was good or bad for minority communities. At the time, my argument was that it was good. I came from neighborhoods lacking resources. We did not have access to fresh groceries, quality schools, healthcare facilities, or safe recreational spaces. Businesses did not dare enter certain blocks of the South Bronx or East Harlem. When gentrification brought stores, transportation upgrades, and new buildings, it felt like an upgrade. It felt like the kind of revitalization every forgotten community deserved.

I wrote my paper with conviction. I believed my stance was morally sound. I believed improvement meant progress. And I will never forget the look Dr. Green gave me after reading it. It was not disgust. It was disappointment. She challenged the inadequacy of my position because I had missed the heart of the matter. I had overlooked the most critical element of gentrification: its human cost.

What she explained to me became the foundation of my evolving understanding. She showed me that gentrification is not merely about economic uplift. It is about the destruction of culture. It is about the erasure of history. It is about the displacement of families who have already survived decades of hardship, only to be forced out once the value of their neighborhoods becomes recognized. She taught me that revitalization without protection is not improvement. It is invasion. It is the theft of memory masked as progress.

Walking Through Harlem With New Eyes

Years later, as a more seasoned scholar and professional, I walked the streets of Harlem again. It was 2015, and I saw a very different landscape. On the West Side, near Frederick Douglass Boulevard, I saw Whole Foods, designer shops, trendy restaurants, and buildings with rent prices that rivaled Midtown. They were marketed as the new Harlem, the reimagined Harlem, the “finally improving” Harlem. But when you crossed east of Fifth Avenue, reality shifted. Suddenly it felt like a different world. It looked like the aftermath of a society that had given up on its people. It looked like abandonment.

East Harlem had become a shoebox in many ways, overcrowded and starved of opportunity. It was still plagued by drug use and homelessness, yet ironically, many of the homeless individuals you saw on the East Side were formerly housed West Side residents who were priced out of their homes. They were pushed across avenues and told to make do. They were casualties of an economic model that rewarded newcomers and punished the original custodians of the community.

It is here that the moral and societal implications of gentrification become unavoidable. If a new community can only flourish when the old one suffers, is that truly progress? And why has gentrification become such a zero-sum game? Why does someone have to lose their home for someone else to gain convenience? Why does someone’s cultural identity have to be erased for fancy coffee shops to appear?

This is not an argument for equal distribution of wealth. This is not an argument for everyone receiving the same opportunities in a capitalist society. The point is far deeper. It is about acknowledging that urban development without equity is simply modern displacement. It is repackaged inequality. It is the same injustice with a cleaner tone and a more polite vocabulary.

The Movie That Warned Us Before We Understood

There was a film I watched when I was younger, starring Laurence Fishburne, Cuba Gooding Jr., and Ice Cube. Fishburne played a professor who warned the younger characters about gentrification. At the time, none of us truly grasped what he meant. It sounded theoretical and distant, a concept belonging to policy analysts, not the average kid on the block. As children, we saw it as an academic idea, not a lived threat.

Years later, many of the kids who watched that movie saw their own families pushed out of their homes. Many saw their parents lose their property, not because they were financially irresponsible, but because the rules of the game shifted. New developers, new buyers, new price points, new language, new loopholes. And suddenly the people who had held their communities together through the drug epidemic of the 70s, the violence of the 80s, and the crippling hardships of the 90s were being told they did not belong in the very places they helped sustain.

Communities that survived poverty, racism, underfunded schools, disinvestment, police aggression, and systematic neglect were defeated not by drugs or violence, but by rising rent. They were defeated by an economic apparatus they never agreed to. They were defeated by valuation models that had nothing to do with their lived reality.

What happens to a community’s spirit when the last blow comes not from hostility but from “progress”? What happens when survival is no longer enough to stay?

A Question That Cuts To The Soul: Can These Communities Ever Heal?

