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Baby Cham, Stephen Marley & Damian Marley Unite For Gritty Street Anthem “Hustling In My Blood”

News Americas, NEW YORK, NY, Fri. July 11, 2025: Three titans of Jamaican music – Baby Cham, Stephen Marley, and Damian “Jr. Gong” Marley—join forces on the explosive new single “Hustling In My Blood,” out today (July 11) via Lawless Army Music, Cham’s independent label.

The track marks the first single off Cham’s highly anticipated fourth studio album, Sherlock, dropping July 25th.

Produced by the UK hitmakers The FaNaTiX, whose credits span Vybz Kartel, Giggs, Stylo G, and Nicki Minaj, the track is an unapologetic anthem of resilience, ambition, and survival. It’s a raw, triumphant celebration of hustle culture – woven deeply into Jamaican identity.

“This song is an anthem! A true hustler’s anthem,” Cham says. “It reminds people that you can make it through anything. You just can’t give up.”

Three Powerhouses, One Message

On “Hustling In My Blood,” Cham and Jr. Gong go bar-for-bar over militant drums and haunting horns, while Stephen Marley delivers a soaring, soulful chorus:
Hustling ina mi blood, guh for it ina di mud,
Tru the fire and the flood, listen to my every wud,
Whoa, we the strongest of the strongest,
Whoa, we will be here the longest.”

Watch the Video Now

Directed by Jay Lenz (Finesse2tymes, Plies), the official music video, shot on location in Miami, brings the record to life with gritty urban visuals and powerful performances from all three artists. It’s already gaining buzz across reggae and hip-hop circles.

Watch “Hustling In My Blood” on Baby Cham’s YouTube now.

A Veteran With New Fire

Cham, who burst onto the international scene with hits like “Ghetto Story” feat. Alicia Keys, “Vitamin S,” and “Joyride,” continues to evolve as one of dancehall’s most versatile lyricists and cultural storytellers.

Still collaborating with his longtime mentor Dave Kelly, Cham has kept his finger on the pulse of both street and global music culture. From working with Foxy Brown to Usain Bolt, Cham remains a force – consistently fusing dancehall DNA with crossover appeal.

Sherlock, due July 25, promises to be a bold chapter in Cham’s ongoing legacy.

Carl Meeks’ Digital Dancehall Classic “Weh Dem Fah” Gets First-Ever Digital Reissue

News Americas, NEW YORK, NY, Thurs. July 10, 2025: VP Records’ reissue arm 17 North Parade is set to drop a digital-era dancehall gem this summer with the first-ever digital release of Carl Meeks’ “Weh Dem Fah.” The Hugh “Redman” James-produced track – and full album – will arrive on July 18th, remastered from the original studio tapes for streaming and digital platforms. You can, however, listen to it here first.

Originally released as a 12″ single in 1987, “Weh Dem Fah” quickly became a standout in Meeks’ catalog, capturing the energy of Jamaica’s then-emerging digital dancehall movement. Recorded at Gussie Clarke’s Anchor Studio, the track features production by Steely & Clevie, whose Yamaha CS-01, DX-100 synths, and Oberheim DX drum machine defined the futuristic sound of the era.

The reissue marks a key moment in VP’s ongoing high-definition archive series, spotlighting foundational dancehall and roots releases from the late 1970s through the digital revolution of the late ’80s.

“Weh Dem Fah” was a breakout moment for Meeks, who first gained national attention in 1983 after finishing runner-up at Jamaica’s Tastee Talent Competition, performing Johnny Osbourne’s “Ice Cream Love.” That performance caught the attention of Yellowman, who brought Meeks into the sound system scene—opening the door to future studio work with Redman.

In an archival interview, Meeks recalled the studio session that launched his career: “Redman heard me sing and said, ‘Yeah, I’m going to have studio time at Gussie studio with Souljie—be there.’ That’s how ‘Weh Dem Fah’ happened.”

Following the success of the single, Redman and Meeks returned to the studio to complete a nine-track album, enlisting Steely & Clevie to provide riddims. The 1988 LP was accompanied by cover art from Wilfred Limonious, one of Jamaica’s most iconic visual artists.

While the album circulated on vinyl and cassette in its original release, this will be the first time the full project is available digitally, complete with an instrumental and extended version of the title track.

