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Minister Marion Hall Responds To Criticism Of New Song’s Cover Art Showing Her “God-Blessed Body”

Black Immigrant Daily News

The content originally appeared on: DanceHallMag

 

The fashion police are out in their numbers for Minister Marion Hall, after the former Queen of Dancehall shared the cover art for her latest single, I’m Doing Better

The contentious photo sees the gospel artist showing off what she has described as her “God-blessed body” in a black sequined jumpsuit with mesh detail that reveals her stomach. For some critics, the look errs on the side of her former persona Lady Saw.

The controversial promo photo for Minister Marion Hall’s new project.

“There is a time and place fi everything,” one social media user wrote. “You had you time and you place. Go rest nuh.”

Another chimed in, “Aren’t Christians suppose to be the light of the world?? God is not a God of confusion nor is He to be mocked. If you know better, do better. NOBODY NUH COME TELL ME BOUT A SUH FOREIGN PASTOR DRESS…”

“Now Minister, you darn well know you can’t minister to people in a bralet and mesh. Unuh must stop it now.”

There was even the question, “Minister of what, local government?” 

Another angle of Hall’s ensemble for her single ‘I’m Doing Better’.

Her response to the naysayers could have been “come kiss out mi Bible.” But instead, she directed them to a Bible verse that seemingly explained her intentions behind the artwork.

“For whoever have a problem with me showing of my God blessed body. Please read 1 Corinthians 9 verse 19 to 23 and Keep your opinions to yourselves,” Hall said in a Facebook post.

1 Corinthians 9:19-23 reads:

Though I am free and belong to no one, I have made myself a slave to everyone, to win as many as possible. 

To the Jews I became like a Jew, to win the Jews.

To those not having the law I became like one not having the law (though I am not free from God’s law but am under Christ’s law), so as to win those not having the law.”

To the weak I became weak, to win the weak. I have become all things to all people so that by all possible means I might save some.”

I do all this for the sake of the gospel, that I may share in its blessings.”

1 Corinthians 9:19-23

Some of Hall’s followers have also risen to her defense.

“She looks amazing,” one user said. “We just need to understand and respect that we do not get to choose how one lives his life. More love to her.”

Another wrote, “Who came up with the idea of ‘church clothes’? Grew up in church and I’m happy the day I became a MATURE AND INFORMED ADULT. I got to experience different cultures and God for myself. We can’t forget some of the most vicious people on earth are those disguised in ‘church clothes’. Live ya life Ms. Hall.”

The backlash is pretty much déjà vu for the church owner who came under fire in February 2021 for posting a photo of herself wearing a v-neck blouse that bore enough cleavage to anger some members of the Christian community.

Hall came under fire for showing her “girls” in this 2021 photo.

She eventually removed the photo but posted a video response labeling herself a sexy Christian who won’t always be cloaked due to Miami’s hot weather. The uproar returned in April when she posted a beach pic of herself wearing a two-piece bikini.

Beyond this, she previously received backlash for the fashion worn in promo photos of her 2021 single If I Was Famous. Her full glam, silk blouse and blue fur coat had many, again, likening it to a Lady Saw aesthetic, though she hung up her secular shoes in 2015.

While the internet goes back and forth on what constitutes Christian adornment, Hall has been busy readying the music video for I’m Doing Better. In a recent live video, she spilled that popular director and one of her favs Jay Will is shooting the project which will see her living it up on yachts and at fancy restaurants. 

Hall worked with Grammy-winning musician and producer Gramps Morgan,Shannon Sanders (producer for India Arie and John Legend), and Downsound Records’ Joe Bogdanovich on the record which she is declaring a “definite hit”.

Released on March 16, the song is described as a testament to Hall’s “calling as an artist and her ability to reinvent herself time and time again.”

(From left) Joe Bogdanovich, Minister Marion Hall and Gramps Morgan

“I told you from last year (that) God is doing a new thing,” she said. “When I did If I Was Famous, I told you God was up to something big. The enemy came with distractions and shut it down, but this time, this song won’t be

She’s already pleased about the buzz the single is creating, especially as it relates to her intended audience. 

