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Reggae’s Buju, Hip Hop’s Snoop Celebrate 4/20 With New Track

Black Immigrant Daily News

News Americas, KINGSTON, Jamaica, Thurs. April 20, 2023: Jamaican born Grammy-winning Reggae legend Buju Banton has teamed up with Hip Hop icon Snoop Dogg for a new collaboration on 4/20, titled “High Life.”

The track, which features the two artists trading verses over a classic reggae beat, is a celebration of their love for cannabis and the joy it brings to their lives.

Banton and Snoop have both been vocal advocates for the legalization of marijuana and have frequently referenced its use in their music. “High Life” is the latest in a string of collaborations between the two artists, who previously worked together on the 2012 track “Differentology (Remix).”

Buju Banton and Snoop have teamed up.

Speaking about the new song, Banton said, “I’m excited to be working with Snoop again and to be putting out a song that celebrates the positive aspects of cannabis use. We wanted to create a feel-good track that people can vibe to and enjoy, and I think we achieved that with ‘High Life’.”

Snoop added, “Working with Buju is always a pleasure, and this track is no exception. ‘High Life’ is all about living your best life and enjoying the moments that matter, and that’s a message we can all get behind.”

“High Life” will be available to stream now on all major platforms at midnight tonight.

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Another Caribbean Drama Returns To Off Broadway

Black Immigrant Daily News

News Americas, NEW YORK, NY, Weds. April 19, 2023: There is exciting news for theatre enthusiasts as another Caribbean play is set to make its Off Broadway return, fresh off of the opening of The Harder They Come.

“Mamma Decemba,” a Caribbean drama written by Nigel D. Moffatt, will open at The New Perspectives Theatre Studio at 458 West 37th St. at 10th Ave., New York, NY 10018 on May 4th. Directed by Merlina Rich, a Jamaican-born producer and director, the play explores themes of love, loss, and mortality through the eyes of an elderly Jamaican woman named Mamma Decemba, played by Paula Galloway. Her attempts to cope with her increasing solitude involve hauntingly honest, frequently humorous, and sometimes painful reflections on her past, especially the death of her husband John (Christopher Laing). Sharing in her most private moments is her best and perhaps only friend, Mertel (Dianne Dixon).”

Dianne Dixon (left), Paula Galloway and Christopher Laing in Mamma Decemba. (CREDIT- Doug Barron)

“I am truly looking forward to working with Paula, Christopher and Dianne on this revisit to the world of Mamma Decemba, because I believe that the play tackles many issues we were forced to confront during the pandemic, such as loneliness, anxiety, isolation, regrets and our own mortality,” commented Rich. “It caused us to take stock of our lives, to reconsider life decisions we made, and things we might have done differently. Mamma Decemba is a woman facing all this and more. And although it was written so many years ago, the play feels very much like a story for this moment. We are very excited to see how audiences will receive it this second time around.”

Galloway has appeared in New York and regionally in both dramatic and musical productions including SISTAS- The Musical (Off Broadway), Shakespeare’s Much Ado about Nothing and As You Like It as well as A Raisin in The Sun, The Colored Museum, Pippin, The Wizard Of Oz, Smokey Joe’s Café and The Classical Theatre of Harlem’s A Christmas Carol in Harlem. Mamma Decemba will mark her Banana Boat Productions/New Perspectives Theatre Company debut.

Gospel singer, actor, musician and songwriter Laing will make his professional New York stage debut. He began his performing career singing in church and acting in numerous school plays in his native Jamaica before going on to produce several gospel albums as an adult. His song Step on the Enemy-Trample the Dragon was a major hit on the Caribbean Gospel circuit. He was recently cast in his first major film role in the drama Doomed Village, and can shortly be seen in television’s New York Homicide.

