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Oliver Samuels And CBS Star Zay Harding To Lead Explosive Easter Revival Of The Rope and The Cross

News Americas, NEW YORK, NY, Fri. February 5, 2026: Jamaican acting icon Oliver Samuels and CBS television star Zay Harding will headline the cast of The Rope and The Cross, the groundbreaking religious epic by legendary Jamaican playwright Easton Lee, returning to the New York stage for a one-night-only Gala Easter Sunday performance on April 5.

Jamaican acting icons David Heron and Oliver Samuels. Photo courtesy of Karl O’Brian Williams.

The special presentation will take place at the Jamaica Performing Arts Center, (JPAC), in Queens at 7 p.m., following a complimentary Caribbean Cuisine Easter Reception hosted by The Door Restaurant at 5:30 p.m.

Presented as an exclusive staged reading concert performance, the event is produced and directed by BroadwayWorld Award winner David Heron, in special arrangement with the estate of the late playwright.

A Radical Caribbean Reimagining of the Passion Story

Set across rural Jamaica and ancient Jerusalem, The Rope and The Cross shatters traditional depictions of Christ’s passion. Lee’s visionary work reimagines Jesus and Judas as modern-day Jamaican men – young, defiant, and determined to dismantle injustice and inequality.

As state power closes in through deception and manipulation, the two rebels discover a brutal truth: entrenched systems will stop at nothing to silence change. The result is a searing political and spiritual drama that remains as urgent today as when it premiered in Jamaica in 1979.

Legend Meets Leading Man

Samuels, a three-time Actor Boy Award winner, takes on the role of The Shepherd Narrator, guiding audiences through the story across time and place. With a career spanning more than 60 stage productions, Samuels’ film credits include The Mighty Quinn opposite Denzel Washington and Great Moments in Aviation with Vanessa Redgrave. He recently completed the U.S. premiere tour of Di Prodigal Pickney.

Harding – best known as host of CBS’s The Visioneers With Zay Harding, now in its second season with record-breaking 2025 ratings — portrays High Priest Annas, a calculating power broker whose actions help seal the tragic fate of Jesus and Judas.

His acting credits include American Horror Story, Mistresses, and Hawaii Five-O, as well as stage roles including Camelot at American Conservatory Theater.

Honoring Caribbean Theatre Legacy

For Heron, the production continues a mission to preserve and elevate Caribbean theatre on the global stage.

“Two years ago, we presented the American premiere of Alwin Bully’s McBee at JPAC,” Heron said. “With The Rope and The Cross, we are once again honoring a master whose voice still speaks powerfully. Easton Lee captured the rebellious spirit of Jamaica during the era of Prime Minister Michael Manley and drew striking parallels to resistance in biblical Israel. That tension — ancient and modern — makes this play timeless.”

He added, “Oliver and Zay will be seen in ways audiences have never experienced them before. This is not just theatre — it’s a cultural event.”

Event Details

The Rope and The Cross
Easter Sunday, April 5, 2026
Jamaica Performing Arts Center (JPAC), Queens, NY
Complimentary Easter Reception: 5:30 p.m.
Performance: 7:00 p.m.

Tickets on sale: Tuesday, February 10
Tickets: theropeandthecross.eventbrite.com
Early Easter Special pricing through: February 24
Box Office: 646-533-7021

Stella Jean Brings Haiti’s History And Pride To The 2026 Winter Olympics

News Americas, NEW YORK, NY, Weds. Feb. 4, 2026: After crafting the widely praised opening ceremony outfits for Team Haiti at the 2024 Paris Summer Olympics, Haitian-Italian designer Stella Jean is once again partnering with the island nation — this time to design its uniforms for the 2026 Milan–Cortina Winter Olympics.

Haitian-Italian designer Stella Jean is once again partnering with the island nation — this time to design its uniforms for the 2026 Milan–Cortina Winter Olympics.

Team Haiti’s Winter Olympics delegation may be small, but its cultural footprint is anything but. The 2026 team includes just two athletes — Richardson Viano, 23, and Stevenson Savart, 25 — yet Jean is ensuring their uniforms carry the weight of Haitian history, identity, and global presence.

In an interview with the Associated Press, Jean revealed that her original designs featured an image of Toussaint Louverture, the former enslaved general who led the revolution that established the world’s first Black republic in 1804.