A friend once asked me whether the people who lived through these eras could ever truly heal. It is a profound question. Healing is possible when harm is temporary, when the wound is localized, and when the environment eventually becomes safe again. But how do you heal from something that takes not your possessions but your place? How do you heal from losing your community, your roots, your cultural ecosystem, your memories? What do you do when survival is followed by displacement rather than relief?

People have survived the 70s slums, the 80s crack era, the 90s policing crisis, mass incarceration, unemployment, and urban decay. Many of those same people now face the emotional devastation of losing their homes to rising rent, legal manipulation, or private development. They survived decades of external threats only to lose their neighborhoods to a process disguised as improvement.

Healing requires acknowledgment. Healing requires truth. Healing requires inclusion. Yet in gentrified landscapes, the narrative rarely centers the displaced.

It centers property value.
It centers new businesses.
It centers rising tax revenue.
It centers the “new community.”

So where does the healing begin? And more importantly, who leads it?

The Moral Examination Of Gentrification

Gentrification is often framed as an economic phenomenon, but beneath the economics lies a moral crisis. It raises questions about justice, equity, and dignity. It forces us to confront who deserves stability and who is treated as replaceable. It exposes the cracks within urban planning, public policy, and political priorities.

At its core, gentrification represents a failure of policy and imagination. It exposes our inability to revitalize neighborhoods without sacrificing the people who built them. It shows how far we are willing to go to pursue growth, even when growth becomes synonymous with erasure.

We must ask whether revitalization is truly revitalization when it excludes the original residents from enjoying the benefits. We must ask whether it is progress when affordability becomes a relic of the past. And we must question why displacement has become an acceptable byproduct of development.

Where Do We Go From Here? A Future Beyond Zero-Sum Thinking

If we are willing to confront the truth, then we can also imagine a future that does not rely on displacement. A post-gentrification vision is possible. It requires leaders, policy makers, developers, and communities to rethink the fundamental principles of urban development.

A better model would include:

1. Affordable housing guarantees for original residents.
Long-term affordability must be protected through legal structures, not political promises.

2. Community land trusts and resident ownership.
When the community owns the land, displacement becomes optional, not inevitable.

3. Cultural preservation zones.
Protect the identity of neighborhoods in the same way historic districts are protected.

4. Equitable development frameworks.
Prioritize local hiring, local businesses, and generational wealth for long-time residents.

5. Mixed-income models that center dignity.
Housing should not segregate communities based on economic worthiness.

6. Public health analysis in development decisions.
Look at the psychological and social effects of displacement, not just economics.

7. Policy reform that places humanity at the center.
Cities should not become playgrounds for the wealthy at the expense of the poor.

Healing begins when people are no longer treated as collateral damage. Healing begins when development becomes inclusive rather than extractive. Healing begins when we stop believing displacement is the price of progress.

Final Thoughts: The G-Word And The Courage To Confront It

For years, I avoided speaking about gentrification. I thought neutrality was safer. Yet neutrality in the face of cultural loss is a quiet form of surrender. Gentrification is not simply a policy issue. It is not merely an economic trend. It is a human story, one filled with memory, identity, displacement, and unspoken grief.

Communities are not just geographical spaces. They are living archives of struggle and triumph. When they are erased, something irreplaceable disappears.

So here I am, no longer silent, finally naming it. Gentrification. The G-word that reshaped the communities I knew, the neighborhoods that raised me, and the places that shaped who I am today. We must explore it, question it, and challenge it, not with rage but with understanding. Not with despair but with vision. Not with resignation but with hope that the future does not have to mirror the past.

This is the real work of writers, leaders, and thinkers. To see what is broken, to understand why it matters, and to imagine what can be rebuilt.

EDITOR’S NOTE: Nyan Reynolds is a U.S. Army veteran and published author whose novels and cultural works draw from his Jamaican heritage, military service and life experiences. His writing blends storytelling, resilience and heritage to inspire readers.  

Veteran Gospel Artist Releases New Single Offering Hope To Jamaicans Affected By Hurricane Melissa

News Americas, New York, Tues. Dec. 9, 2025: A veteran gospel artist has released his highly anticipated new single, “Breakthrough,” dedicating the uplifting track to Jamaicans recovering from the devastation of Hurricane Melissa.