Dixon is a two-time Audelco Award nominee for Best Supporting Actress for the musical Jamaica and for the drama Dinner at the Manse. She has also appeared on the New York stage in Haiti’s Children of God, Not About Eve (New York and The National Black Theater Festival, Winston Salem, North Carolina), Falling in Love With Mr. Dellamort and Flambeaux (Off Broadway) and in the New York staged reading premiere of Trey Anthony’s How Black Mothers Say I Love You at The Public Theater, directed by Tony award winner Kenny Leon. Her film and television credits include the independent feature RURI, North Shore Television’s Echoes of a Lost Son and HBO’s Random Acts of Flyness.

Co-producer of Mamma Decemba is Melody Brooks of New Perspectives Theatre Company and Production Stage Manager is Soyini Crenshaw.

The limited eight-performance run promises to be a captivating and thought-provoking experience, resonating with audiences during these challenging times. Book your tickets now for this extraordinary Off Broadway debut of “Mamma Decemba” at newperspectivestheatre.org.

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This Dancehall Grammy-Winning Star Is Coming To South Florida

Black Immigrant Daily News

News Americas, FORT LAUDERDALE, FL, Fri. April 8, 2023: Legendary Jamaican dancehall deejay, Shabba Ranks, is coming to the Miramar Cultural Center this May.

Ranks, born Rexton Rawlston Fernando Gordon, has been instrumental in gaining prominence for reggae and reggae-influenced music. He was the first reggae artist to win back-to-back Grammy Awards.

His string of hits throughout the 80’s and 90’s include: “Mr Loverman,” “Housecall,” (with Maxi Priest) “Slow And Sexy,” (with Johnny Gill) “Trailer Load A Girls,” “The Jam” (with KRS One). He will perform at the Miramar Cultural Center – Theatre on May 1st from 8 p.m.

Tickets from USD 52 dollar with tax and can be bought etix.com/ ticket/online/performanceSale.do?method=removeAllSeats

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Reggae Artist Protoje For Free South Florida Performance

Black Immigrant Daily News

News Americas, FORT LAUDERDALE, FL, Thurs. April 6, 2023: Jamaican Reggae star Protoje will be in the house this April 16th at the magnificent ArtsPark in downtown Hollywood, Florida and the concert will be free. The show will start at 7 p.m.

The free concert is part of the Hollywood Arts Park Experience series produced by the Rhythm Foundation for the City of Hollywood. Concertgoers are invited to bring a lawn chair or a blanket to enjoy live music with friends and family.

Protoje remains at the forefront of this movement. Born Oje Ken Ollivierre in Saint Elizabeth, Jamaica to singer Lorna Bennett and a former calypso king Mike Ollivierre of St. Vincent and the Grenadines, the GRAMMY-nominated artist creates a contemporary sound by blending hip-hop, R&B, soul and rock into his native genre of roots reggae and dancehall.

Among the most popular Caribbean artists recording and touring today, Protoje is known for his balanced musicianship and collaborations, fueled by his resident beatsmith and collaborations with top hitmakers and major name artists. RSVP at eventbrite.
com/e/protoje-at-hollywoodartspark-experiencetickets-53826418165

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Ziggy Marley Accuses Sea Salt, A Luxury Villa In Ocho Rios, Of Discrimination Because He’s Jamaican. They Respond.

Black Immigrant Daily News

The content originally appeared on: DanceHallMag

 

Ziggy Marley — the eldest son of Reggae icon Bob Marley and an eight-time Grammy Award winner — has accused a luxury villa in Jamaica’s North Coast of discrimination.

Marley, who recently wrapped up filming of the Paramount Studios Bob Marley biopic on the island, said he attempted to book the Sea Salt Villa at Old Fort Bay in Ocho Rios last month, but, according to the singer, the owner allegedly refused because he “does not rent his property to Jamaicans.”

However, when DancehallMag contacted Sea Salt for a response to Ziggy’s allegations and to confirm whether or not Jamaicans are blacklisted from staying at the property, a manager said the singer’s account of the matter was “absolutely inaccurate” and that he is still welcomed to stay at the villa on the condition that he follows their rules.