“It’s already reaching young people – those are the people we want to reach. Yes, we want to reach the rejects. There’s a line in this that God gave to me: ‘Jesus loves the rejects’, and that’s what I want you to hold on to. It doesn’t matter who rejected you, God will never turn His back on you. When you seek ye first the kingdom of God and all His righteousness, everything else will be added on to you.”

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Morgan Heritage To Release New “World Music” Album In April

Black Immigrant Daily News

The content originally appeared on: DanceHallMag

 

Grammy award-winning Reggae band Morgan Heritage will be releasing what it has described as a “World Music” album titled The Homeland, on April 21.

Positive Vibration artist Roy “Gramps” Morgan and his brothers Peter “Peetah” Morgan and Memmalatel “Mr. Mojo” Morgan made the announcement on their respective Instagram pages on Monday morning.

“The new @morganheritage album The Homeland drops April 21st. This is the groups First World music album and they combine the sounds of Africa with the sounds of Jamaica on this Afro-Fusion album that features legends and future legends from both places,” the three artists noted.

The album’s description as “world music” means it could be a contender in the GRAMMY’s Global Music category for next year.  

The term World Music was initially used in the UK in 1987 to help differentiate music from non-western artists. However, over the years, the term has been shunned, with The Recording Academy (GRAMMYS) changing the name of their “best world music” album category to “best global music” album in 2020. 

At the time, the Academy said that the change was done in a bid to avoid “connotations of colonialism” and “Non-American, and to make the category more “relevant, modern, and inclusive”.

Established in 1994, Morgan Heritage, which is composed of some of the late Reggae singer Denroy Morgan’s 29 children, began initially as a recording octet, then a quintet.  However, it has morphed into a trio comprising the three brothers since then.

Morgan Heritage had released their debut album dubbed Miracle for MCA back in 1994, just months after making their first appearance on the main stage at the Reggae Sunsplash music festival. 

More Teachings, their follow-up album, peaked at #6 on the reggae charts, while Mission in Progress, which was released in 2008 spent 24 weeks on the charts after peaking at number one.

In 2015 their album Strictly Roots ascended to number one and spent 44 weeks on the charts.   That album has the distinction of taking home the Grammy Award for Best Reggae Album, over other successful albums such as Jah Cure’s The Cure, Luciano’s Zion Awake, and Barrington Levy’s Acousticalevy in 2016.

The Down By the River band, which at the time comprised of five children of reggae artist Denroy Morgan, were also nominated for Best Reggae Album in 2017 for their Avrakedabra.

The upcoming album, which comprises 21 tracks, consists of collaborations with Popcaan, Youssou N’Dour, Shaggy, Beenie Man, Shatta Wale, Mádé Kuti, among others.

“This album is described as “a project of rebirth for the Morgan brothers, built upon a lineage that has lasted decades and one that will continue to forge forward”.  Musically, they take the listener on a journey that not only reminds them of days past, but the future ahead,” the group said in a  release.

So far, Morgan Heritage has shared the album’s first single Just A Number, Headline Fi Front Page with Jahshii, Rytikal and I-Octane, and I Will Never Forget with Ariel, Esh Morgan, and Jemere Morgan. 

The lead single Who Deh Like U, featuring Bounty Killer, Cham and Stonebwoy, was released today (March 20). “It’s hard to find anyone to compare to you. Even from a million miles away your value will never diminish because you are so unique…” Mojo Morgan said about the meaning of the track. 

“It will be hard to find another like you anywhere in the world.”

In August last year, Morgan Heritage had announced that it would be embarking on its first full-scale African tour, and that there were plans to join forces with some of the “freshest and biggest talents in each country”, to produce a collaborative album.

The tour, which was to take place over an eight-week period, had been dubbed the Island Vibes Africa Tour and would have seen the trio trekking across several countries in West, Central, East and Southern Africa for performances.

In elaborating on the tour, a release from the group, noted that their stint in the Motherland, was a gift to its people and a means of “strengthening the shared bonds between Africa and the Caribbean”.  That tour was later rescheduled for sometime later this year.