“We have a commitment and a responsibility to convey a message,” Jean said. “There are many messages in this uniform. There is a bit of Haiti’s history, there is a representation of one of the fathers of the nation — Toussaint Louverture — a man feared by the most powerful on earth, such as Napoleon.”

However, the International Olympic Committee flagged the image as a violation of Olympic rules prohibiting political, religious, or racial propaganda at Olympic venues, forcing Jean and her team to rework the design.

“Rules are rules and must be respected, and that is what we have done,” Jean explained.

Drawing inspiration from a painting by Haitian artist Edouard Duval-Carrié, which depicts Louverture riding a red horse, Jean collaborated with Italian artisans to reinterpret the imagery without the historical figure. The final uniforms feature a striking red riderless horse set against a tropical backdrop, with the word “Haiti” emblazoned across the top.

Jean also designed a women’s look for Team Haiti, incorporating the traditional Haitian tignon — a headwrap historically imposed on enslaved women to cover their hair, now reclaimed as a symbol of resilience and cultural pride.

“For us, it is important that this horse — his horse, the general’s horse — remains,” Jean said. “It is the symbol of Haiti’s presence at the Olympics. In just a few meters of fabric, we must concentrate history and meaning. This is not about stylistic exercise.”

Haiti’s ambassador to Italy, Gandy Thomas, underscored the broader significance of the moment.

“Haiti’s presence at the Winter Olympics is a symbol — a statement, not a coincidence,” Thomas said. “We may not be a winter country, but we are a nation that refuses to be confined by expectation. Absence is the most dangerous form of erasing.”

Viano, who made history as Haiti’s first-ever Winter Olympian at the 2022 Beijing Games, echoed that sentiment, noting that participation on the global sports stage helps counter persistent negative narratives about the Caribbean nation.

The moment also comes amid heightened global attention on Haitians abroad. Just days before Haiti’s Winter Olympics appearance, a federal judge blocked an effort to end Temporary Protected Status (TPS) for roughly 350,000 Haitian immigrants living in the United States — a decision celebrated across diaspora communities.

Together, Jean’s designs and Team Haiti’s Olympic presence stand as a reminder that representation — on fabric, on snow, and on the world stage — remains a powerful form of resistance.

RELATED: Haitian American Congresswoman Salutes TPS Ruling As Little Haiti Prays

Keznamdi Wins 2026 Reggae Grammy As Caribbean Artists Turn Spotlight on Immigration

By NAN ET EDITOR

News Americas, New York, NY, Mon. Feb. 2, 2026: Independent Jamaican artist Keznamdi captured the 2026 Grammy Award for Best Reggae Album on Sunday night, edging out genre heavyweights, including Vybz Kartel, in a victory that underscored both reggae’s evolving sound and the growing influence of independent Caribbean artists on the global stage.

Jamaican musician Keznamdi accepts the Grammy for Best Reggae Album for “BLXXD & FYAH” on stage during the 68th Annual Grammy Awards Premiere Ceremony at the Crypto.com Arena in Los Angeles on February 1, 2026. (Photo by VALERIE MACON / AFP via Getty Images)

Keznamdi claimed the honor for BLXXD & FYAH, released independently in August 2025, marking his first Grammy win and his first nomination. The album triumphed over Kartel’s Heart & Soul, Lila Iké’s Treasure Self Love, Jesse Royal’s No Place Like Home, and Mortimer’s From Within.

Keznamdi (Second from left) accepts the Best Reggae Album award for “BLXXD & FYAH” at the 2026 Grammy Awards Pre-Show (Premiere Ceremony) held at the Peacock Theater in Los Angeles, CA, Sunday, Feb. 1, 2026. (Myung J. Chun / Los Angeles Times via Getty Images)

The announcement was made during the Grammy Premiere Ceremony at the Peacock Theater in Los Angeles on Sunday, February 1.

“Reggae music has always been a music weh defend truths and rights, African liberation, and Black man redemption,” Keznamdi said while accepting the award. “We a represent Jamaican culture — dancehall and reggae.”