“Weh Dem Fah” will be available globally on July 18 via VP Records / 17 North Parade. LISTEN TO IT HERE

The Mighty Sparrow Is 90

BY NAN ET Editor

News Americas, NEW YORK, NY, Weds. July 9, 2025: Calypso’s crown jewel, The Mighty Sparrow, turns 90 today, and many Caribbean nationals around the world are pausing to honor the man who transformed a regional tradition into a global force.

Trinidadian Calypso monarch the Mighty Sparrow, performing at the Lincoln Center Out of Doors ‘Caribbean Cultural Center: 30 Years of Carnival’ concert in Lincoln Center’s Damrosch Park, New York, New York, on August 13, 2006. He turned 90 on July 9, 2025. (Photo by Jack Vartoogian/Getty Images)

Born Slinger Francisco in Grand Roy, Grenada, on July 9, 1935, and raised in Trinidad from the age of one, the man known to millions as The Mighty Sparrow has defined Caribbean music, commentary, and charisma for more than seven decades. His title as the “Calypso King of the World” isn’t just honorary – it’s earned.

With unmatched lyrical sharpness, vocal prowess, and cultural impact, Sparrow’s music captured the Caribbean’s heartbeat through Carnival hits, political critiques, and unapologetically bold storytelling. Today, he stands among the rare few whose voices have shaped not just songs, but national consciousness.

“No one has documented the Caribbean condition with as much wit, skill, and courage as Sparrow,” said fellow calypsonian and historian Chalkdust (Dr. Hollis Liverpool). “His calypsoes are historical records.”

The Voice of a Region

FLASHBACK – Calypso singer and songwriter Mighty Sparrow at London Airport, March 15th 1962. (Photo by George Stroud/Daily Express/Hulton Archive/Getty Images)

Sparrow’s breakout came in 1956, when his legendary hit “Jean and Dinah” won him the Calypso Monarch crown and instantly rewrote the genre’s rulebook. From there, his rise was meteoric. He headlined calypso tents, dropped album after album, and wrote hundreds of songs that blended humor with razor-sharp political and social critique.

His discography includes classics like “Congo Man,” “Melda,” “Sparrow Dead,” “Slave,” and “Education” – tracks that tackled everything from colonialism to morality, with a wit and boldness that became Sparrow’s calling card.

Tributes from Across the Diaspora

On his 90th birthday, tributes are pouring in from around the globe – from fellow artists to heads of state to fans who grew up dancing to his music.

David Rudder called him “the reason many of us picked up a microphone.”
Calypso Rose praised him as “a brother in music” who pushed her to be better.
Machel Montano wrote: “We stand on Sparrow’s shoulders… His music is forever.”

Despite health challenges and no longer performing, Sparrow’s spirit remains strong. His last major live performance, “Live at 85!” at Joe’s Pub in New York, was a sold-out celebration of legacy. These days, he splits his time between New York and Trinidad, still sharp in interviews and full of stories from the golden era of calypso.

A Global Calypso Ambassador

Sparrow’s contributions stretch far beyond music. He has been a vocal champion of Caribbean unity, Black pride, and working-class struggles—often when it was risky to do so. He’s received countless awards, including the Order of the Republic of Trinidad and Tobago (ORTT) and the Chaconia Gold Medal, as well as international honors from the U.K. and Caribbean diaspora groups.

His influence extends across generations of artists—from soca to reggae to hip hop—who cite his lyrical storytelling and stage command as foundational.

The Bird Still Flies

As he turns 90, The Mighty Sparrow may no longer rule the stage, but his legacy is alive and roaring in the DNA of Caribbean culture. His voice, wit, and vision continue to shape how the world hears, understands, and dances to the Caribbean.

And as the calypso tents prepare for next Carnival season, his music will surely echo – louder than ever. Happy 90th to the Birdie. Long live the King.

Unreleased John Holt Track “We Nah Leave” Drops July 11

News Americas, NEW YORK, NY, Weds. July 9, 2025: To celebrate what would have been Jamaican reggae legend John Holt’s 78th birthday, VP Records’ classic imprint 17 North Parade is giving fans a gift: an unreleased, Henry “Junjo” Lawes-produced track titled “We Nah Leave.” And yes—you can hear it here first.