On March 28, Morgan Heritage will perform at the Grammy Museum (at LA Live) as guests of The Drop Series, which is expected to start the band’s global promotional tour, with concerts in Los Angeles, New York, England, Germany, France, Uganda and Ghana.

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Morgan Heritage To Release New “World Music” Album In April

Black Immigrant Daily News

The content originally appeared on: DanceHallMag

 

Grammy award-winning Reggae band Morgan Heritage will be releasing what it has described as a “World Music” album titled The Homeland, on April 21.

Positive Vibration artist Roy “Gramps” Morgan and his brothers Peter “Peetah” Morgan and Memmalatel “Mr. Mojo” Morgan made the announcement on their respective Instagram pages on Monday morning.

“The new @morganheritage album The Homeland drops April 21st. This is the groups First World music album and they combine the sounds of Africa with the sounds of Jamaica on this Afro-Fusion album that features legends and future legends from both places,” the three artists noted.

The album’s description as “world music” means it could be a contender in the GRAMMY’s Global Music category for next year.  

The term World Music was initially used in the UK in 1987 to help differentiate music from non-western artists. However, over the years, the term has been shunned, with The Recording Academy (GRAMMYS) changing the name of their “best world music” album category to “best global music” album in 2020. 

At the time, the Academy said that the change was done in a bid to avoid “connotations of colonialism” and “Non-American, and to make the category more “relevant, modern, and inclusive”.

Established in 1994, Morgan Heritage, which is composed of some of the late Reggae singer Denroy Morgan’s 29 children, began initially as a recording octet, then a quintet.  However, it has morphed into a trio comprising the three brothers since then.

Morgan Heritage had released their debut album dubbed Miracle for MCA back in 1994, just months after making their first appearance on the main stage at the Reggae Sunsplash music festival. 

More Teachings, their follow-up album, peaked at #6 on the reggae charts, while Mission in Progress, which was released in 2008 spent 24 weeks on the charts after peaking at number one.

In 2015 their album Strictly Roots ascended to number one and spent 44 weeks on the charts.   That album has the distinction of taking home the Grammy Award for Best Reggae Album, over other successful albums such as Jah Cure’s The Cure, Luciano’s Zion Awake, and Barrington Levy’s Acousticalevy in 2016.

The Down By the River band, which at the time comprised of five children of reggae artist Denroy Morgan, were also nominated for Best Reggae Album in 2017 for their Avrakedabra.

The upcoming album, which comprises 21 tracks, consists of collaborations with Popcaan, Youssou N’Dour, Shaggy, Beenie Man, Shatta Wale, Mádé Kuti, among others.

“This album is described as “a project of rebirth for the Morgan brothers, built upon a lineage that has lasted decades and one that will continue to forge forward”.  Musically, they take the listener on a journey that not only reminds them of days past, but the future ahead,” the group said in a  release.

So far, Morgan Heritage has shared the album’s first single Just A Number, Headline Fi Front Page with Jahshii, Rytikal and I-Octane, and I Will Never Forget with Ariel, Esh Morgan, and Jemere Morgan. 

The lead single Who Deh Like U, featuring Bounty Killer, Cham and Stonebwoy, was released today (March 20). “It’s hard to find anyone to compare to you. Even from a million miles away your value will never diminish because you are so unique…” Mojo Morgan said about the meaning of the track. 

“It will be hard to find another like you anywhere in the world.”

In August last year, Morgan Heritage had announced that it would be embarking on its first full-scale African tour, and that there were plans to join forces with some of the “freshest and biggest talents in each country”, to produce a collaborative album.

The tour, which was to take place over an eight-week period, had been dubbed the Island Vibes Africa Tour and would have seen the trio trekking across several countries in West, Central, East and Southern Africa for performances.

In elaborating on the tour, a release from the group, noted that their stint in the Motherland, was a gift to its people and a means of “strengthening the shared bonds between Africa and the Caribbean”.  That tour was later rescheduled for sometime later this year.

On March 28, Morgan Heritage will perform at the Grammy Museum (at LA Live) as guests of The Drop Series, which is expected to start the band’s global promotional tour, with concerts in Los Angeles, New York, England, Germany, France, Uganda and Ghana.