A Roots-Deep Reggae Journey

Born into music, Keznamdi is the son of Errol and Kerida, lead vocalists of the international reggae band Chakula. He grew up touring globally and recording in a home studio in the St. Andrew hills of Jamaica, where the band produced ten albums.

He recorded his first song at age five and began performing publicly during his mother’s album release tours for her children’s project Save the World, which became a viral hit in Jamaican primary schools. His musical development continued through studies at St. Mary’s College in Northern California, followed by formative years living in Tanzania and completing high school in Ethiopia.

BLXXD & FYAH features collaborations with Kelissa, Mavado, and Masicka, blending roots consciousness with contemporary global production.

A Defining Caribbean Night at the Grammys

Keznamdi’s breakthrough came on a night that proved unusually resonant for Caribbean and diaspora artists across genres — not only in wins, but in message.

Puerto Rico star, Bad Bunny accepts the Best Música Urbana Album onstage during the 68th GRAMMY Awards at Crypto.com Arena on February 1, 2026 in Los Angeles, California. (Photo by Kevin Winter/Getty Images for The Recording Academy)

Puerto Rico–born global superstar Bad Bunny made Grammy history by becoming the first Latin artist to win Album of the Year with a Spanish-language album. During his acceptance speech, Bad Bunny openly criticized aggressive U.S. immigration enforcement.

“Before I say thanks to God, I’m going to say ICE out,” he told the audience, referencing recent civilian deaths amid heightened enforcement actions. He later added, “We’re not animals. We’re not aliens. We are human beings.”

Bad Bunny also won Best Global Music Performance and Best Música Urbana Album, further cementing his dominance on the night.

Cuban-born icon Gloria Estefan won Best Tropical Latin Album for Raíces and used her moment in the press room to call for a return to democratic principles and humanity in immigration policy.

“These values are the reason people want to be here,” Estefan said. “I hope our government listens to our plea for humanity.”

Caribbean Britain and the Windrush Legacy

Caribbean heritage star, Olivia Dean attends the 68th GRAMMY Awards on February 1, 2026 in Los Angeles, California. (Photo by John Shearer/Getty Images for The Recording Academy)

British singer Olivia Dean, who has Jamaican-Guyanese roots, was named Best New Artist for Nice To Each Other. In her speech, Dean invoked her family’s immigrant history, noting that her grandmother was part of the Windrush generation.

“I’m here as the granddaughter of an immigrant,” she said. “I’m a product of bravery. We’re nothing without each other.”

“ICE OUT” Becomes A Cultural Marker

Beyond speeches, visible protest marked the ceremony. Several artists wore pins reading “ICE OUT,” including Kehlani, Billie Eilish, Justin Vernon of Bon Iver, and jazz vocalist Samara Joy.

The coordinated symbolism reflected a broader moment of cultural dissent — driven largely by artists whose identities are shaped by migration, diaspora, and cross-border histories.

More Than An Awards Night

While Keznamdi’s Grammy win marked a personal and professional milestone – and a victory for independent reggae – the night itself signaled something larger. Caribbean artists were not only recognized for their musical excellence; they used one of the world’s biggest cultural platforms to assert their humanity, history, and right to speak.

In a genre born from resistance and survival, Keznamdi’s words echoed long after the trophy was raised — on a night when Caribbean voices didn’t just win, they defined the moment.

RELATED: Lifetime Achievement Honors For Mr. Vegas, Sly Dunbar and Leroy Sibbles At Reggae Genealogy

Nicki Minaj Fuels Online Firestorm After Roast From Trevor Noah At The Grammy’s

News Americas, New York, NY, Mon. Feb. 2, 2026: Trinidad & Tobago-born rapper, Nicki Minaj, ignited a fresh wave of controversy Sunday night after posting a series of cryptic messages on X that appeared to reference conspiracy theories involving “satanic rituals,” hours after South African-born comedian, Trevor Noah, poked fun at her political alignment during the 2026 Grammy Awards.

In a late-night post that did not name any individual, Minaj alleged that an unnamed “favorite artist” was involved in ritualistic violence tied to a satanic cult. The post quickly drew widespread attention, prompting confusion and concern among fans and critics alike.

Minaj did not offer evidence to support the claims, nor did she clarify whom she was referring to. In the comment section, users pressed her to explain, with some urging her to “name names,” while others questioned why she would raise such allegations on one of music’s most high-profile nights.