Robert Bailey with sons Joel (left) and Renaldo. (PHOTO COURTESY OF MARIE BERBICK MINISTRIES INTERNATIONAL)

Described as an “anthem of hope,” the single is now available on all major streaming platforms. Jamaican Robert Bailey, says the song is a reminder that “no matter how dark the storm, a breakthrough always follows the struggle.”

BREAKTHROUGH

“Breakthrough” marks a vibrant new chapter for Bailey, whose music ministry spans more than 35 years, including his years as one half of the celebrated gospel duo Robert and Jenieve. Blending Afrobeats and reggae, the track features lyrics penned by Bailey and his wife, Reverend Marie Berbick-Bailey, and aims to resonate with listeners navigating hardship and uncertainty.

Although its message seems tailor-made for the aftermath of Hurricane Melissa, Bailey revealed that the single was completed before the storm, with its release originally planned for the same week the hurricane hit Jamaica.

“My producer friend Leighton Murray encouraged me to get back into the studio, and ‘Breakthrough’ was the first fruit of that season,” Bailey explained. “But when I saw the devastation in Jamaica, I knew I had to dedicate it to my people. It’s a song to uplift, strengthen and remind us that God always carries us through.”

Bailey, who now resides in Queens, New York, said watching heartbreaking scenes from the island compelled him to offer the single as a source of healing. Still, he remains confident in Jamaica’s resilience.

“My heart broke, but I know my Jamaican people – proud, hardworking and strong. We will bounce back,” he said.

BROWNS TOWN BORN

Born in Browns Town, St. Ann, the same area where the father of former US VP Kamala Harris was born, Bailey grew up in a musically gifted Christian family and began performing widely as a teenager. After winning the Youth for Christ singing competition, he joined The Life Singers, managed by Dale Flynn. He later married fellow group member Jenieve Hibbert, daughter of reggae legend Toots Hibbert, and the pair achieved international gospel acclaim with hits such as Preacher Man, I Can Never Outlove the Lord and The Clay.

Despite their 2018 divorce, Bailey and Hibbert’s contributions remain foundational to contemporary Jamaican gospel music. Bailey has since returned to the studio and plans to release a full album in 2026.

“Breakthrough,” more upbeat than Bailey’s traditionally soulful style, signals an intentional evolution. Bailey credits his wife Reverend Berbick-Bailey – known as “The People’s Pastor”- for helping shape the song’s direction and melody.

“I’m blessed to have my wife walking with me through this new musical season,” Bailey said. “This song was birthed through faith and partnership.”

Robert Bailey and his wife Reverend Berbick-Bailey – known as “The People’s Pastor.” (PHOTO COURTESY OF MARIE BERBICK MINISTRIES INTERNATIONAL)

Bailey continues to perform across the United States and internationally, often alongside his sons Joel and Renaldo, whom he describes as “tremendously gifted singers.” He says balancing family, ministry and music has only strengthened his gratitude.

“I see the hand of God moving. I’m honored to share this journey with my family and to offer music that inspires hope,” he said.

“Breakthrough” is now streaming on Spotify, Apple Music, YouTube Music and all major digital platforms. More information is available on Bailey’s social channels at RobertOBaileyMusic.

LISTEN to “Breakthrough” here

New Caribbean Music This Weekend: Dancehall, Soca, Dub & Conscious Vibes Drop Fresh Tracks

By ET Editor

News Americas, New York, Fri. Dec. 5, 2025: It’s another big weekend for Caribbean music lovers as dancehall, reggae-rock, chutney soca, dub and afro-fusion artists roll out a wave of brand-new releases. Here are the new Caribbean music this weekend. From Notnice’s festive Christmas project to Mr Eazi’s dancehall mixtape teaser, GI’s 2026 soca fire, Gaudi’s genre-bending dub album, Orange Sky’s conscious anthem, and Pablo YG’s international collaboration.

