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Vybz Kartel, Mavado Lead Reggae Sumfest Post-Hurricane Comeback

By NAN ET EDITOR | NewsAmericasNow.com

News Americas, NEW YORK, NY, Fri. July 10, 2026: Jamaica’s premier reggae festival is coming back smaller – but with one of the biggest reunions dancehall has seen in years. Reggae Sumfest 2026 returns as a one-night event, branded “A Taste of Sumfest.”

It is scheduled for July 18 at Plantation Cove in St. Ann – a temporary move from its longtime home at Catherine Hall in Montego Bay, which was damaged by Hurricane Melissa last year. Organizers say the scaled-down format was necessary while rebuilding continues in western Jamaica, but the goal is to preserve the festival’s legacy while supporting the region’s recovery. The lineup headlining that comeback is what’s turning heads: Vybz Kartel, who returned to Sumfest last year, and Mavado, together on the same stage.

Gaza Meets Gully

For a generation of dancehall fans, few rivalries carry the weight of Vybz Kartel – the “World Boss” – and Mavado – the “Gully God.” Their feud defined one of dancehall’s most memorable eras in the late 2000s, culminating in the legendary Gaza versus Gully clash at Sting, a rivalry that split fan bases across Jamaica and the diaspora for years.

Mavado will perform on the same stage with Kartel at Reggae Sumfest 2026

Their joint appearance at Sumfest is expected to be one of the biggest attractions of the summer entertainment season – not just for the music, but for what it represents: two artists whose feud once felt permanent, sharing a stage at a festival built around Jamaican unity and resilience.

Rebuilding Through Culture

DownSound Entertainment CEO Josef Bogdanovich, whose company has managed Reggae Sumfest for the past decade, said the festival remains committed to showcasing Jamaica’s music and culture on the world stage. Since taking over the event in 2016, Bogdanovich said organizers have worked to transform Sumfest into a world-class entertainment brand while keeping its authentic Jamaican roots intact.

He also pointed to the festival’s economic weight beyond the music – noting it generates income for thousands of Jamaicans, including hotel workers, vendors, transportation providers, production crews, stylists, creatives, and small business owners. In a year when western Jamaica is still rebuilding infrastructure damaged by Hurricane Melissa, that economic footprint carries added significance: a scaled-down festival that still puts money directly into the hands of workers and small businesses across the island.

To help patrons travel safely to the relocated event, the Jamaica Urban Transit Company has partnered with organizers to provide round-trip transportation from key locations across the island. JUTC Marketing and Sales Manager Nathalia Palomino said the initiative is designed to make travel easier while reducing traffic congestion and parking challenges. “At JUTC, we are always seeking opportunities to connect Jamaicans with the experiences they love in a safe and convenient way,” Palomino said.

The Jamaica police have announced temporary traffic management measures for the 2026 staging, saying the measures are expected to accommodate the large number of patrons anticipated at the event while ensuring the safe and orderly movement of vehicular and pedestrian traffic and minimizing congestion in and around the venue.

During the event, four traffic lanes will be in operation along the Priory main road in the vicinity of Plantation Cove at all three entrances. Motorists travelling westbound will use the left lane to continue towards Runaway Bay, while the middle westbound lane will be reserved for vehicles turning right into the venue. Drivers travelling eastbound towards Priory and Ocho Rios will use the middle eastbound lane. Parking will be available at Plantation Cove for VVIP, VIP and general admission patrons.

A park-and-shuttle service will also be provided from three locations.  Pearly Beach and Seville Great House will accommodate patrons travelling from the east and other areas of St Ann, while Discovery Bay will serve patrons travelling from the west.

The police said signs will be erected along the North Coast toll road, as well as the St Ann’s Bay, Discovery Bay and Ocho Rios main roads, to direct motorists to the designated parking areas. Traffic personnel will be deployed along the roadways, and members of the public are being urged to obey their instructions throughout the event.

One Night, Same Spirit

Despite the abbreviated format, organizers say “A Taste of Sumfest” will celebrate the resilience of Jamaica’s entertainment industry while keeping alive one of the Caribbean’s most iconic music festivals.

For the diaspora who travel home every summer for Sumfest, this year’s version will look different – one night instead of the usual multi-day run, a new venue instead of the familiar Catherine Hall grounds. But the headline act tells its own story: if Gaza and Gully can share a stage, a hurricane-damaged festival finding its way back onto one is very much in keeping with the spirit of the moment.

Tickets are available from USD60 by clicking HERE

RELATED: Shaggy Brings Caribbean Vibes To Central Park With Star-Studded “Shaggy’s Yaad”

ORIGINS Fashion Festival Celebrates Guyana’s Creative Industries As A Driver Of Culture, Tourism And Economic Growth

News Americas, NEW YORK, NY, Fri. July 3, 2026: ORIGINS: The Guyana Fashion Festival returns for three immersive days, July 3-5, as Guyana’s premier fashion and cultural showcase.

This year’s Diamond Jubilee edition themed A Diamond Legacy: Fashioning 60 Years, celebrates Guyana’s 60th year of Independence by bringing together Guyanese designers, diaspora talent, emerging creatives and artisans with international visitors, showcasing fashion as a catalyst for national identity, economic development and cultural tourism.