The timing of the posts appeared significant. Earlier in the evening, Noah referenced Minaj during his opening monologue at the Grammy Awards, noting her recent appearance at the White House and joking that she was “still with Donald Trump discussing very important issues.” The remark drew laughter and applause inside the Crypto.com Arena.

Minaj also tweeted: “Trevor refuses to come out the closet when everyone in the industry knows his boyfriend. Allegedly.”

She then made several posts about Jay-Z‘s relationships, including photos of him with Beyoncé and one of him with Aaliyah, the images sporting text suggesting he pursued them when they were under 18.

“Are y’all understanding that these ppl have been sacrificing children as a way of gaining & maintaining power? If you ever vote DemonCrat again, you’re just as soulless as they are & will perish. Maybe it’s time for me to do some story times — since I was trying to not say what I know — yet they continue to attempt bullying,” she tweeted.

In another tweet, Minaj said she would not be releasing new music until her contract is renegotiated and she updates everyone on “all the sabotage this RICO is finding out about Billboard.”

“Your favorite artist has been practicing rituals in a satanic cult where they take babies from other countries & mutilate & kill them as a form of a blood sacrifice to their God. You see, when your master is satan, you must constantly shed blood. However, the JIG IS UP,” she wrote in another tweet.

Minaj has become increasingly vocal about her support for President Donald Trump in recent months. Just days before the Grammys, she appeared at a U.S. Treasury Department summit promoting the administration’s “Trump Accounts” initiative, where she publicly described herself as “probably the president’s No. 1 fan” and said criticism of her stance only strengthened her support.

“The hate – or what people have to say – it does not affect me at all,” Minaj told the audience at the Washington event. “It actually motivates me to support him more.”

Following Noah’s onstage comments, Minaj did not directly reference the comedian by name in her social media posts. However, the proximity in timing led many observers to interpret the posts as a reaction to the Grammy monologue.

Cultural critics and media analysts cautioned against conflating satire with personal attacks, while also expressing concern about the spread of conspiracy rhetoric by high-profile public figures. Several commentators noted that such claims, when left vague, can fuel online harassment and misinformation without accountability.

As of Monday morning, Minaj had not issued any clarification or retraction.

The episode adds to an increasingly visible pattern of political polarization spilling into entertainment spaces, where celebrity influence, social media, and national politics intersect – often in unpredictable ways.

Donald Trump threatened to sue Noah for making “false and defamatory” comments regarding his relationship with Jeffrey Epstein.

Writing on Truth Social, Trump said: “Noah said, INCORRECTLY about me, that Donald Trump and Bill Clinton spent time on Epstein Island. WRONG!!! I can’t speak for Bill, but I have never been to Epstein Island, nor anywhere close, and until tonight’s false and defamatory statement, have never been accused of being there, not even by the Fake News Media.

“Noah, a total loser, better get his facts straight, and get them straight fast,” he added. “It looks like I’ll be sending my lawyers to sue this poor, pathetic, talentless, dope of an M.C., and suing him for plenty$.”

RELATED: Trinidad-Born Rapper Nicki Minaj  Signals Citizenship Move

Trinidad-Born Rapper Nicki Minaj  Signals Citizenship Move

News Americas, NEW YORK, NY, Jan. 29, 2026: Trinidad and Tobago-born rapper Nicki Minaj says she has received a special U.S. immigration “gold card” from President Donald Trump, signaling what she described as a fast-tracked path toward U.S. citizenship.

Minaj made the disclosure on Wednesday, hours after appearing alongside Trump at a U.S. Treasury Department summit promoting the administration’s new child investment initiative known as “Trump Accounts.” Posting on X, the rapper shared an image of a gold-colored immigration card bearing Trump’s likeness, captioned simply: “Welp.”

Musician Nicki Minaj (L) joins U.S. President Donald Trump on stage as he delivers remarks during the Treasury Department’s Trump Accounts Summit at Andrew W. Mellon Auditorium on January 28, 2026 in Washington, DC. “Trump Accounts” are a portion of recently passed tax and spending legislation where the federal government will deposit $1,000 into investment accounts for every child born between 2025 and 2028 once parents sign their children up while filing their income taxes.  (Photo by Win McNamee/Getty Images)

She later wrote that she was “finalizing that citizenship paperwork as we speak as per MY wonderful, gracious, charming President,” adding that while the card typically costs up to US$1 million under the program, she received it at no charge.