Ziggy had discussed the matter with Kabu on Irie FM this morning on a “The Africa Forum: Running African” program titled “The Privatization Of Jamaica’s Beaches.”

According to the singer, he could now relate first-hand to the discrimination many Jamaicans have complained about, as similar treatment had been meted out to him.

“We even face it wiself.  Becaw me face it di odda day.  Meck mi tell yuh weh mi mean.  Mi a try rent a place – wi come Jamaica, wi a work pon di movie- Trench Town, Jungle Bull Bay all ova.  Enjoy di time, hard work suh wi finish dat now, an mi seh mi family come, mi wife come, mi yute dem come,” said Ziggy.

Ziggy Marley, his wife Orly Agai Marley, and their children. Photo: Kristin Burns / Courtesy of Tuff Gong Worldwide

“Suh mi find a nice place, a like villa someweh fi enjoy some beach life and what have you.   Old Fort Bay right yah suh, a Ochi a place name Sea Salt, a likkle villa name Sea Salt.  Only fi find out seh di man seh, when him hear seh a we, him seh him naw rent di place to no Jamaican,” Ziggy added.

He continued: “Mi a seh, wait a wha kind a place wi a live inna?  A discrimination… Yuh si even though mi a Ziggy Marley, mi still nuh roll inna certain circles.  My circle dem still deh inna di roots.  Suh dem still feel seh bwoy if dem rent Ziggy Marley a place, maybe some a di roots or suppm.”

Sea Salt has disputed Marley’s comments, revealing that the singer’s mother Rita Marley and her family had stayed at the property earlier this year.

“The villa was just rented to Rita Marley and her family a month ago who had written glowing reviews about their stay at the property,” the villa’s manager said.

A copy of the written testimonial, which was signed “The Marleys,” was provided to DancehallMag.

Sea Salt also explained that “the only strict policy that the villa has always communicated and kept consistent with is that there are no outside visitors allowed during a rental.”

“The villa’s homeowners have already communicated through Ziggy’s agent that they would welcome Ziggy and family if our standard rule is strictly followed,” they noted.

Built in 2007, Sea Salt offers a 5-bedroom main house on the beachfront, two 2-bedroom cottages, a butler, chef, housekeepers, and various luxury features. 

Their website reveals that the rates range from USD $29,000 to $44,000 for a 7-night stay. 

Sea Salt Villa in Old Fort Bay

During the radio program, Ziggy said it is untenable that Jamaicans are being discriminated against in their own country, and consequently, he will be joining hands with persons and groups battling to eliminate the problem.

He said discrimination must not be tolerated, but nevertheless, he was happy that he had experienced it himself, so he can now take necessary action.

“Mi glad mi have the experience caw now mi know.  Mi tell dem seh mi glad, becaw now mi know.  Mi experience it now, suh mi can deal wid it now in a different level,” he said.

“Listen, Jamaicans are being discriminated against in dem own country… by a certain class… I don’t know what it is but we are being discriminated against.  And wi can’t stand fi dat.  This is our country. How yuh a discriminate against we so we can’t do this or we can’t do dat?”

“Even though me can pay, you still a discriminate gainst mi.  Fi wha?  Caw mi a Jamaican?  No man. Dat caan work,” he added.

The Tomorrow People singer said that some constitutional amendments are necessary to ensure that the rights of Jamaicans are fully protected.

“What a gwaan a Jamaica nuh right.  Wi haffi change di constitution.  Wi haffi give the Jamaican people rights.  Wi fight fi di rights – Paul Bogle, Marcus, Sam Sharpe, Nanny mi faada.  Wi fight fi dis country, you know…,” he said.

“Yuh si, independence without rights is not independence.   Freedom without rights is not freedom. Suh wi haffi have rights fi guh wid di freedom weh wi seh wi get, fi guh wid di independence weh wi seh wi get, or else wi nuh have nuttn,” he added.

Update: Ziggy responded to this story, writing in an Instagram comment on Sunday evening: “Unuh know me naah lie. Why would I? We have the witnesses and the evidence. Dem try to whitewash it now. They know the truth and so do I as well as those who witnessed and pleaded with them about their disgraceful policy.”