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St. Andrew Man Charged With Burglarising Kiprich’s Airbnb

Black Immigrant Daily News

The content originally appeared on: DanceHallMag

 

The suspect who allegedly burglarised KipRich’s Portmore Airbnb apartment has been charged.

A source close to the entertainer reliably informed DancehallMag that 21-year-old Kemar Jones, of an 11 Miles Bull Bay, St. Andrew address, has been charged with housebreaking and larceny. The unemployed man was nabbed in Downtown Kingston last week after being positively identified.

The source said that on March 11, between 10:15 and 10:45 am, Jones broke into the apartment and took off with multiple valuable items, including cash.

A Rolex watch and chain were recovered by the Telephone Ting deejay at the Constant Spring Tax Office in St Andrew from a bus driver after following several leads.

He did not, however, recover the cash that was stolen.

Last week, the deejay credited the ‘street network’, fans and the police for the quick recovery of his cherished items.

“Mi never expect fi get back no money but from mi get back mi Rolex, plus mi chain and mi belt, mi good,” he said.

Last weekend, the deejay had reported to the police that an Airbnb apartment that he was renting in Portmore had been burglarised by a lone thief who forced open a kitchen window and absconded with more than US$50,000 (approximately $7.6 million) in cash and other valuables.

Last Sunday, the police confirmed that KipRich made a report to the Greater Portmore police station that his US$25,000 Rolex watch and a gold chain valuing more than US$12,000 were among several items stolen. Burberry sunglasses valued at US$450, and cash amounting to US$15,000 and CDN$300 (approximately $33,000) were also taken.

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Tommy Lee Sparta Released From Prison

Black Immigrant Daily News

The content originally appeared on: DanceHallMag

 

Dancehall entertainer Tommy Lee Sparta, whose real name is Leroy Russell Jr., has been released early from prison.

Entertainment insider Heavy D confirmed that the deejay was released from the Horizon Remand Centre in Kingston at about 11 am this morning (March 23).

“Yeah man, breaking news, the deejay de a road,” Heavy D said.

Checks with the artist’s lawyer, Tom Tavares-Finson, also confirmed that the Rich Badness deejay was now a free man. “I have heard that he has been released,” Tavares-Finson told DancehallMag.

In March 2021, Tommy Lee Sparta was sentenced to three years for possession of an illegal gun and two years for possession of illegal ammunition.

The sentences ran concurrently and included the time served from when he was arrested for the crime in December 2020.

He had been found with the firearm along Holborn Road in New Kingston by members of the police SWAT division.

It was Sparta’s first conviction following several run-ins with the law over the last decade.

In an Instagram post in November 2022, a seemingly reformed Sparta called for criminals to abandon their illegal firearms.

He used a clip from one of Prime Minister Andrew Holness’ presentations at a sitting of the House of Representatives, which he described as a “fair speech,” to drive his point home about alleviating illegal guns in the country.

“Me nah lie not a #pnp or #jlp, but this is a fair speech,” he wrote.  “Unno put up the gun them an Mek we full joy life happiness come first.”

Adding that he is setting an example, the Spartan Soldier declared that he had buried the hatchet with all his foes.

“Mek me say this first I FORGIVE MY ENEMIES. Me want unno #iforgivemyenemies or #iforgiveyou a move onn. It take more energy to hate love is easier,” he added.

The 33-year-old artist got his big break in 2012 as a former member of Vybz Kartel‘s Portmore “Gaza” Empire and is best known for Spartan SoldierSpartan AngelPsychoRich Badness, and Blessings.

While in prison, Sparta enjoyed the release of Protocol with Skeng, his most successful song to date. Protocol, released in November 2021, has racked up over 50 million views on YouTube.

He also released a 26-track double album titled Transition, which showcased his “ying-yang” personality with collaborations from Chronic Law, Laden, Skillibeng, Jahvillani, Honey Milan, Dre Swade, Stylo G, Acemark, Leaha, and his son Skirdle Sparta.