Guyana has recorded the world’s highest real GDP growth rates in recent years, according to International Monetary Fund data. As the country pursues broader economic diversification, ORIGINS showcases the growing role of fashion and the creative industries.

“This initiative demonstrates the Government of Guyana’s commitment to advancing the Orange Economy as a pillar of national development,” said Hon. Susan Rodrigues, Guyana’s Minister of Tourism, Industry and Commerce. “We are investing in the platforms, networks and market access that allow our designers and creatives to grow enterprises, compete internationally and contribute to a more diversified economy.”

Three themed runway experiences highlight Guyana’s story: Golden Threads of Time celebrates 60 years of Guyanese style; Ancestral Threads showcases Indigenous materials and traditional craftsmanship; and Fashion Meets Innovation explores sustainability and forward-thinking Caribbean design.

“For years, Guyanese designers have been creating exceptional work without the industry support needed to grow sustainable businesses,” said Keisha Edwards, Festival and Designer Director. “ORIGINS is more than a fashion festival. It’s an industry-building platform designed to strengthen Guyana’s creative ecosystem through mentorship, business development, market access, so the next generation of Guyanese creatives inherits an industry that is connected, supported and built to thrive.”

More than 30 designers from Guyana and across its diaspora will take the runway over the festival’s three nights, many of them trained through ORIGINS’ own workshops in branding, export-ready packaging, apparel construction and business fundamentals, taught by facilitators from across the Caribbean and beyond.

The festival closes with the ORIGINS Awards, honoring Best Fashion Designer, Best Emerging Designer, Best Storyteller Innovator, and Male and Female Model of the Year.

Learn More At: https://www.instagram.com/origins.guyanafashionfestival/

About ORIGINS
The ORIGINS: Guyana Fashion Festival is a three-day immersive fashion event conceived to celebrate Guyana’s cultural heritage, resilience, and evolving sense of style, while showcasing local talent and global Guyanese icons. Follow ORIGINS on Instagram at @origins.guyanafashionfestival for updates and behind-the-scenes content.

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Shaggy Brings Caribbean Vibes To Central Park With Star-Studded “Shaggy’s Yaad”

By NAN ET EDITOR

News Americas, NEW YORK, NY, Fri. July 3, 2026: Fresh off the release of his new album Lottery, Grammy Award-winning reggae superstar Shaggy is bringing the sounds of the Caribbean to the heart of New York City with “Shaggy’s Yaad,” a free outdoor concert celebrating Jamaican music, culture and community.

The event is set for July 9 at Rumsey Playfield in Central Park as part of the venue’s 40th anniversary season and will feature an all-star lineup of reggae, dancehall and R&B performers. Joining Shaggy on stage will be Robin Thicke, Tanto Metro & Devonte, Rayvon, Noah Powa, NESTA, Amber Lee, Matthew Malcolm, and Shuga, along with additional special guests.

Presented in association with VP Records and Shaggy’s Boombastic Radio on SiriusXM Channel 332, the concert promises an evening of classic hits, new music and Caribbean energy in one of New York City’s most iconic parks.

Inspired by the Jamaican concept of “yaad,” meaning home, the event is designed to bring together people of all backgrounds through music, food, culture and shared community spirit. The celebration will also feature music from DJs Tropical Blendz and Afrique, while DJ Norie, Roxy Romeo and Li’l Nat will serve as hosts throughout the evening.

The free, all-ages event comes as Shaggy continues to expand his influence beyond the recording studio. In addition to releasing new music, the Jamaican-born entertainer has remained a global ambassador for reggae while using his Boombastic Radio platform to spotlight Caribbean artists and culture.

With performances spanning reggae, dancehall and contemporary Caribbean sounds, Shaggy’s Yaad is expected to draw thousands of fans for what organizers describe as an unforgettable summer celebration of the islands in the middle of Manhattan.

Doors open at 6 p.m., with the concert beginning at 7 p.m. Admission is free on a first-come, first-served basis.

RELATED: New Caribbean Music – DJ GQ And Mr. Vegas Team Up, Plus New Heat From Sean Paul, Fay-Ann Lyons And More

Caribbean Roots Actress Teyana Taylor Named Icon Of The Year At BET Awards

By NAN ET REPORTER | NewsAmericasNow.com

News Americas, LOS ANGELES, CA, Mon. June 29, 2026: Actress and singer Teyana Taylor made history again Sunday night. The Harlem-born actress and entertainer – whose father Tito Smith is Trinidadian, connecting her directly to the Caribbean diaspora that has shaped New York City for generations – was named Icon of the Year at the 2026 BET Awards at Peacock Theater in Los Angeles, presented by the legendary Janet Jackson.

But the Icon of the Year honor was only the beginning of Taylor’s extraordinary night. She also won three competitive awards – Best Actress, Video Director of the Year, and the newly introduced Fashion Vanguard Award – making her the dominant figure of the evening.

“I worked my a** off 20 years for this,” Taylor said in accepting her awards, as quoted in coverage of the ceremony. “So I’m not accepting what I’ve earned with arrogance; I’m accepting what I’ve earned with gratitude.”