He continued: “I was more than willing to follow dem rules. It’s a disgrace how they think about Jamaicans as if we don’t have any class or respect. I found another place that was cool with a Jamaican renting their villa.”

“We have to stop the discrimination against Jamaicans in Jamaica. Hopefully, Sea Salt will no longer have a policy of no Jamaicans allowed. We must test dem and see.”

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More Must Be Done To Ensure Reggae Musicians Are “Well Compensated,” Says Flourgon’s Lawyer

Black Immigrant Daily News

The content originally appeared on: DanceHallMag

 

New York-based Jamaican-born attorney Stephen Drummond is again lamenting the fact that many Jamaican Reggae singers and songwriters have not reaped the fruits of their labor, unlike their overseas counterparts, a situation which must be addressed urgently.   

The Hanover native, who represented veteran Dancehall artist Flourgon in his US$300 million copyright infringement case against Miley Cyrus, says much more has to be done to ensure the island’s musicians get the compensation that is rightfully due to them.

“Jamaican Reggae music has done so much around the world.  And it’s such an invaluable contribution to mankind.  And it cannot be disputed that with such an invaluable contribution, to mankind coming out of a small country, many of our artistes have not recognised and being appreciated in the financial space as many others,” Drummond said while speaking on Radio Jamaica’s Beyond The Headlines with Dionne Jackson Miller.

“So, as a Jamaican, and a lawyer who likes to see equity, I just think more should be done to ensure that the Jamaican community and those who have made such a great contribution to Reggae music should be very well compensated, more,” he said.

Attorney-at-law Stephen Drummond

Drummond also reiterated that because much of the problems relate to issues of intellectual property ownership and copyright, it is critical that artists seek to protect their work.

“One of the things that I try to stress in the community, is the three Ps: Protect first.  Artistes in Jamaica they like to Perform; they want to perform; they get a joy out of performing and the business component of it, they tend to lose perspective of that.   You must first strive to Protect your work, then Perform in order to Preserve your work,” he said.

The issue of Jamaican’s failing to copyright their music has been a longstanding concern for Drummond.  In May 2018, during a Gleaner Editors forum, he made a call for Jamaican recording artists to protect their legacy.

At the time he said that while he was congnisant of the fact that most Jamaican artists love the music and love to entertain people, they needed to be business-minded about it.

Drummond had also warned that if Jamaican musicians fail to take the business aspect of the music as seriously as they ought, they might live to regret it in the end, as the business component was perhaps the most critical aspect of an artist’s success.

Like Drummond, in January this year, former Main Street Records producer and Chairman of the Jamaica Music Society (JAMMS), Haldane “Danny” Browne had raised similar concerns about recording artists and producers in Jamaica, who, by virtue of their own inaction, have put themselves in a precarious position, by not registering their ownership of their copyrighted music.

“I don’t know if the current crop of players realise that it is a business.  I can’t blame them because I was just like them; when I started out, I was just having fun,” the Filthy riddim producer had said.

Brown had also revealed that some creators of music do not know the difference between copyright registration versus publishing a song.  

“Where your copyright ownership is registered it is different from the publishing of the song.  Because anybody can publish a song.  And I discovered a lot of people dem don’t copyright dem songs. Dem just a collect the money.  And so, when issues come up, they can’t defend it,” he had said.

Browne had pointed out that JAMMS has held multiple sensitization seminars on copyright and other music-related matters for members of the industry, but this initiative has seen the organization ‘preaching to the converted’, as the persons who need the information believe they “know it all”.  

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Jethro ‘Alonestar’ Sheeran Says His Family Has Always Been A Fan Of Reggae Music

Black Immigrant Daily News

The content originally appeared on: DanceHallMag

 

British rapper Jethro ‘Alonestar’ Sheeran, first cousin of superstar Ed Sheeran, says his family has always been enthralled by Reggae music.