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HoodCelebrityy Has Changed Her Stage Name

Black Immigrant Daily News

The content originally appeared on: DanceHallMag

 

Walking Trophy artist HoodCelebrityy has rebranded to Tina, a stage name derived from her actual name Tina Pinnock.

Chatting it up with fans on Instagram Live this morning, the Jamaican-born artist attributed the new moniker to natural evolution.

Rapper Tina, formerly known as HoodCelebrityy

But there also seems to be some industry politics behind her rebranding.

Opting to “keep it real” with her fanbase, Tina shared, “You guys (are) about to go to the next level with me in my career and the next level where I won’t be able to be put in a box, cause I kept it real with y’all. They were trying to keep HoodCelebrityy in a box and for my fans, for people who love and support me and want to see me be at my full potential, HoodCelebrityy did her time. Now it’s Tina to take it to the next level.”

She’s ringing in the new name with a Bounty Killer remix of I’m Back, a bars-packed hardcore tune nestled on Black Shadow’s successful Buzz riddim, which hosted 2001 hits such as Sean Paul’s Gimmie Di Light, Mad Cobra’s Press Trigger, Sizzla’s Pump Up and Capleton’s I Love To See.

She premiered the visuals on Wednesday on her YouTube channel, which still bears the name HoodCelebrityy, but assured fans that all her platforms will soon be updated with her new moniker.

The visuals for Tina’s ‘I’m Back’ remix with deejay Bounty Killer

The livestream came following recent posts where Tina bid her former alias farewell. In a Story post on Wednesday, she shared a photo which bore the words “RIP to the old self, you served a great purpose”.

Fans have also noticed the name update on her Instagram page, inspiring insightful interactions.

“Much love Tina,” one supporter wrote. “Glad to see you finally changed your name. No more HoodCelebrityy.”

She responded, “Thank you. It’s official; no more HoodCelebrityy. She did her time, it’s all about Tina now.”

In another post reflecting her 2019 single Inside, she commented in part, “Welcome to the new journey.”

Hoodcelebrityy/Tina

In a 2018 interview on The Breakfast Club, co-host Charlamagne tha God questioned the longevity of the name HoodCelebrityy. 

“Yeah, I think longevity is in your craft and I feel like that name has a story behind it,” she said at the time. “The story with me coming from the hood and me really going hard coming from (working at) a sneaker store to actually achieving my goals and feel like I don’t have to change it (the name) to go further because they always say don’t judge a book by its cover, so, if you’re judging me by my name, you’re already going in the wrong direction.”

A woman of St. Catherine soil, Tina relocated to the States when she was 12, later becoming besties with Bronx native and rapper Cardi B. Though she was already writing music and doing freestyles on social media, Tina said she was more focused on supporting Cardi B’s career at the time. 

Former bestfriends Tina (left) and Cardi B

As fate would have it, one day, the Bodak Yellow rapper reposted one of her freestyles which played on Bounty Killer’s Another Level(featuringBaby Cham). It caught the attention of someone on Cardi’s team, signalling the start of her professional music career. 

Tina, undoubtedly, got her big break with the 2017 self-affirming anthem Walking Trophy, which toasted to her yard roots while appealing to mainstream audiences. Since then, she has followed up with numbers like Inna Real Life, The Brukwine Breakdown, Bum Pon It, and So Pretty(with Kash Doll).

She is known for hanging with the best of them when it comes to versatility, from the hardcore bars of I’m Back to the sensual feels of Signs and playful punches of Liar, her spin on Burna Boy’s Last Last. 

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Producer Skatta Burrell Rates Norris Man’s ‘Persistence’ As His Best Work Ever

Black Immigrant Daily News

The content originally appeared on: DanceHallMag

 

Dancehall music producer Skatta Burrell has rated Norris Man’s 2000 hit Persistence, on which he worked as a sound engineer, as his best production ever.

Skatta gave Norris Man his accolades on Monday, in one of his regular throwback Instagram posts, where he shared the song’s accompanying music video and hailed the Rastafarian artist.

“How could I ever fail in life when Norris Man & Iley Dread gave me the opportunity to produce this monster Hit. My 1st #1 song that ripped thru over 60 charts worldwide and to this day hands down my best work, for it shaped My entire spirituality and Passion for music,” Skatta proclaimed.