The so-called “gold card” was created under a September executive order and is designed to offer an alternative pathway to citizenship for highly skilled or high-profile foreign nationals. The White House has not yet commented on Minaj’s specific case.

Born Onika Maraj in Trinidad and Tobago, Minaj has previously spoken openly about her immigration history. In a 2018 social media post, she said she entered the United States as an undocumented child at the age of five, criticizing family separations at the border during Trump’s first term.

At Wednesday’s Treasury event in Washington, Minaj appeared onstage with Trump and businessman Kevin O’Leary, at times holding the president’s hand while he praised her publicly. Trump told the audience he believed Minaj planned to donate significant sums to Trump Accounts on behalf of her fans, though no formal details were provided.

While addressing the crowd, Minaj described herself as “probably the president’s No. 1 fan,” adding that criticism of her political stance has only strengthened her support.

Trump, for his part, praised the rapper, acknowledging that her endorsement has not been without backlash. “She took a little heat because her community isn’t necessarily a Trump fan,” he said. “But I just think she’s great.”

Minaj’s appearance and comments mark a notable political turn for one of the most internationally recognized artists of Caribbean descent, placing immigration, celebrity influence, and U.S. policy squarely at the center of a widening national debate.

RELATED: From Undocumented Immigrant To Trump’s “Number One Fan” – Nicki Minaj Embraces MAGA Spotlight

From Undocumented Immigrant To Trump’s “Number One Fan” – Nicki Minaj Embraces MAGA Spotlight

By NAN ET EDITOR

News Americas, Washington, D.C., Jan. 28, 2026: Trinidad and Tobago–born rapper Nicki Minaj is now publicly embracing former President Donald Trump – calling herself his “No. 1 fan” and dismissing criticism of her political turn as motivation rather than deterrence.

“I will say that I am probably the president’s No. 1 fan,” Minaj told the crowd Wednesday at a U.S. Treasury Department–hosted summit in Washington, D.C., marking the launch of so-called “Trump Accounts,” a new tax-advantaged savings program for children.

US President Donald Trump (R) greets Trinidadian rapper and singer-songwriter Nicki Minaj during an event on ‘Trump Accounts’ at the Andrew W. Mellon Auditorium in Washington, DC, on January 28, 2026. (Photo by Brendan SMIALOWSKI / AFP via Getty Images)

“And that’s not going to change,” the 43-year-old performer added.

Minaj, born Onika Maraj, said backlash over her support has only strengthened her resolve. “The hate or what people have to say does not affect me at all. It actually motivates me to support him more,” she said. “We’re not going to let them get away with bullying him and smear campaigns.”

Her remarks came just ahead of Trump’s own speech at the event, where she claimed divine protection over the former president. “He has a lot of force behind him, and God is protecting him,” she said.

A Sharp Turn From 2020

Nicki Minaj laughs during remarks by U.S. President Donald Trump at the Treasury Department’s Trump Accounts Summit with U.S. Treasury Secretary Scott Bessent (L) at the Andrew W. Mellon Auditorium on January 28, 2026 in Washington, DC. (Photo by Win McNamee/Getty Images)

Minaj’s endorsement marks a striking reversal from her public stance during Trump’s first term. In 2020, she said she would not “jump on the Donald Trump bandwagon,” and had previously spoken openly about coming to the United States as an undocumented child.

In a widely shared 2018 post, Minaj criticized family separations at the U.S.-Mexico border, writing that she herself entered the country without legal status as a child.

“I came to this country as an illegal immigrant,” she wrote at the time. “I can’t imagine the horror of being in a strange place & having my parents stripped away from me at the age of 5.”

She urged authorities then to stop the practice, calling it “so scary” and pleading for compassion toward children detained at the border.

Rising MAGA Visibility

Nicki Minaj (L) joins U.S. President Donald Trump on stage as he delivers remarks during the Treasury Department’s Trump Accounts Summit at Andrew W. Mellon Auditorium on January 28, 2026 in Washington, DC. (Photo by Win McNamee/Getty Images)

Minaj’s appearance at the Treasury summit is part of a broader pattern of increasingly visible alignment with conservative causes. She recently appeared at Turning Point USA’s AmericaFest and has spoken favorably of Trump during interviews and public events – a shift that has drawn both praise and backlash, including online calls for her deportation.