“The Sheerans are a big fan of Reggae. We grew up on it. I was born and raised in a West Indian cultural background in St Paul’s, Bristol when the frontline. Reggae music was blazing from every block from big sound systems (and) DJs playing block parties. I grew up listening to course Bob Marley, Hugh Mundell and my uncle introduced me to Afrobeat from the 70s—he was a world music DJ and played all sorts of Reggae music also,” Sheeran told DancehallMag.

Jethro’s single I’m A Star, which features Ed and American rapper DaBaby, recently peaked at No. 10 on the US iTunes Dance Chart. It was executively produced by Sean “Contractor” Edwards and co-produced by Herbert Skillz.

Sheeran noted that the track has been speaking for itself, so, the recognition was partially expected.

“I was really happy to see I’m A Star doing so well and climbing the top ten in the charts in the USA.  It’s such a great song and deserves to be number one. I was happily surprised, and slightly shocked as this song is 100 per cent organic growth with little to no promo. It just shows the listeners of today still appreciate great music and will seek a good song,” he said.

Sheeran has been an artist since 2004 under his record label Urban Angel selling CDs at shows in London. At this point in his career, he has surpassed 100 million streams cumulatively across several platforms.

Jethro “Alonestar” Sheeran

He revealed that he and Contractor have had a long-standing working relationship over the years that has yielded positive results.

“I met Contractor in a pub in London. Both our girlfriends at the time knew each other and introduced us. I was not long back from living in Trinidad (and) being artists ourselves, and both a big fan of Hip Hop and Reggae and music marketing it was a matchup made to succeed. We have worked together ever since in some capacity,” he said.

Jethro “Alonestar” Sheeran (left) with Sean “Contractor” Edwards (right) in a pub in London

Many Jamaicans would have formed a connection between the Sheeran clan and Dancehall when Ed collaborated with Ishawna on Brace It. Produced by Skatta, Donovon ‘Don Corleon’ Bennett, and Ishawna under her Legendary Records label, the official visualizer has 628,000 views on YouTube.

Around the time of its release, the track climbed to No. 9 on the iTunes Top 100 Reggae Songs charts in the United States, and No. 87 on the iTunes UK Charts.

Ed and Jethro Sheeran

Meanwhile, Sheeran reasoned that more Jamaican artists need to tap into the European market to see a boost in their listenership, fanbase, and profitability. 

“I believe for instance people like DJ Khaled, Ed Sheeran etcetera doing big colabs with Jamaican artists help bring them to a different audience in the world, and the other way around,” he said.

Added Sheeran, “I would like to see more Jamaican artists touring the UK and Europe  and more Europeans doing Reggae music also for people like Sean “Contractor” Edwards who has the key to the gateway with his marketing company for Jamaican artists, to help crossover in different territories. Bob Marley did this many years ago and was signed to UK record company Island Records. Bob Marley was everywhere on TV when I was growing up and seeing his music videos for Waiting In Vain etcetera. I think Damian Marley also helped a lot of artists crossover with his music and collabs with the likes of US Hip Hop star Nas.”

Sheeran said he has his eyes set on Tommy Lee Sparta and Mavado for future collaborations. 

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Shenseea, Interscope Reach Settlement With Producer In ‘Lick’ Copyright Lawsuit

Black Immigrant Daily News

The content originally appeared on: DanceHallMag

 

Jamaican singer Shenseea and her label Interscope Records have reached a settlement in one of the two copyright infringement lawsuits filed against her last year, DancehallMag has exclusively confirmed.

Producer Anastas ‘Pupa Nas-T’ Hackett said he’s pleased to bring his lawsuit to an end one year after filing the matter in a New York District Court.  He had claimed that Shenseea and Interscope (a division of Universal Music Group) released Lick without his consent, even though it sampled elements from one of his Soca songs.

Terms of the settlement were not disclosed in a court order dismissing the lawsuit on Friday (March 31).  