The Caribbean Thread In A Harlem Story

(L-R) Teyana Taylor accepts the Icon of the Year award from Janet Jackson onstage during the BET Awards 2026 at Peacock Theater on June 28, 2026 in Los Angeles, California. (Photo by Johnny Nunez/Getty Images for BET)

Born in Harlem to a Trinidadian father and an African American mother, Taylor has long embodied a layered cultural identity that mainstream entertainment coverage has rarely foregrounded – but that the Caribbean diaspora has always recognized. Her father, Tito Smith, is Trinidadian – connecting Taylor directly to the Caribbean and to the generations of Caribbean immigrants who built communities across New York City and shaped Black American culture from the ground up.

While Taylor was raised by her mother, Nikki Taylor, in Harlem, that Caribbean lineage has always been part of her personal narrative. In an industry where Caribbean identity is often flattened or overlooked, her sweep at the 2026 BET Awards stands as a powerful reminder that Caribbean influence extends far beyond music genres like reggae, soca, and dancehall – it is woven deeply into Black American cultural achievement across film, fashion, and performance.

A Historic Golden Globe Earlier This Year

Sunday’s BET Awards sweep came as the culmination of what has already been a landmark year for Taylor. When she accepted the Golden Globe for Best Supporting Actress on January 11, 2026, Taylor joined a very short and historic list – becoming only the second Black actor of Caribbean heritage to win a Golden Globe, following the late Bahamian-born film legend Sidney Poitier.

She also joined an elite group of just 17 Black actors overall to have won a Golden Globe in the award’s history. Taylor has also received an Oscar nomination for her performance in One Battle After Another and a Grammy nomination for Best R&B Album for Escape Room – making 2026 the most decorated year of her already extraordinary two-decade career.

The BET Awards Night

Taylor made an unforgettable entrance on the BET Awards red carpet in a dramatic strapless burgundy gown by Paris designer Stéphane Rolland. The voluminous design featured layers of fabric cascading into a full skirt with shimmering embellishment across the bodice. She completed the regal look with a coordinating headpiece and flowing train.

The 2026 BET Awards – hosted for the first time by comedian Druski at Peacock Theater – also honored singer Lauryn Hill with the Living Legend Icon Award and music executive Sylvia Rhone with the Ultimate Icon Award.

For Taylor – who has spent two decades building one of the most versatile careers in entertainment, spanning music, film, fashion, and directing – Sunday night in Los Angeles was a full-circle moment. And for the Caribbean diaspora watching from Trinidad, from New York, from Toronto, and from London – it was a reminder that their children carry their heritage with them all the way to the top.

RELATED: Nationals From Four Caribbean Countries Among New York City’s Top Ten Immigrant Groups

New Caribbean Music – DJ GQ And Mr. Vegas Team Up, Plus New Heat From Sean Paul, Fay-Ann Lyons And More

By ET Editor | NewsAmericasNow.com

News Americas, MIAMI, Fl, Sat. June 20, 2026: It’s summer, and that new Caribbean music is especially in time for Toronto and NY carnivals and Barbados Crop Over.

South Florida king of radio and nightlife DJ GQ and legendary Jamaican dancehall singjay Mr. Vegas have connected on “If We Had More Time,” a smooth, modern reggae record that reveals a more melodic and emotionally driven side of the dancehall icon.

The single is out now on all digital platforms via DJ GQ’s own label, DJ GQ Worldwide, distributed by Tuff Gong International. Centered around nostalgia and love, the track blends a timeless lovers rock feel with polished, contemporary production. Vegas’s instantly memorable hook completes a bright, upbeat earworm built for any summer chill playlist – and one certain to resonate with both core Caribbean listeners and a broader global audience.

“If We Had More Time” serves as the first single off DJ GQ’s upcoming EP, Skank, Rock, Reggae.

“DJ GQ has been representing Caribbean music for years,” Mr. Vegas said. “He doesn’t just play it, he understands it, produces it, and truly feels the vibration. ‘If We Had More Time’ is one of those records with a real vibe.”

In addition to his hosting and mix duties on iHeartRadio’s Y100 in Miami and Bob Marley’s Tuff Gong Radio on SiriusXM, DJ GQ has rocked stages across the globe alongside Akon, Skip Marley, and DMX – whose ferocious “GQ… let ’em know!” audio stamp can be heard growled across the DJ/producer’s releases.

“For years I’ve been helping tell other artists’ stories through radio and DJing,” DJ GQ said. “Skank Rock Reggae is my opportunity to tell my own.” The Miami-born music industry veteran, who was raised in Jamaica by his Cuban/Chinese and Jamaican parents, continued: “‘If We Had More Time’ with Mr. Vegas is a reminder that time is life’s most valuable currency, and reggae has always been one of the most powerful ways to deliver that message.”

A mainstay on the South Florida club and event scene, DJ GQ keeps a packed calendar – including Saturdays at Easton Rooftop in Fort Lauderdale, July 4th at the City of Coral Springs celebration, his birthday bash on August 15th, Tequila Fest at Mizner Amphitheater on November 7th, Give Miami Day on November 19th, Turkey Fest in Pembroke Pines on November 21st, and Terp Basel in Miami December 4th and 5th.