In continuing his adulation of Norris Man, Skatta said that he would use his powers to ensure the singer appears at Reggae Sumfest this year.   

“I would love to see You on Reggae Sumfest this 2023 and I’m going to do everything to make it happen My Brother. Bigupp @badgyalcecile wit the beautiful harmonies and @benzlyhype on keyboards,” he added.

In an interview with YouTuber Teach Dem a few years ago, Norris Man had described Persistence as a poetic piece of songwriting, which he had done during a time of struggle as an upcoming artist in Reggae/Dancehall with his Kings of Kings stablemates Skatta, Cecile and singer Crisinti sharing the same issues.

“It was me, Skatta Burrell, who is today with Downsound Records.  We started out as bredrin; that’s how everything started out.  He was a engineer; I was an artiste.  We met up at Kings of Kings… at that time Ce’cile was the secretary working for the guy Stephen Ventura,” Norris Man had explained.

“It was a wonderful opportunity because is like we started out a camp.  Because at that time you have Xterminator, Star Trail Records; everybody was moving in camps.  And Skatta was the engineer who record me on a lot of songs.  All the songs on the album called Persistence, Skatta record them.  He also mixed the album.  It was his first big credibility,” Norris Man said of Skatta’s role in the 16-track debut album.

Norris Man had, likewise, praised Skatta as his best engineer ever.

“He was a good engineer and what happened at the time, I think Kings of Kings – he never really wanted Skatta hundred percent to mix all the songs… but he (Skatta) is an engineer who used to my sound, my voice.  Suh yuh just haffi be the best  When it comes to ne he makes it right.   Because we are friends and we started out togedda.  We been in the studio day and night…,” he added.

Norris Man, who is known for other hits such as Bad Road, Keep It Real, Woman Have Patience, and Home And Away, said that Persistence marked a turning point in his life, as when the song was released, it became an immediate hit due in part to his melodies, and intonations, which made the song memorable, and a highly impressed Irie FM disc jockey, who gave it steady rotation.

“Everything changed right there.  Give thanks to the disc jockey weh name Mighty Mike who discovered the song and send call me in person.  Because he thought the person who sing the song was a bigger person, a older person. When him meet me I was just a youth; him a look fi a big man,” he said.

“I was just writing what was coming to mi head. I didn’t know if I did do a  great ting or what.  I just know mi meck good music. Das all.   An from mi a yute mi always have dis idea.  I don’t want to do music just like dat.  I listen other artiste and den I seh ‘listen, I want to be different from  all a dem’.  Suh, I always experiment with mi melodies, so dat give yuh di sustenance on the song,” he added.

“It (Persistence) opened real doors, because VP decided dem want an album…we have a distribution deal with dem.   And from dat album come many great hits.  All bigh song outta Jamaica like ‘dem nuh want si wi strive’ [Bad Road] and Bright Days…,” he said. 

Norris Man said Persistence also enabled him to travel outside of Jamaica to Canada for the first time, along with Spanner banner and Ce’cile, and that it thrusted him into the limelight amongst the likes of the then-dominant Sizzla Kalonji and Anthony B.

“I don’t make many songs like they make, but the few that I do they set a great mark..,” he said.

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‘Flava’ McGregor Files Copyright Lawsuit Against VP Records Seeking At Least US$10 Million

Black Immigrant Daily News

The content originally appeared on: DanceHallMag

 

Kemar ‘Flava’ McGregor is suing VP Records once again, this time for what he alleges is the company’s “blatant and purposeful” copyright infringement on seven songs, including tracks voiced by American singers Musiq Soulchild and Syleena Johnson and Jamaican artists Beres Hammond, Gyptian, Jah Cure, Duane Stephenson, and Elephant Man.

The Florida-based Jamaican producer, 42, who is representing himself in the action, is demanding a bench trial and over US$10 million in damages, profits, costs, and interest, according to court records obtained by DancehallMag.

The lawsuit was filed in a U.S. District Court in Florida last month by McGregor, Stephan Warren, and Rogier Sjardijn.