Hackett, who had sought over USD $10 million in damages, profits, and legal fees, also told DancehallMag on Friday that he could not reveal the actual settlement figure because of a confidentiality agreement.

“This is just business, it’s over and everyone is agreeable and satisfied with the outcome,” the producer said.

“It’s been over a year, it’s been gruelling but I finally made it to the mountain top,” he added.

Hackett thanked his manager, attorney, and spiritual allies for the lawsuit’s favorable outcome.

“I didn’t do it alone,” he said. “My business manager Steven Thompson was with me every step of the way. Courtney, my first attorney, he was incredible, and all praises go to The Most High, mother and father God and my ancestors because in every war, it’s fisticuffs but there is a spiritual element involved, and you have to pay credence to that.”

The 59-year-old, who was born in Brooklyn, New York, to a Trinidadian father and American mother, added that he harbored no ill will towards the 26-year-old singer and wished her continued success.

“I never had anything against her. I have been a big fan from day one. It is one Caribbean music family, we don’t tear each other down, and this had nothing to do against her personally. She will be big, and I wish her continued success in her career,” he said. 

Shenseea’s camp and Interscope did not immediately respond to requests for comment on the settlement. 

Anastas ‘Pupa Nas-T’ Hackett

Released on January 21, 2022, Lick featured rapper Megan Thee Stallion and later appeared on Shenseea’s debut album, Alpha. As a lead artist, it is currently her highest-charting song in the United States, after peaking at No. 20 on the Billboard Bubbling Under Hot 100 chart.

Produced by Canadian hitmarker Murda Beatz, the song sampled a 2002 remix of Denise ‘Sacey Wow’ Belfon’s Work by the production duo Masters At Work (‘Little’ Louie Vega and Kenny ‘Dope’ Gonzalez). The duo had licensed the original song from Hackett, who produced and co-wrote Work with Harkness Taitt in Trinidad & Tobago in 1999. He owns both the original and the Masters At Work remix, as detailed by Beatport.

On Friday, Judge Mary Kay Vyskocil ordered the lawsuit “discontinued without costs to any party and without prejudice to restoring the action to this Court’s calendar if the parties are unable to memorialize their settlement in writing and as long as the application to restore the action is made by May 1, 2023.”

“If no such application is made by that date, today’s dismissal of the action is with prejudice,” the order added.

In reply to the lawsuit, Shenseea and Interscope’s lawyers, Davis Wright Tremaine LLP, had argued that there was a “months-long, good faith negotiation” for the use of the producer’s song.  However, according to them, Hackett had refused to sign a written contract and, instead sought to renegotiate the contract after the song was released.

Court records show that Interscope had hired DMG Clearances, Inc in September 2021 to do the leg work of clearing the sample with Hackett.  According to an email sent to DMG later that month, the producer—through his music publisher ATAL Music Limited and their rep Alexandre Escolier—initially agreed that he would approve the sample if he were paid a $5,000 USD advance, 3% royalty on wholesale sales (PPD), and 15% royalty on Shenseea’s net streaming on the song.

However, DMG only sent the final written agreement to Escolier, for Nas-T’s signature, on February 2, 2022, 12 days after Lick was released on streaming platforms on January 21, 2022.  By then, Hackett had ‘fired’ Escolier from representing his music catalog after he learned of the song’s release from “colleagues who…had reached out to congratulate” him.

Now that the lawsuit has concluded, Hackett said that he will be turning his attention back toward music and getting “back to my home studio.”

“I’ve got some bombs, we’re gonna drop them, you know we still do what we do,” he said. 

He added that he felt great that the latest remix of Work, featuring Scottish DJ and electronic musician Kevin McKay and Denise Belfon, has been doing well on charts worldwide.  The song peaked at No. 11 on the Apple iTunes chart in December 2022. “Kevin McKay is a DJ based in Glasgow, his label is Glasgow Underground and the song has been doing great,” he said. 

Shenseea is still facing another copyright lawsuit in a California court.