“I have the utmost respect and admiration for our president,” Minaj said at a recent event. “He’s given so many people hope.”

The rapper has also drawn attention for public feuds, including a recent clash with former CNN host Don Lemon, whom she criticized on social media.

Some have suggested her embrace of the president is to help her brother and husband, who have faced legal challenges, obtain a pardon. Her husband, Kenneth Petty previously served four years in prison as a Level 2 sex offender after he was found guilty of raping a 16-year-old girl, whom he held at knifepoint, in 1994.

Her brother, Jelani Maraj, has also faced legal issues. In 2017, Maraj, then 38, was convicted of raping an 11-year-old girl at his Long Island residence. Maraj said the accusations were invented by the victim’s mother to go after Minaj’s family’s fortune. He was sentenced to 25 years to life in 2020.

What Are “Trump Accounts”?

The summit focused on the launch of Trump Accounts, a provision included in last year’s tax legislation. The program provides a $1,000 government contribution for U.S.-citizen newborns, invested in stock market index funds and accessible when the child turns 18 for approved uses such as education, home purchases, or starting a business.

Parents can contribute additional funds annually, with employers, relatives, and philanthropic organizations also allowed to participate. The accounts are managed by private financial firms and are subject to taxes upon withdrawal.

Trump argued the initiative would give children “real assets and a shot at financial freedom,” while critics say it favors families with the means to contribute and does little to address early childhood poverty.

Minaj did not address those criticisms directly but praised the initiative as expanding opportunity for future generations.

RELATED: Has Nicki Minaj Gone Full MAGA?

Has Nicki Minaj Gone Full MAGA?

News Americas, NEW YORK, NY, Weds. Jan. 28, 2026: Trinidad-born rapper Nicki Minaj seems to be now officially MAGA.

Minaj is set to appear alongside the U.S. President at a U.S. Treasury Department summit today to mark the launch of a new tax-advantaged savings program known as “Trump Accounts,” underscoring the growing involvement of high-profile celebrities in the administration’s economic messaging.

FLASHBACK – Trinidadian-US rapper Nicki Minaj speaks during the panel discussion “Combatting Religious Violence and the Killing of Christians in Nigeria” at the US Mission to the United Nations in New York City, on November 18, 2025. (Photo by ANGELA WEISS / AFP) (Photo by ANGELA WEISS/AFP via Getty Images)

The summit, to be held in Washington, D.C., will also feature Shark Tank investor and actor Kevin O’Leary, actress and wife of RFK, Jr., Cheryl Hines, and Treasury Secretary Scott Bessent. According to The Hollywood Reporter, Trump and Bessent are both scheduled to deliver remarks, and the event will be streamed live on X.

“Trump Accounts” are a newly created form of tax-advantaged individual retirement account for children, allowing contributions from parents, guardians, employers, and other donors. The accounts were established under last year’s “One Big Beautiful Bill Act” and are being promoted by the administration as a tool to expand long-term financial opportunity for American families.

While specific details of the summit agenda have not been publicly disclosed, the Treasury Department said the event will include policy briefings and expert discussions outlining how the accounts function, their projected economic impact, and the administration’s broader economic priorities.

Additional participants expected to attend include conservative influencer Isabel Brown, political consultant Alex Bruesewitz, U.S. Senator Ted Cruz, technology executive Michael Dell, and White House Press Secretary Karoline Leavitt.

The event represents a notably high-profile rollout for a Treasury Department initiative, reflecting an effort to boost public awareness of the program. Treasury Secretary Bessent previously indicated in a radio interview that a national television commercial promoting Trump Accounts is planned to air during next month’s Super Bowl, shortly after the national anthem.

Minaj’s participation comes amid her increasingly public expressions of political alignment including at a speech at the US mission to the UN and at Turning Point USA’s AmericaFest, where she voiced admiration for Trump during an onstage interview. That let to a petition to have her deported.

“I have the utmost respect and admiration for our president,” Minaj said at the event. “He’s given so many people hope.”