Listen to “If We Had More Time” here

Sean Paul & Brushy One String – “Burn Dem Down”

Dancehall superstar Sean Paul has linked with one-string guitar virtuoso Brushy One String for “Burn Dem Down,” a track pairing Sean Paul’s signature delivery with Brushy’s raw, stripped-down sound.

Watch the official live music video here

Nailah Blackman – “Bombshell” (WYFL Riddim)

Soca star Nailah Blackman has dropped “Bombshell,” riding the WYFL Riddim with production from DJ Mac, Crash Dummy, Crawba, Tribal Kush and Aicon. The track was pre-mixed by Anson Pro, with final mix and mastering handled by Madmen Productions.

Watch the official music video here

Fay-Ann Lyons – “Hot Gyal DNA”

Soca powerhouse Fay-Ann Lyons has released “Hot Gyal DNA,” produced, mixed and mastered by Yannick Plante of Minor Productionz. The single arrives via Bad Beagle under license to Diaspora Sound.

Stream “Hot Gyal DNA” here

Skinny Fabulous – “Nonsense”

Soca hitmaker Skinny Fabulous has dropped “Nonsense,” produced by Dada Lawrence and Chippy G and mixed and mastered by Parry Jack. The accompanying video was shot and directed by Junior Lee of Precise Lee Films, with distribution through DSM Music Group.

Watch the official music video here

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Caribbean Artists Are On 2026 FIFA World Cup Soccer’s Biggest Soundtrack

Caribbean Artists Are On 2026 FIFA World Cup Soccer’s Biggest Soundtrack

By Staff Reporter | NewsAmericasNow.com

NEWS AMERICAS, NEW YORK, NY, Thurs. June 11, 2026: The Caribbean is not just playing in the 2026 FIFA World Cup. It is providing the soundtrack. Three Caribbean artists – Puerto Rico’s Daddy Yankee, Jamaica’s Shaggy, and Jamaica’s Shenseea – have been confirmed on the Official FIFA World Cup 2026 Album, the most extensive multi-track music project ever created for football’s biggest event.

The 18-track album, unveiled by FIFA Sound this week, brings together artists from six continents representing multiple musical genres in celebration of the historic 2026 tournament – hosted across the United States, Canada, and Mexico. For the Caribbean diaspora already celebrating two regional nations – Haiti and Curaçao – making historic World Cup appearances, the presence of three Caribbean artists on the official soundtrack adds another layer of regional pride to what is shaping up to be an unforgettable Caribbean moment in world football.

Shaggy: Reggae Meets The World Cup

Fresh off the release of his latest album Lottery – and Brooklyn Day in his honor – global reggae icon, Jamaican Shaggy, continues his extraordinary 2026 run with a feature on the Official FIFA World Cup 2026 Album.

Contributing the track “Love Always Wins” alongside Cuban artist Cimafunk and Zema, Shaggy joins a diverse roster that spans continents, languages, and genres in celebration of the world’s biggest sporting event. The inclusion further underscores his enduring influence as one of Caribbean music’s most recognizable global ambassadors — introducing reggae and dancehall sounds to FIFA’s worldwide audience at precisely the moment when the Caribbean region is making its most significant World Cup showing in decades.

Daddy Yankee And Shenseea

Puerto Rican reggaeton superstar Daddy Yankee and Jamaican dancehall star Shenseea collaborated on “Echo” – one of the album’s lead singles, released on April 28, 2026, along with an official music video.

The pairing of two of the Caribbean’s biggest international music stars on a FIFA World Cup track represents a landmark moment for Caribbean music on the global stage – and a natural extension of the cross-Caribbean musical collaboration that has defined both artists’ careers.

The Full Album

The Official FIFA World Cup 2026 Album features 18 tracks bringing together some of the biggest names in global music – many collaborating for the very first time through the unifying power of football:

Including Goals by LISA, Anitta and Rema; Game Time by Future and Tyla; Three Nations by 21 Savage, Nata Cano and French Montana; No Place Like Home by Major Lazer, Nelly Furtado and Davido; Show Me by Ayra Starr and Latto; Champion by IShowSpeed; Dai Dai by Shakira and Burna Boy; and more.

“FIFA has brought together an extraordinarily strong music squad and one befitting the biggest single-sport event in history,” FIFA President Gianni Infantino said, as quoted in the official release. “From global superstars to breakthrough voices who are shaping the future of music, the Official FIFA World Cup 2026 Album features artists from across continents, languages and genres in a project designed to unite fans worldwide through the power of music and football.”

The full album is available for pre-save on all streaming platforms at open.spotify.com/album/37JAJeWRJIQb2mNzKsoi2N

The Caribbean Moment

The presence of three Caribbean artists on the Official FIFA World Cup 2026 Album arrives as the Caribbean prepares for its most significant World Cup moment in decades.

Haiti returns to the World Cup for the first time since 1974 – taking on Scotland, Brazil, and Morocco. Curaçao makes its historic debut as the smallest nation ever to compete in a FIFA World Cup – facing Germany, Ecuador, and Côte d’Ivoire.

Caribbean music. Caribbean football. Caribbean Heritage Month. June 2026 is the Caribbean’s moment – and the world is watching.