In an October 2022 complaint, visual artist Stephanie Sarley accused the Blessed singer and her label of ripping off three of her ‘artistic’ Instagram videos depicting the sexualized handling of bisected fruit.  The three clips allegedly appeared in the original music video for Shenseea’s 2019 song Foreplay, which has since been removed from YouTube.

Stephanie Sarley

Shenseea and Interscope, who are represented by Ballard Spahr LLP, have claimed, among other things, that any infringement was “innocent” on their part, because the Foreplay video was uploaded to Shenseea’s YouTube account by a “third-party distributor” without their knowledge or involvement.

Sarley is demanding actual damages and profits from the three alleged infringements, or alternatively, $150,000 in statutory damages for each infringement.  But, Shenseea and Interscope contend that if Sarley is able to prove infringement, then statutory damages would be limited to “as little as $200” for each of the three videos. 

In a joint court filing on February 9, 2023, Sarley and Shenseea’s lawyers told Judge Fernando M. Olguin that they anticipated the trial lasting 2-3 days, with a proposed start date on April 9, 2024, and with a total of three witnesses for Sarley and five witnesses for Shenseea.

The singer signed to Interscope Records/Rich Immigrants in 2019, a joint venture spearheaded by Jamaican producer Rvssian.

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‘Top G’ Andrew Tate Blasts Shane O’s ‘7 Jacket’ In First Video Since Release From Jail

Black Immigrant Daily News

The content originally appeared on: DanceHallMag

 

Shane O is counting his blessings once again, after Andrew Tate returned to Twitter and shared a video of himself pacing in a room while blasting the Dancehall star’s 7 Jacket, a 2022 song that tackled the issue of paternity fraud in Jamaica.

Tate, a controversial American-British internet personality and former world champion kickboxer, who is nicknamed ‘Top G’, had been detained in a Romanian jail on organized crime and human trafficking charges for the past three months.

“Since last year I’ve been in 24 hour lockdown. No yard time. Pacing a 3 metre cell with zero electronics or outside contact. Absolute clarity of mind. Real thoughts. Real plans. Vivid pain. One hour home and I can’t stand my phone. Some habits die hard. We must defeat Shaytan,” Tate noted yesterday.

Shane O was ecstatic after seeing the post, his second such endorsement by one of social media’s most talked-about persons, his first being DJ Khaled, who co-signed his Dark Room track last year.    

The Lightning Flash artist shared the video to Instagram and said not only was he inspired but was brought to tears by Tate’s post, which by midday on Saturday, 17 hours after it was posted, had received 30 million views on Twitter.

Shane O, who has been labeled one of Jamaica’s finest songwriters but also one of its most underrated artists, went on to lament what he said was the finer reception his songs get from foreigners, as opposed to his own compatriots.

“I will never stop doing what I’m doing.  I believe in my self so much u don’t even know.  I’m typing with tears trust me.   To see the love I get out there but yet still can’t get it where from why thou?” he said.

“I don’t write bullsh-t. Check out my topics, my flows and how I construct my words #stopplayablindeye,” he added.

Shane O

Tate was initially detained in late December in Romania’s capital Bucharest, along with his brother Tristan and two Romanian women.  According to the Associated Press, all four won an appeal Friday, and will remain under house arrest until April 29. 

Over on Twitter where Tate made his post, Jamaicans turned out in their numbers to cheer him along.

“This guy went to prison and turn a Yardman,” one man wrote, to which another replied: “Only Jamaican music can have you meditate … blessings to all yaadman”.

“He was always a yardman. His patios is pretty good too,” another woman noted, while another man added: “str8 all him skank different”.

Tate has had a love affair with Dancehall music for some time.

In November last year, mere months before he was jailed, Andrew Tate had revealed that Dancehall music was his favorite genre, and that Skeng was among his best-loved artists.  

During an interview in November last year, Tate, while explaining why he was a big fan of Jamaican music, had said that the Dancehall artists who sing violent lyrics are not pretenders, as they, according to him, carry out the violent acts they sing about.  He said he respected and admired them as they were being true to themselves.