Minaj recently clashed with former CNN host Don Lemon, who she attacked with homophobic tweets on X.

Born in Trinidad and Tobago and raised in the United States, Minaj is one of the most internationally recognized artists of Caribbean descent. Minaj has been open about coming to the United States as an undocumented child. In an emotional social media post in 2018, she called out the separation of families at the border during Trump’s first administration.

“I came to this country as an illegal immigrant. I can’t imagine the horror of being in a strange place & having my parents stripped away from me at the age of 5,” she reportedly wrote in the caption of a photo showing young children separated from their parents at the border being detained.

“This is so scary to me. Please stop this,” she wrote. “Can you try to imagine the terror & panic these kids feel right now? Not knowing if their parents are dead or alive, if they’ll ever see them again.”

You’ve Likely Heard His Drums Your Whole Life — Sly Dunbar Is Gone

By NAN ET EDITOR

News Americas, KINGSTON, Jamaica, Jan. 26, 2026: You may not know his face. You may not even know his name. But if you’ve listened to reggae, dancehall, hip-hop, pop, or rock over the last half-century, you have almost certainly heard his drums.

Lowell Fillmore “Sly” Dunbar, the legendary Jamaican drummer and one-half of the groundbreaking rhythm duo Sly and Robbie, has died at the age of 73. His wife, Thelma Dunbar, confirmed his passing after finding him unresponsive at their home early Monday morning, January 26th. His death marks the loss of one of the most influential musicians Jamaica ever produced and comes on the heels of the passing recently of Third World co-founder, Cat Coore.

Born on May 10, 1952, in Kingston, Dunbar began drumming as a teenager, quickly earning a reputation for precision, versatility, and innovation. By age 15, he was already performing professionally, first with The Yardbrooms and later with the Ansell Collins–led band Skin, Flesh & Bones. His earliest recordings came through collaborations with Dave and Ansell Collins, laying the foundation for a career that would reshape global music.

Dunbar’s life changed in 1972 when he met bassist Robbie Shakespeare. Their partnership became one of the most prolific and influential rhythm sections in modern music. Together, they formed the duo Sly & Robbie, often referred to as the “Riddim Twins,” whose sound would define reggae and dancehall while crossing seamlessly into rock, pop, and hip-hop.

Working closely with producer Bunny Lee and the Aggrovators, Sly and Robbie helped drive Jamaica’s golden era of roots reggae before pushing the genre forward with digital rhythms and experimental production in the late 1970s and 1980s. Their influence reached far beyond the Caribbean. The duo recorded and performed with artists including Peter Tosh, Grace Jones, Bob Dylan, Mick Jagger, and countless others.

In 1980, the pair launched Taxi Records, a label that became a powerhouse of Jamaican music. Taxi Records introduced and elevated artists such as Black Uhuru, Ini Kamoze, Beenie Man, Red Dragon, and Chaka Demus and Pliers, shaping the sound of dancehall for a new generation while keeping reggae globally relevant.

Dunbar’s drumming style was unmistakable – crisp, inventive, and deeply musical. He blended traditional Caribbean rhythms with funk, rock, and electronic influences, creating grooves that were both complex and accessible. His credits spanned from Junior Murvin’s Police and Thieves to Bob Marley’s Punky Reggae Party, as well as Bob Dylan’s albums Infidels and Empire Burlesque. Few drummers in history have left fingerprints across so many genres.

His longtime musical partner Robbie Shakespeare passed away in December 2021, making Dunbar’s death especially poignant for fans who saw the duo as inseparable. Together, they redefined what a rhythm section could be — not just backing musicians, but architects of sound.

Dunbar’s contributions did not go unrecognized. He was awarded Jamaica’s Order of Distinction and received the Musgrave Gold Medal in 2015 for his outstanding service to music. He also received a Lifetime Achievement Award from the University of Minnesota in May 2025, further underscoring the global reach of his work. Dunbar was set to be honored at Reggae Genealogy on Feb. 7th in Fort Lauderdale.

The Jamaican entertainment industry is again in mourning, following the loss of yet another cultural giant. But Sly Dunbar’s death does not silence his legacy. His rhythms live on in the music that still fills dance floors, radio stations, films, and playlists around the world.