The Official FIFA World Cup 2026 Album is available on all streaming platforms. Full track list at FIFA.com

RELATED: David vs Goliath: Two Caribbean Nations Are About To Crash The World’s Biggest Party – FIFA World Cup

Buju Banton Is Back – And He’s Bringing Caribbean Music To Every Corner Of America This Summer

By ET EDITOR | NewsAmericasNow.com

News Americas, NEW YORK, NY, Fri. June 4, 2026: Summer just got a new sound track. Grammy Award-winning reggae legend Buju Banton has announced his thirteenth studio album – ‘Too Too Bad’ – dropping July 17, 2026, alongside a 22-city US summer tour with fellow Grammy winner Stephen Marley.

The duo will take Caribbean music from Seattle to Atlanta in what promises to be the most significant Caribbean music moment on American soil this year and Banton is delivering exactly what the diaspora needs: a reminder that Caribbean culture does not require official recognition to command America’s biggest stages.

The Album: Too Too Bad

Too Too Bad marks Buju’s sixth album for VP Records – the legendary reggae and dancehall label – following a newly minted deal that brought him home to the label after 23 years away.

The album’s lead single “Butterflies” – produced by internationally acclaimed hitmaker Supa Dups, whose credits include Rihanna, Drake, and Bruno Mars – has already amassed over one million cumulative streams since its release. Billboard applauded it as “heart-eyed,” while The New York Carib News noted how Buju “channels the essence of his earlier hits, reminiscent of tracks like ‘Love Sponge,’ as he delivers playful, romantic lyrics.”

A music video for “Butterflies,” shot in Miami by director Justice Silvera, is now available. Buju has also delivered a stunning performance of the 2006 classic “Driver A” on COLORS – a rendition that affirmed, as if any reminder were needed, his status as one of reggae’s greatest showmen.

“A body of work I offer to my fans, friends, and well-wishers with only joy and music,” Buju said of Too Too Bad – a promise that feels especially resonant at a moment when Caribbean communities across the United States could use exactly that.

The Tour: Roots And Rhymes 2026

The album arrives in the middle of the Roots and Rhymes US Summer Tour 2026 – a historic co-headlining run with Stephen Marley that marks the first time the two Grammy-winning icons have embarked on a full-scale tour together. The tour kicks off June 17th at Marymoor Park in Redmond, Washington and winds through 22 cities over six weeks – hitting Red Rocks Amphitheatre in Colorado, Milwaukee Summerfest, UBS Arena in New York, and concluding July 25 at Lakewood Amphitheatre in Atlanta.

Select dates will feature special guest Gramps Morgan of Morgan Heritage, with DJ sets from Splackavelli. And in a gesture that reflects the values at the heart of Caribbean culture, one dollar from every ticket sold will benefit the Buju Banton Foundation – which provides skills training, talent development, and educational empowerment to at-risk boys aged 8 to 18 in Jamaica.

For the Caribbean diaspora spread across every city on this tour – from the Jamaican communities of New York and Boston to the Caribbean enclaves of Atlanta and Miami – Roots and Rhymes is not just a concert tour. It is a homecoming on wheels.

Why This Matters For Caribbean Heritage Month

Buju Banton’s return to the stage this month, Caribbean American Heritage Month, and the studio in 2026, carries weight that goes beyond music. His catalog – spanning ‘Mr. Mention,’ ‘Voice of Jamaica,’ the Gold-certified ‘Til Shiloh,’ and the Grammy-winning ‘Before The Dawn’ — represents some of the most important reggae songs the Caribbean has produced in the last three decades.

His comeback from a decade in federal prison, his continued commitment to Jamaican youth through his foundation, and his ability to fill amphitheatres across America in 2026 tell a story about Caribbean resilience, talent, and cultural influence that no official proclamation could capture more powerfully.

Caribbean Heritage Month has its anthem. And it sounds like Buju.

Too Too Bad is available for pre-order now. The Roots and Rhymes US Summer Tour begins June 17. Tickets and information available at bujubanton.com.

RELATED: From 35 Years To Grammy Nominations – Vybz Kartel New Album Is The Most Personal Of His Career

From 35 Years To Grammy Nominations – Vybz Kartel New Album Is The Most Personal Of His Career

By Staff Reporter | NewsAmericasNow.com

News Americas, NY, NY, Thurs. May 28, 2026: When Vybz Kartel was sentenced to 35 years in a Jamaican prison in 2014, many wondered if the world would ever hear new music from the man widely regarded as the King of Dancehall. When the Court of Appeal unanimously overturned that conviction on August 6, 2024, the answer came swiftly and decisively – and it has not stopped since.

Now, less than two years after walking free, Kartel is set to release his most personal album yet. ‘God & Time’ drops June 5 via TJ Records and Vybz Kartel Muzik, with Zojack Worldwide handling distribution – and the dancehall icon says this one comes from a place no previous album has reached.

“I named the album God & Time because it’s a slang that has been popular in Jamaica since we was children,” Kartel told Billboard in an exclusive interview. “When I was in prison, my lawyer used to always say that to me. I eventually just started believing in myself and applying it to my life.”