Also named as Defendants are VP’s publishing subsidiaries STB Music Inc. and Greensleeves Publishing and its executives Chris Chin, Randy Chin, and Patricia Chin.  

On Tuesday (March 21), McGregor and a representative for VP both declined DancehallMag’s requests for comment on the matter. 

In the complaint, the producer alleged that STB Music Inc had “fraudulently registered” Musiq Soulchild and Syleena Johnson’s Feel The Fire on his behalf and then claimed 50% of the composition.  According to the producer, Feel The Fire is controlled and owned by himself, Stephan Warren, Pop Reggae Publishing/McWarren Music Publishing, and Rogier Sjardijn.  

The song was the lead single on Soulchild and Johnson’s joint Reggae-Soul album 9ine, which was produced by McGregor in 2013.  Soulchild is known for songs such as Love, Halfcrazy, and Dontchange, while Syleena, who has released eight studio albums, is best known for All Falls Down with Kanye West

McGregor has also alleged that STB and Greensleeves Publishing have been claiming rights to exploit the following songs: Beres Hammond’s I Surrender Acoustic, Duane Stephenson and Gyptian’s Herbs Man, Elephant Man’s Wine It For Me, Gyptian’s Beauty and Let’s Have Some Fun, and Jah Cure and Gyptian’s More Thanks For Life.

According to him, these six songs are also controlled by himself and the co-plaintiffs, who neither assigned nor granted VP any right to exploit the compositions. 

McGregor said he had informed VP of their alleged infringement and continued collection of royalties on the songs, but, according to him, the company “wilfully” ignored his complaints.

“Defendants’ conduct is causing, and unless immediately enjoined will continue to case, enormous and irreparable harm to Plaintiff.  Defendants may not continue to exploit Plaintiff’s musical compositions without authorisation in order to collect profits from the performance revenues of said compositions to the public.  Defendants’ conduct must be immediately stopped and Plaintiffs must be compensated for Defendants’ wilful acts of infringement,” McGregor wrote in the complaint.

“Because VP Records and STB have wilfully infringed, and committed fraud, against the Plaintiffs’ copyrights, and have cost the Plaintiffs both financial and business-opportunity losses, the Plaintiffs seek $10 million in damages,” he continued.

The lawsuit marks the third legal dispute between McGregor and VP Records.

According to McGregor’s filing last month, it follows two settlement agreements, in 2014 and 2018, in which the companies paid McGregor more than US$450,000.

He noted that Soulchild and Johnson’s Feel The Fire was not subject to the two settlement agreements. 

Contrary to popular belief, McGregor is not related to Reggae legend Freddie McGregor

He is, however, one of Jamaica’s most prolific producers, having worked with Freddie, Etana, Nesbeth, Queen Ifrica, Richie Spice Lutan Fyah, Gramps Morgan, Richie Stephens, Marcia Griffiths, Glen Washington, Cocoa Tea, I-Wayne, Capleton, Sizzla, and Beenie Man, among many others.

Some of his biggest songs include Etana’s I Am Not Afraid, Gramps Morgan’s One In A Million, Queen Ifrica’s Daddy, Gyptian’s Mama Don’t Cry, and Richie Spice’s Gideon Boot and Di Plane Land.

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Kiprich’s Airbnb Burglary Suspect Arrested, Singer Recovers Rolex And Chain After Own Sleuth Work

Black Immigrant Daily News

The content originally appeared on: DanceHallMag

 

Dancehall star KipRich is thanking his lucky stars after recovering his chain and US$25,000 Rolex on Thursday.

The police’s Corporate Communications Unit has confirmed that the man suspected of robbing entertainer KipRich has been arrested and remains in custody. The suspect will be transferred to the Greater Portmore Police Station in St Catherine where investigators will continue to probe the case.

The Telephone Ting deejay revealed that he collected his chain and Rolex at the Constant Spring Tax Office in St Andrew from a bus driver after following several leads.

He did not, however, recover the cash that was stolen.

The deejay credited the ‘street network’, fans and the police for the quick recovery of his cherished items.