John Holt performing in the UK. (Photo by James Emmett/Redferns)

Set to drop July 11, 2025, the heavyweight roots anthem was originally recorded in 1981 and is now being released in full high-definition glory. The track has been lifted direct from the original Reel To Reel 1/4” 15 IPS master tape—delivered to Greensleeves Records more than four decades ago but never officially put into production. Mastering engineer Billy Polo has reworked the track, ensuring it now hits as hard and clear as it was meant to.

Though versions of the song previously circulated on Randy’s Jah Guidance label in Jamaica and New York—and even under the title “Not Leaving” on Holt’s own imprint—this marks the first-ever official digital release of the original mix, complete with instrumental and extended versions available across all major platforms.

“We Nah Leave” was crafted by the same sonic dream team that built “Police In Helicopter,” one of reggae’s most iconic protest tracks. Backing Holt is the legendary Roots Radics band, captured in full force at Channel One Studios in Western Kingston. With Style Scott’s militant drums and Flabba Holt’s heavy, hypnotic bass, the track is pure rebel soul—a true sufferah’s anthem for those who know the weight of struggle and the fire of resistance.

And Holt’s vocal? Vintage and defiant – like a man refusing to be moved.

John Kenneth Holt, OD, was a legendary Jamaican reggae singer who rose to prominence as a member of The Paragons before launching a successful solo career that helped shape the sound of lovers rock and roots reggae.

Born in the Greenwich Farm district of Kingston, Jamaica, Holt was immersed in music from an early age. His mother, Amy, worked as a nurse, while young John quickly showed signs of remarkable vocal talent. By the age of 12, he had become a familiar face on the island’s talent show circuit, regularly competing in the popular Vere Johns Opportunity Hour contests held at local theatres. Holt won 28 competitions, many of which were broadcast live on Radio Jamaica, setting the stage for a career that would span more than five decades. Holt died in October 2014. He was just 67.

“We Nah Leave” drops July 11 on all digital platforms via VP Records. LISTEN TO IT HERE FIRST

New Caribbean Music Drops For The Summer

News Americas, NEW YORK, NY, July 4, 2025: It’s July Fourth in the U.S., but Caribbean artists are making sure the celebrations come with a global, island twist. From Dancehall to Reggae and Afrobeats-infused collaborations, here are some of the hottest new Caribbean tracks dropping just in time to soundtrack your summer:

Sean Paul Ignites Summer with “Ginger”

Sean Paul performs live onstage during Rosendal Garden Party at Djurgården on June 15, 2025 in Stockholm, Sweden. (Photo by Iwi Onodera/Getty Images)

International Dancehall icon Sean Paul returns with the sizzling new single “Ginger”, released today via OneRPM. With his signature vocals, spicy lyrics, and undeniable island vibes, “Ginger” is poised to become the anthem of the season.

‘Ginger’ is all about that fiery connection — you know that energy someone brings into your life that’s different, exciting, unforgettable,” says Sean Paul. “Dancehall is universal, and this one’s for all my spicey ladies and everyone who’s ever felt that spark.”

Fresh off a sold-out European tour and preparing to join Wiz Khalifa’s Good Vibes Tour, Sean Paul proves once again why he’s one of the world’s most consistent hitmakers.

Listen Now: STREAM “Ginger”
Watch Official Visualizer

Zamunda & Fantan Mojah Team Up for “Roots Rock Reggae”

Two of Reggae’s powerful voices, Zamunda and Fantan Mojah, join forces on “Roots Rock Reggae”, produced by Natures Way Entertainment. The song, out today, is the first single from the upcoming Roots Rock Reggae riddim, recorded at the iconic Tuff Gong Studios in Kingston, Jamaica.

The energy was great from the start. Once Fantan heard the riddim, he said, ‘this is a hit for sure,’” recalls producer Garfield Cowan, known for his work with Jah Cure and Wayne Wonder.

The riddim also features tracks by Iba Mahr, Turbulence, Anthony B, and rising Kenyan star Cathy Matete, making it a must-listen for Reggae lovers worldwide.