The Journey That Made The Album

Dancehall Vybz Kartel, seen here performing at Brooklyn’s Barclays Center on April 11 and 12, 2025. (Photo by Tizzy Tokyo)

For the Caribbean diaspora and millions of fans globally who followed every twist of Kartel’s decade-long legal battle – God & Time carries a meaning that goes far beyond music.

Kartel and his co-accused – Shawn Campbell, Kahira Jones and Andre St. John – were originally convicted following a historic 64-day trial for the 2011 murder of Clive “Lizard” Williams, a charge all four have consistently denied. The Court of Appeal’s unanimous ruling that they would not face a new trial ended one of the most closely watched legal sagas in Caribbean history.

Since his release, Kartel has not wasted a single moment. He mounted a massive Freedom Street concert in Kingston to bring in 2025, appeared at Drake’s Wireless Festival takeover, and completed his own Worl’ Boss Tour across the UK, Europe, and the United States. Earlier this month he appeared on Chris Brown’s “F–k and Party” – a cut from Brown’s LP that debuted at number seven on the Billboard 200.

And through it all, the music kept coming – and getting better. Both 2024’s ‘Party With Me’ and 2025’s ‘Heart & Soul’ earned Grammy nominations for best reggae album, marking Kartel’s first nods at the ceremony and signaling that his artistic powers had not just survived incarceration – they had deepened.

God & Time – What To Expect

‘God & Time’ ‘follows two consecutive Grammy-nominated projects and reunites Kartel with the same creative team behind 2015’s Viking and 2016’s King of the Dancehall – the album that spawned “Fever,” one of the defining dancehall songs of the decade.

The album’s lead single “Panic” features Grammy-nominated pop-dancehall star Shenseea, while the broader track list brings together Latin Grammy-winning reggaetonero Farruko and contemporary Jamaican music star Skillibeng – a lineup that signals Kartel’s intention to push dancehall’s boundaries while staying rooted in its DNA.

‘God & Time’ is set to survey the full range of Kartel’s emotions following his release – self-reflection alongside the waist-wining riddims and genre-bending crossover records that have defined his career. Kartel has also teased additional surprise collaborations yet to be revealed.

“You can expect Vybz Kartel energy,” he told Billboard. “The flow will be different, and the lyrics will be amazing.”

A Caribbean Heritage Month Release

The June 5th release date places ‘God & Time’ ‘squarely in the heart of Caribbean Heritage Month – a timing that feels less like coincidence and more like destiny for an artist whose entire career has been a reflection of Caribbean culture, language, resilience, and reinvention.

For a generation of Caribbean diaspora fans who held onto hope through every court hearing, every appeal, and every year of silence — God & Time is more than an album title. It is a philosophy. And Kartel, more than anyone, has lived it.

‘God & Time’ is available for pre-order now. The album drops June 5, 2026.

RELATED: From Blasphemy To “Glory”: Vybz Kartel’s Sudden Shift To Gospel Sparks Debate

Shaggy Gets Brooklyn Day Honor, Chaka Demus Teams Up With Tanto Metro, And Sean Paul Drops Brawlin Riddim – Caribbean Music Is Having A Moment

By ET News Reporter | NewsAmericasNow.com

News Americas, New York, NY, Fri. May 22, 2026: Caribbean music is having a serious moment this week, with new releases and major milestones from some of the genre’s biggest names arriving in rapid succession.

Shaggy Gets His Own Day In Brooklyn

BBrooklyn Borough President Antonio Reynoso declared May 19, 2026 as “Shaggy Day” in Brooklyn – honoring the reggae and dancehall legend on the occasion of his fifteenth studio album release.

The proclamation was handed over to Shaggy – born Orville Richard Burrell in Jamaica – at a public celebration held at I AM CARIBBEING HQ at 1399 Nostrand Avenue in Little Caribbean, with Deputy Borough President Rev. Kim Council representing the Borough President’s office.

The new album, titled “Lottery,” includes “BUN (She Loves Me),” “Dancehall Nice” featuring Beres Hammond and Dexta Daps, the title track “Lottery” featuring Jeremih, and “We Love Di Gal Dem” featuring 450.

Shaggy moved to Flatbush as a teenager from Jamaica and launched his music career in Brooklyn – building a four-decade run that has produced more than 40 million albums sold and eight Billboard Hot 100 singles. Beyond music, he established the Shaggy Make a Difference Foundation in 2009 and most recently led relief efforts following Hurricane Melissa, raising over $500,000 at a benefit concert at UBS Arena and delivering essential goods via private flights.

“Brooklyn is the borough that took a kid from Jamaica and gave him a stage, a sound, and a purpose,” Shaggy said at the celebration, as quoted in the release.

Borough President Reynoso added: “From his musical genius to his leadership in philanthropy, Shaggy embodies the very best of our borough.”

Chaka Demus & Pliers Unite With Tanto Metro & Devonte

In a rare and highly anticipated collaboration, two of dancehall’s most iconic duos have joined forces on a new single titled “Jealous.”

Chaka Demus & Pliers – whose 1992 hit “Murder She Wrote” remains one of the most recognizable songs in reggae and dancehall history – have teamed with Tanto Metro & Devonte, known for the club anthem “Everyone Falls in Love,” on what Chaka Demus describes as “four the wickedest way.”