“I have an extensive playlist including many different tracks in the club from an eclectic selection of artistes.  However, the music I enjoy the most is actually – I like the Jamaican music because what they sing about they mean,” Tate had explained.

“When they say if you look at me wrong, I will empty the clip, I am like ‘yeah’, but if you Google each Jamaican artiste afterwards, they usually tell the truth. And I respect that.  So I like Skeng is my favourite guy.  I listen to Skeng,” Tate had added.

There are several videos of Tate across the internet playing violent songs by Vybz Kartel, Tommy Lee Sparta and others in his much-bragged-about Bugatti.

In June last year, Tate shared a clip of himself playing and singing along to  Tommy Lee Sparta and Skeng’s Protocol in his Bugatti .

“I don’t think Tommy Lee Starta has been played in a Bugatti before.  I don’t think Tommy Lee Starta is Bugatti music,” he said sardonically, as he searched and found the song and then sang along.

Last year Tate had featured Manchester artist 1Biggs Don on his show. 

He and his brother Tristan had declared Biggs Don “G of the Week” in May last year, after watching a clip of his Boy affi song.   

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Blak Ryno Open To Working With Vybz Kartel, Says Fallout Was Overblown

Black Immigrant Daily News

The content originally appeared on: DanceHallMag

 

Though he left Vybz Kartel’s Portmore/Gaza Empire more than a decade ago, dancehall singjay Blak Ryno isn’t opposed to working with him in the future.

On a recent episode of Dancehall Hot Seat, the ‘Real Stinga’ was asked about the possibility of collaborating if his former principal desired to, should he be released from prison. Kartel, whose given name is Adidja Palmer, is currently appealing a 2014 murder conviction before the Privy Council. 

“If ‘Teacha’ waan that, anything possible,” Ryno responded. “Why not?”

Blak Ryno (left) and Vybz Kartel

The entertainer rose to prominence in 2007 as part of the now-defunct Gaza enclave, standing out with a distinct singjay style and flair for versatile songwriting. In 2010, his exit from the group was heralded in the track Mi Lefin which he explained some of his headstrong reasons for ‘cutting’ ties.

Despite contributing a myriad of hits to dancehall like Thug Anthem, Badmind, Dollar Coin,and Bike Back, the industry has arguably treated him like an unwanted stepchild since he left the camp. Ryno has often described his predicament as a case of blackballing, but believes his decision to move on from the clique was overblown. 

“Everybody nuh keep one job fi too long; some people do, some people don’t,” he said. “That was Gaza; it was, to me, a job. If you have a label and you seh you waan sign me, you a sign me fi work fi you – it’s a job. Sometimes the worker and the boss have fallout and a one a dem thing deh, and the people dem blow it out of proportion when it’s simply that.”

A throwback photo of Blak Ryno (left) and Vybz Kartel

Curry-stained into his brand is the notion that he was disloyal to the Worl’ Boss, though it has never been substantiated. Ryno said he’s discouraged from explaining his side as he feels people will label him a liar anyway.  

“Mi a live wid a curse weh mi nuh do nothing…” he said.

“Up to now, dem people yah cya tell me weh mi do. Not even the man weh tell dem seh, ‘Yow, him sell we out’, not even you tell the people weh mi do…”

Despite the continued dark cloud over his career, Ryno said he will “always rate Kartel”, adding, “a Gaza mek me. Mi cya stop seh Gaza”. So loyal, is he, that he’s turned down opportunities to work with any nemesis of the Portmore Empire collective.

Singjay Blak Ryno

“You never see mi go do no song with no artist who we never link with before,” he said. “Mi still keep it dah way deh and it wasn’t no pride nothing. A just how mi grow, so, that is instilled in me.”

Now based in the United States, the singjay is gearing up to release new music, which he teased will bear Afrobeats flavour.

His last release was Ride, a collaboration with Chenphang that debuted three months ago. 

Blak Ryno

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