Stream Now: Roots Rock Reggae
Watch Official Video

Rielle & Busy Signal Deliver “Sail Away” Remix

Emerging Caribbean artist Rielle teams up with global Dancehall heavyweight Busy Signal for the “Sail Away” remix, produced by Natural Bridge Records.

Calling the collaboration “an absolute honor and triumph”, Rielle’s smooth vocals blend effortlessly with Busy Signal’s signature flow, creating a melodic, island-flavored anthem perfect for summer playlists.

Stream Now: Sail Away Remix

Lady Da Flame Drops Visual for Emotional New Single “Second Time”

Multi-talented singer Lady Da Flame is turning up the heat this July 4th with the release of the official video for “Second Time”, her heartfelt response to Khago’s hit “2 Time”.

Filmed on location in Jamaica, the video captures the island’s natural beauty while conveying the vulnerability of seeking forgiveness in a relationship.

We wanted that authentic island feel for this video,” says Lady Da Flame, whose soaring vocals and emotional storytelling have won praise across the Reggae scene. With Khago himself appearing in the video, the track is gaining major traction with DJs and fans alike.

Set to grace the cover of Stardom 101 Magazine this summer, Lady Da Flame is making it clear — this is her season.

Watch “Second Time” Official Video

Whether you’re lighting fireworks or soaking in the island sun, these new Caribbean releases are ready to fuel your summer soundtrack.

Which track will be on repeat for you this weekend?

For more Caribbean music updates, stay locked to NewsAmericasNow.com

Reggae Singer Alborosie To Perform At NYC’s Sony Hall

NEWS Americas, NEW YORK, NY, July 2, 2025: Italian born reggae star Alborosie is set to return to New York City for a highly anticipated performance at Sony Hall on August 4, marking his first show in the city with his band, the Shengen Clan, since 2017.

The concert, presented by VP Records, comes just weeks ahead of the release of Nine Mile, Alborosie’s ninth studio album, due out this August. Fans can expect to hear brand-new tracks from the upcoming project, along with crowd favorites from the artist’s acclaimed catalog. Tickets are available now.

Alborosie Returns to NYC for Sony Hall Concert Ahead of Nine Mile Album Release

Joining Alborosie for the one-night event are special guests Kulcha Kartel and Vaughn All-Star of WKCR 89.9FM, adding to what promises to be an unforgettable night of reggae music in the heart of Manhattan.

Earlier this year, Alborosie gave fans a taste of Nine Mile with the release of its lead single, Come My Way—a modern lovers roots anthem that reimagines Augustus Pablo’s iconic dub track King Tubby Meets the Rockers Uptown. The accompanying video, filmed on the scenic beaches of Canoa Quebrada, Brazil, has been praised for its nostalgic vibe and authentic reggae spirit.

The Sony Hall performance is part of Alborosie’s wider summer tour across Europe and North America, with scheduled appearances at major festivals including Summerjam, Reggae On The River, and Bababoom.

Tickets for the August 4 Sony Hall concert are on sale now.

Watch the “Come My Way” video here

Filmmakers Secure Funding To Launch Co-Productions As CCF 2025 Closes With A Call To Action

News Americas, Bridgetown, Barbados, Mon. June 30, 2025: Two filmmakers, Ife Alaba (Canada), and Kerel Pinder (Bahamas), walked away from the Cross Continental Forum (CCF) 2025 with grant funding to kickstart co-productions, thanks to support from the Inter-American Development Bank – marking a tangible outcome of a weeklong event that moved beyond conversation and into transformation.

Attendees at CCF 2025 in Bridgetown, Barbados on June 18, 2025. (Brian Medina image)

The forum, presented by CaribbeanTales Media Group and the Department of Creative and Performing Arts at UWI Cave Hill, concluded its five-day convergence on June 18 with a bold message: The time to build is now. Producers and delegates from across the Caribbean, Africa, Canada, the UK, Europe, and the U.S. issued a united call to design, fund, and activate local film ecosystems without waiting for the “perfect” conditions.

Held under the theme Decolonising Co-Production, CCF 2025 brought together over 50 producers, industry delegates, and creatives to interrogate the systems that determine whose stories are told – and how. The forum challenged participants to shift their gaze from scarcity to opportunity. As Frances-Anne Solomon, CEO of CaribbeanTales and co-creator of the forum, emphasized: “It’s great to tell the story—we’re already good at that. The real question is: where will you get the money? Who can you collaborate with to make your project real? These two points must always be front and centre.”