The track is a playful, story-driven dancehall record exploring the drama of jealousy in relationships – produced and executive produced by Chaka Demus on his Bright Star Production label. Harmonies were contributed by Brian & Tony Gold over a rhythm crafted by Jazzwad, with mixing by Fatta Marshall. Writing credits are shared across the full collective.

“Jealous” serves as the first single from Chaka Demus’s upcoming album release – a project that brings together a seasoned team of music stalwarts with deep roots in Caribbean music culture.

Sean Paul’s Dutty Rock Productions Drops Brawlin Riddim

International superstar Sean Paul has released another riddim compilation through his Dutty Rock Productions imprint — this time delivering “Brawlin Riddim,” a hard-hitting dancehall project featuring an all-star lineup.

The compilation features Busy Signal, Sean Paul, Spragga Benz, Charly Black, Chi Ching Ching, Leftside, Future Fambo, Looga Man, Bush Wakka, and Ras Ajai — each bringing their own lyrical energy to a production anchored by pulsing bass, sharp synth leads, and siren sound effects that evoke the raw energy of a Kingston street dance.

The riddim was produced by Sean Paul and Dutty Rock Productions, mixed and mastered by Grammy-winning engineer Andre “Dre Day,” and recorded by dancehall heavyweight Andre “Suku Ward” Gray at Dutty Rock’s studios in Kingston, Jamaica.

“Brawlin Riddim” is now available on all major digital streaming platforms.

Stephen Marley Pays Tribute To Jamaica

Grammy Award-winning recording artist Stephen Marley has released “Hills of St. Ann,” the first single from an upcoming compilation project paying tribute to Brand Jamaica – celebrating the island’s culture, heritage, and natural beauty.

Released May 8, 2026 via Ghetto Youths International, the track is an inspiring guitar ballad underscored by powerful Nyahbinghi drum rhythms, transporting listeners to Nine Mile, St. Ann – the birthplace of reggae legend Bob Marley. Stephen Marley handled production, drums, bass, and Nyahbinghi drums on the track himself, with guitar by Ranoy Gordon and keyboards by Llamar Brown.

The single is available now on all streaming platforms.

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The Rebel We Need Again: Jimmy Cliff, John Lewis, And The Disappearing Courage To Speak

By Nyan Reynolds

News Americas, NEW YORK, NY, Thurs. May 7, 2026: There are songs that entertain us, and then there are songs that interrogate us. Songs that refuse to remain in the background of life. Songs that return like spirits when society begins drifting too far from its moral center. For me, Jimmy Cliff’s “The Rebel in Me” is one of those songs.

“If the rebel in me can touch the rebel in you,
And the rebel in you can touch the rebel in me,
Then the rebel we be is gonna set us free.”

Those words are not simply lyrics. They are a challenge; a spiritual confrontation; a call for awakening.

As I listened to the song again recently, it did not feel old. It felt frighteningly current. It felt as if Jimmy Cliff was speaking directly to the condition of the modern world, to the exhaustion of ordinary people, to the silence that has overtaken so many communities that once believed in resistance, solidarity, and moral courage.

When people hear the word “rebel,” they often imagine destruction. They imagine violence, disorder, chaos, or rebellion for rebellion’s sake. But that is not the rebel Jimmy Cliff was speaking about. That is not the rebel that John Lewis spoke about when he urged people to get into “good trouble.”

The rebel they spoke of was moral.

The rebel is the person who refuses to become numb while society collapses around them.

The rebel is the teacher who refuses to abandon struggling children.

The rebel is the young man in the inner city who refuses to glorify violence because he understands the funeral costs of the streets.

The rebel is the woman who advocates for the poor while politicians weaponize poverty for votes.

The rebel is the citizen who still believes truth matters in an age where misinformation spreads faster than wisdom.

The rebel is the person who sees suffering and refuses to normalize it.

That kind of rebellion is sacred.

Today, however, something feels missing. We live in one of the most connected eras in human history, yet many people feel spiritually disconnected from one another. We have endless communication, but less courage. Endless information, but less conviction. We are witnessing war, displacement, economic instability, political division, rising housing costs, mental health crises, and loneliness on a global scale. Yet many people remain silent, not because they do not care, but because they are afraid.

Afraid of backlash.

Afraid of losing careers.

Afraid of being labeled.

Afraid of becoming unpopular.

Afraid of speaking too loudly in systems that reward compliance.

That fear is dangerous because silence has always been the greatest ally of injustice.

Growing up in Jamaica and later experiencing life in the United States, I learned early that many communities do not grow from abundance. They grow from absence. There are places where opportunity is absent. Stability is absent. Mental health support is absent. Economic mobility is absent. In many Black, brown, and Caribbean communities, people are forced to survive gaps that society has normalized for generations.

That reality shapes how you see the world.

You begin to notice voids everywhere.

You notice the abandoned schools.

The broken playgrounds.

The exhausted single mothers.

The fathers are working two jobs, yet still unable to afford dignity.

The young boys are being recruited by the streets before they are recruited by colleges.

The prisons are filling faster than classrooms.

The funerals are becoming more common than graduations.

And once you see those things clearly, it becomes impossible to completely silence the rebel inside you.

That rebel is not hatred. It is conscience.