“Mi never expect fi get back no money but from mi get back mi Rolex, plus mi chain and mi belt, mi good,” he said.

Over the weekend, the deejay had reported to the police that an Airbnb apartment that he was renting in Portmore had been burglarised by a lone thief who forced open a kitchen window and absconded with more than US$50,000 (approximately $7.6 million) in cash and other valuables.

Police theorized that the culprit gave the bus driver the items to hold for him.

On Sunday, the police confirmed that KipRich made a report to the Greater Portmore police station that his US$25,000 Rolex watch and a gold chain valuing more than US$12,000 were among several items stolen. Burberry sunglasses valued at US$450, and cash amounting to US$15,000 and CDN$300 (approximately $33,000) were also taken.

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Merciless’ Mausoleum Costs $3 Million, Gadafi Says

Black Immigrant Daily News

The content originally appeared on: DanceHallMag

 

Harvel ‘Gadafi’ Hart eagerly awaits the day he returns to Jamaica to see the completed mausoleum for his friend, and business partner, Merciless, who was laid to rest in September last year.

According to Hart, Merciless’ family purchased a 16-acre property on which they built the mausoleum to house the deejay’s body.

“I am going to sit and have a drink with Leonard and have a drink with him. I am going to have it in the spirit,” he said.

Hart, who managed Merciless’s career for over two decades, revealed that the mausoleum cost over $3 million to design and construct. “Is pure marble inside it,” he added.

MERCILESS’ MAUSOLEUM

Hart said the family had invested over $6 million to buy the property in Four Paths, Clarendon.

“We plan to keep an annual memorial stage show for Merciless at this venue. The family is putting in concrete fencing around the venue to create a show ground where the annual memorial will be held,” he explained.

He said the pricey mausoleum is part of a larger legacy project to honour the memory of the Ole Gallis artist by creating an entertainment venue where the deejay’s loyal fanbase can visit his final resting place and regale his achievements and his successes.

Mourners carry the casket bearing the remains of Leonard ‘Merciless Bartley’ to its final resting place.

“The family has a plan to build bars and a stage area on the land, is 16 acres in all. Merciless had his savings with Mama Eckle. Merciless never got the energy from the industry, but in death, he was saving to make a statement, and his legacy will be there for other artists to see,” Hart said.

Merciless, whose real name was Leonard Bartley, was found unresponsive in a motel in Kingston on July 19 and later pronounced dead at the hospital.

Merciless, who hailed from Chapleton in Clarendon, exploded onto the Dancehall scene in 1994 with his hit song Len out Mi Mercy, which was initially voiced as a dubplate.

Stone Love boss Winston “Wee Pow” Powell, upon hearing Merciless deejay for the first time, immediately declared him a star, changed the Mavis artist’s moniker from Sugar Demus changed to Merciless.   At the time, Wee Pow and Bounty Killer were not on good terms, and so Merciless having a similar voice to Bounty, was seen as a plus for the Stone Love boss.

Len out Mi Mercy was a massive hit in Jamaica and it started Merciless’ prolific streak as songwriter and deejay.  The Clarendon native followed up with a string of other hits including MavisOle Gallis, Whaddup, Mama Cookin, Gizzada, Let Dem Have It, and God Alone with Little Hero and Action Fire.

Merciless also collaborated with Lady Saw for Baby Mother and Long Till It Bend.

He recorded three albums, including Mr. Merciless in 1994 and Len’ Out Mi Mercy in 1995.

In the late 1990s and 2000s, he engaged in several high-profile lyrical battles with fellow deejays Beenie Man, Ninjaman and Bounty Killer.

His most legendary clash occurred at Sting 2000 when he emerged victorious against Ninjaman, Bounty Killer and Beenie Man, who tried to ambush him in a lyrical face-off at the Jamworld Entertainment Complex in Portmore, St. Catherine.

The mural at Merciless’ gravesite.

A controversial mural—depicting the Sting 2000 victory against the trio—was painted onto a wall at Merciless’ gravesite and was cited by Bounty Killer as one reason he did not attend the deejay’s funeral.

The family later removed the mural, which they said was the painter’s idea.

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