Rather than reinforcing narratives of lack, the forum functioned as a live, collaborative lab – providing real-world opportunities for filmmakers to forge meaningful partnerships and begin building with what they have.

High-Profile Contributors Included:

CCH Pounder – Guyana-born acclaimed actor, CCF Steering Group member, and activist.

Lorraine Toussaint – Celebrated Trinidad & Tobago-born actor, producer, and cultural trailblazer.

Ava DuVernay – Renowned filmmaker, producer, and founder of ARRAY.

DuVernay’s virtual keynote was a standout moment. In a direct message to emerging creators, she dismantled the myth that big budgets make better films: “If your first idea moves you way outside your budget – pivot. Use what’s around you. The best films often happen in the smallest spaces.”

Global media powerhouses Fiona Lamptey, former Head of UK Features at Netflix; Joel Phiri, leading South African producer and distributor with Known Associates; Effie T. Brown, Gamechanger Films, USA, and celebrated Canadian content creator, Jen Holness, took center stage over five days – leading powerful conversations with producers in the room and helping to surface hard truths and tangible next steps.

The forum tackled structural barriers to equity across key pillars:

 Day 1 – Decolonising Policy & Legislation: Reforming frameworks that hinder equitable content creation
 Day 2 – Decolonising Financing: Disrupting traditional funding streams to centre Black and Global Majority creators
 Day 3 – Decolonising Content: Preserving cultural authenticity while scaling reach
 Day 4 – Decolonising Distribution: Building inclusive, sustainable distribution models
 Day 5 – Decolonising Co-Production: Forging cross-border collaboration rooted in equity

Key stakeholders – including C15 Studios, Caribbean Creative Fund, and major partners such as the Inter-American Development Bank, Invest Barbados, Barbados Tourism and Marketing Inc., Barbados Film and Television Association, Canada Media Fund, Picture NL, and the KZN Tourism and Film Authority – joined the forum to offer funding insights and forge next-step pathways.

Felicia J. Persaud, CEO of Invest Caribbean, moderated a pivotal panel on financing and pointed to a lack of infrastructure: “Few Caribbean countries have usable tax incentives or co-production treaties. While a handful – like Jamaica, Puerto Rico, and Trinidad & Tobago – offer tax rebates, many, including Barbados, are still playing catch-up.”

What’s Next: Turning Vision Into Industry

With over 30 producers participating in intensive sessions, 20 industry delegates engaged, and hundreds more reached through public programming, CCF 2025 delivered more than discussion – it produced a working blueprint for regional film industry growth.

Key recommendations from forum attendees include:

Establishing robust film tax incentive programs across the region

Negotiating formal co-production treaties with countries like Canada, South Africa, and the UK

Developing inter-island agreements to enable seamless Caribbean collaboration

As one of the few forums of its kind, The Cross Continental Forum is a real-time lab for creative disruption, and with next year’s application cycle opening soon, it continues to position Caribbean and Global South storytellers not on the margins – but at the center of global storytelling futures.

Stalk Ashley And MXSSIVH Reunite For Sultry New Single

News Americas, NEW YORK, NY, Mon. June 30, 2025: Dancehall’s rising star, Stalk Ashley, has reunited with sought-after producer MXSSIVH for their latest collaboration, “Therapy,” released on Friday, June 27th via VP Records.

The seductive new single is the second track off MXSSIVH’s highly anticipated debut album Live Fast, blending elements of New York’s emerging “sexy drill” sound with Ashley’s signature sultry vocals. Driven by fluttering hi-hats and moody melodies, “Therapy” finds Stalk Ashley delivering an intimate, obsession-fueled performance as she sings about prioritizing a lover who’s impossible to forget.

The accompanying music video, directed by Ruption, also premiered on Friday, bringing the track’s sensual energy to life on screen.

“Therapy” continues a growing streak of collaborations between the duo. Their past projects include fan favorites like “Really Like U” featuring Skillibeng and “Stay With Me” with Sean Paul, both of which appeared on Stalk Ashley’s 2024 debut album Stalky the Bratt.