It is the refusal to accept human suffering as ordinary.

When Jimmy Cliff released “The Rebel in Me” in 1989, the world was already wrestling with deep wounds. Communities across America were suffering through the crack epidemic. The AIDS crisis was devastating families while stigma prevented compassion. Many Caribbean nations were navigating violence, instability, and the unfinished consequences of colonialism and political corruption. Across parts of Africa, poverty and famine dominated international headlines while the global powers debated solutions from a distance.

The world was aching.

But there was still visible resistance.

There were student activists.

Community organizers.

Labor unions.

Grassroots movements.

Artists who challenged systems through music and poetry.

Young people who believed they had a responsibility to confront injustice, not merely comment on it online.

Today, despite all our technological advancements, there appears to be a growing emotional paralysis. Outrage has become performative. Many people repost suffering without truly engaging it. Social justice often becomes branding instead of sacrifice. Everyone wants change, but fewer people want the consequences that often accompany standing for something meaningful.

And that is the tragedy of modern rebellion.

We have confused visibility with courage.

Real rebellion has always carried risk.

Martin Luther King Jr. risked his life.

Malcolm X risked his life.

Nelson Mandela lost decades of freedom.

John Lewis had his skull fractured on the Edmund Pettus Bridge in pursuit of voting rights.

Those individuals understood something powerful: comfort has never transformed society.

Only conviction does.

That is why John Lewis’s phrase “good trouble” remains so important today. Good trouble is not reckless behavior. It is ethical disruption. It is the willingness to disturb systems that profit from inequality, indifference, or silence.

Sometimes society desperately needs disruption.

Not destructive disruption, but moral disruption.

The kind that forces people to confront uncomfortable truths.

Because if we are honest, many of the same problems that existed decades ago still exist today, only in different forms.

Housing has become unattainable for many young adults.

Inner-city violence continues to traumatize communities.

Mental illness is increasing while access to care remains unequal.

Loneliness consumes people despite constant digital interaction.

Economic inequality continues to widen.

Many veterans return home carrying invisible wounds that society applauds publicly but neglects privately.

Young people increasingly feel hopeless about the future.

And despite all this, we often pretend progress alone will save us.

But progress without moral courage becomes cosmetic.

A city can build luxury apartments while homelessness rises two blocks away.

A company can post diversity slogans while exploiting workers internally.

A nation can celebrate freedom while entire communities remain trapped in cycles of poverty and violence.

That contradiction is what the rebel notices.

The rebel asks difficult questions.

Who benefits from this system?

Who is being ignored?

Who is suffering quietly?

Why are we becoming emotionally desensitized to human pain?

Those questions matter because societies do not collapse only through war or economics. Sometimes they collapse morally. They collapse when people stop caring enough to intervene.

And perhaps that is why Jimmy Cliff’s lyrics still resonate so deeply.

“My love is deeper than the ocean…
You got the potion to bring out the love in me.”

At its core, rebellion rooted in justice is not about hatred. It is about love. Love for humanity. Love for truth. Love for communities. Love for future generations.

That is the “potion” Jimmy Cliff was speaking about.

The rebel is awakened not merely by anger, but by compassion.

A person who truly loves humanity cannot comfortably coexist with injustice forever.

Eventually, they speak.

Eventually, they challenge.

Eventually, they resist.

Not because they seek attention, but because conscience leaves them no alternative.

There is also another reality many people quietly experience: sometimes life cages the rebel inside them. Careers, institutions, finances, and responsibilities often pressure individuals into silence. Many people feel trapped between survival and conviction. They see what is wrong, but fear what speaking might cost them.

That tension is real.

History is filled with people who buried their convictions to preserve stability.

But history also reminds us that silence rarely protects societies for long.

The “caged lion” eventually begins to roar internally.

People reach a point where the cost of silence becomes heavier than the cost of speaking.

I believe many people are reaching that point now.

You can sense it globally. There is exhaustion. Disillusionment. A growing awareness that something fundamental is broken within modern society. People are questioning institutions, leadership, economic systems, and even the meaning of community itself.

And perhaps that is why the rebel must return.

Not the rebel of destruction.

The rebel of restoration.

The rebel who rebuilds communities.

The rebel who mentors children.

The rebel who advocates for mental health.

The rebel who protects truth in an era of manipulation.

The rebel who chooses empathy over apathy.

The rebel who refuses to surrender their humanity.

Because if the rebel in one person can truly touch the rebel in another, something powerful begins to happen. Courage becomes contagious. Compassion becomes contagious. Integrity becomes contagious.

One voice inspires another.

One act of courage awakens another.

That is how societies heal.

Not only through policy, but through people willing to stand morally awake in a sleeping world.

Jimmy Cliff understood that decades ago.

John Lewis understood it too.

And perhaps the question confronting this generation is simple:

Will we continue adapting to brokenness, or will we finally find the courage to challenge it?

Because there is still good trouble waiting to be made.

And somewhere inside many of us, the rebel is still trying to speak.

EDITOR’S NOTE: Nyan Reynolds is a U.S. Army veteran and published author whose novels and cultural works draw from his Jamaican heritage, military service, and life experiences. His writing blends storytelling, resilience, and heritage to inspire readers.  

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