Notnice Drops “Merry Christmas From Yaad” With Jah Vinci, D’Yani & More

Dancehall hitmaker Notnice serves up early holiday cheer with Merry Christmas from Yaad, a collaborative project featuring Jah Vinci, D’Yani and a lineup of rising voices. The producer, known for shaping modern dancehall’s emotional and melodic sound, brings a festive twist to the genre with smooth hooks, holiday-themed storytelling, and classic Jamaican rhythms.

Stream here: https://onerpm.link/MerryChristmasfromYaad

Mr Eazi Returns With Dancehall-Infused “Dance Pon Me”

Afrobeats star Mr Eazi leans deeper into the Caribbean on Dance Pon Me, the latest drop from his forthcoming dancehall-inspired mixtape with Mixpak Records.

Following his Popcaan-assisted smash “Sekkle & Bop,” Eazi teams up again with top-tier producers Dre Skull (Vybz Kartel, Burna Boy) and Cadenza (Jorja Smith, Beyoncé) for a breezy dembow-driven anthem. The result? A hypnotic, body-moving track that celebrates whining, diaspora joy, and dance-floor ease.

Stream: https://zaga.lnk.to/DancePonMe

Tanto Metro & Devonte Link With Yellostone For “Model Up”

Dancehall veterans Tanto Metro & Devonte return with “Model Up,” featuring Yellostone. The uptempo single channels the duo’s signature flirtatious energy and showcases how effortlessly they continue to bridge classic 90s dancehall charisma with today’s digital sound.

Stream: https://lnkfi.re/Tanto_Metro_x_Devonte-Model_Up_ft_Yellostone

GI Lights Up 2026 Chutney Soca Season With “My One Only (Fire Water)”

Trinidad’s multi-hyphenate artist GI returns just in time for early Carnival season with My One Only (Fire Water) — a warm, melodic 2026 chutney soca release crafted by a powerhouse production team. Recorded across Oneness Studios, BassLab, and Badjohn Republic, the track blends smooth vocals with irresistible rhythmic energy.

Stream: https://lnkfi.re/GI-My_One_Only

Gaudi Unveils “Jazz Gone Dub” – A Masterclass In Fusion

For dub and jazz enthusiasts, UK-based producer Gaudi delivers Jazz Gone Dub, a stunning four-year project bridging heavy dub atmospherics and improvisational jazz. Featuring legends like Sly & Robbie, Ernest Ranglin, Jah Wobble, David Hinds and more, the album stands as one of the year’s most ambitious Caribbean-influenced experimental works.

Stream: https://vpalmusic.ffm.to/jazzgonedub

Jahman & Amieyre Team Up On Smooth Caribbean R&B-Dancehall Blend “See Mi”

Virgin Islands artist Jahman teams up with singer Amieyre for “See Mi,” a polished, melodic fusion produced by Masai Harris under Splatter House Records. The track flows with a sensual groove, driven by island-infused R&B and clean vocal chemistry.

Stream: https://lnkfi.re/jahman-see_mi-feat_amieyre

Orange Sky’s Nigel Rojas Drops Afrobeat-Infused Conscious Single “Too Many”

Trinidad’s reggae-rock legend Nigel Rojas returns with an emotionally charged solo release, “Too Many.” Inspired by a moment of contrast between nature and global violence, the song blends Afrobeat rhythms with Rojas’ signature roots-rock storytelling. The track arrives ahead of Orange Sky’s 30th anniversary EP, coming April 2026.

Stream: https://allmylinks.com/orangesky

Pablo YG Links With Netflix’s “Supacell” Star UglyAndz For “Tek A Shot”

Dancehall rising star Pablo YG partners with London rapper and actor UglyAndz for “Tek A Shot,” a melodic dancehall track produced by YGF and Phantom Beatz. Recorded during Pablo’s first UK tour, the single highlights his global momentum – from Reggae Sumfest to viral international freestyle performances.

Stream: https://pabloyg.lnk.to/TekAShotSingle

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