MXSSIVH is building momentum ahead of Live Fast, which also features the single “Ravin’” with Najeeriii. His production credits already span work with Dancehall heavyweights such as Vybz Kartel, Squash, and Valiant, along with an unreleased track rumored to feature Playboi Carti and Trippie Redd.

“Therapy” is now streaming on all major platforms.

Watch the official video now.

Frankie Paul’s Sizzling 1988 Album Gets A Fresh Reissue

News Americas, NEW YORK, NY, Thurs. June 26, 2025: VP Records and 17 North Parade continue their deep dive into the iconic 80s digital dancehall producer Kenneth ‘Skengdon’ Black’s catalog with the reissue of Sizzling, the 1988 album by legendary Jamaican artist Frankie Paul.

With its infectious beats and bold lyrical content, Sizzling remains a dancehall classic, captivating audiences across the globe, from ravers to soundmen, lovers to dreads.

One of the most beloved and versatile figures in the dancehall scene, Frankie Paul’s talent shines through on Sizzling, a collection of tracks that effortlessly blend catchy rhythms with poignant lyrics. The album features chart-topping singles like “Gun Shot,” “Only You,” and “No Sizzling,” along with hidden gems such as “Can’t Live Without You,” “One People,” and “Raggamuffin Soldier.” These ten tracks highlight Paul’s expansive range and cement his place as a dancehall icon.

Recorded at Miami’s SKD Studio, Sizzling is the product of a dream team of producers, engineers, and musicians. Executive producers Kenneth ‘Skengdon’ Black and Maxine Stowe brought together a stellar cast, including legendary singer Al Campbell, who provided harmonies and added vocal phrases to Paul’s commanding delivery. The album’s sound was shaped by ace engineers Oswald Palmer and Anthony ‘Crucial Bunny’ Graham (aka Bunny Tom-Tom), along with contributions from Steely & Clevie, Dalton Brownie, Jackie ‘The Keyboard King’ Mittoo, and members of the Inner Circle Band.

With its infectious beats and bold lyrical content, Sizzling remains a dancehall classic, captivating audiences across the globe, from ravers to soundmen, lovers to dreads. This reissue revives a pivotal moment in dancehall history, reminding fans of the genre’s timeless appeal.

LISTEN HERE

Countdown On To Reggae Sumfest

News Americas, NEW YORK, NY, Tues. June 24, 2025: The countdown is on to Reggae Sumfest 2025 – the Caribbean’s biggest music festival. The event returns to Montego Bay, Jamaica from July 13 to 19 with a week-long celebration of Jamaican music, culture, and global talent.

Dancehall Vybz Kartel, seen here performing at Brooklyn’s Barclays Center on April 11 and 12, is set to perform on July 18th at Sumfest 2025. (Photo by Tizzy Tokyo)

Marking its 32nd year, this year’s Sumfest will pay special tribute to four icons of reggae: Dennis Brown, Gregory Isaacs, Jimmy Riley, and the recently departed Cocoa Tea. The “Tribute to the Legends” segment is set for July 19th at Catherine Hall Stadium, where the festival culminates with two massive concert nights.

The lineup is stacked with global and regional stars. Grammy-winner Toni Braxton, Ghanaian sensation Moliy, and Caribbean hitmakers Masicka, Vybz Kartel, Tarrus Riley, Protoje, Lila Ike, I Wayne, and more are confirmed. Vybz Kartel will be officially crowned “King of the Dancehall.”

The festivities kick off July 13th with Family Funday, followed by the Free Street Dance, the iconic All White Party, Blitz, and Global Fete. Expect electrifying performances, authentic Jamaican food, fashion, and high-energy entertainment all week.

Downsound Entertainment CEO Joseph Bogdanovich hinted another international act will soon be announced, promising Sumfest 2025 will be “the ultimate fusion of music, culture, and celebration.”

The line-up for July 18th is as follows:

Vybz Kartel
Masicka
Tommy Lee
Skeng
Govana
D’YANI
Jamal
Shaneil Muir
Harry Toddler
Laden
YoungWildApache.

On July 19th its:

Toni Braxton
Tarrus Riley
Protoje
Lila Ike
Fantan Mojah
I Wayne
Pressure Busspipe
Bugle.

For tickets, visit reggaesumfest.com.