You may not have known his name before today. But you’ve likely heard his drums your whole life — and you always will.

LISTEN TO HIS EHYTHMS HERE

Caribbean Roots Shine As Delroy Lindo Earns First Oscar Nomination For Sinners

By NAN ET EDITOR

News Americas, NEW YORK, NY, Fri. Jan. 23, 2026: After decades of commanding performances that shaped modern Black cinema, Caribbean roots, British-born actor Delroy Lindo has finally crossed a milestone many believe was long overdue: his first Academy Award nomination.

British Caribbean actor Delroy Lindo attends the 83rd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 11, 2026. (Photo by Michael Tran / AFP via Getty Images) /

The London-born, Jamaican-rooted actor, 73, earned a Best Supporting Actor nomination at the 98th Academy Awards for his role as Delta Slim in Sinners, the genre-blending vampire thriller directed by Ryan Coogler. The nod marks a long-awaited recognition for an artist whose career has been consistently lauded by critics, yet repeatedly overlooked by awards bodies.

Delroy Lindo, l., Ryan Coogler (C) and cast and crew of “Sinners” accept the Cinematic and Box Office Achievement award onstage during the 83rd Annual Golden Globe Awards at The Beverly Hilton on January 11, 2026 in Beverly Hills, California. (Photo by Kevork Djansezian/CBS via Getty Images)

For Caribbean audiences and the global diaspora, Lindo’s nomination resonates far beyond Hollywood. Born in Lewisham, London, to Jamaican parents who were part of the Windrush generation, Lindo’s life mirrors a transatlantic Caribbean journey – moving from the UK to Canada as a teenager, then to the United States, where he trained at the American Conservatory Theater and forged a career that would span stage, film, and television.

His mother was a nurse who struggled as an outsider in England but instilled a strong sense of heritage in her son, while his father held various jobs, contributing to the family’s cultural background. Lindo has said in the past that he felt like an outsider as the only Black child in his school, but was inspired to act after a school play. He deeply connects with his Jamaican roots, viewing his parents’ emphasis on presentation as a key part of his heritage, a theme echoed in his work.

Delroy Lindo accepts Best Supporting Actor for “Sinners” onstage during the 2026 Annual Movies for Grownups Awards with AARP at Beverly Wilshire, A Four Seasons Hotel on January 10, 2026 in Beverly Hills, California. (Photo by Michael Kovac/Getty Images for AARP)

Lindo has previously found himself in awards-season conversations for iconic roles, including West Indian Archie in Spike Lee’s Malcolm X and his searing performance in Da 5 Bloods. But when nominations failed to materialize, he deliberately resisted expectation. “I try not to buy into that,” he told Entertainment Weekly last year, reflecting on past snubs. Still, he admitted that the absence of recognition was painful. “I was profoundly disappointed, frankly.”

That disappointment did not derail him. Instead, Lindo kept working – on his own terms.

In Sinners, he delivers a performance critics describe as hypnotic. Playing Delta Slim, a Mississippi bluesman whose music anchors a juke joint that becomes the target of supernatural forces, Lindo brings gravitas, restraint, and lived-in wisdom to the screen. Coogler has praised the performance as “incredible,” noting what Lindo brought to the role every single day on set.

Audiences agreed. Sinners boasts a 97% critical rating and 96% audience score on Rotten Tomatoes, and its global box office haul of approximately $368 million made it one of the year’s most successful original films. The movie shattered awards records with 16 Oscar nominations, becoming the most-nominated film in Academy history.

For Lindo, the recognition arrives not as validation, but as affirmation. “To have been working as an actor for the length of time that I have… the fact that audiences still apparently find what I’m doing interesting – that’s not a given,” he said. “I don’t take any of it for granted.”

His Caribbean roots continue to inform his creative direction. Lindo has long spoken about the influence of his Jamaican heritage and the Windrush experience, which he is now exploring in a forthcoming memoir scheduled for release in 2027. He is also developing and directing a feature film set in Jamaica’s Blue Mountains, centered on spirituality, healing, and the power of community – themes deeply rooted in Caribbean culture.

Lindo exclusively told E! News that his son Damiri was the one to tell him he received his first-ever Oscar nomination for the 2026 ceremony. “I was in bed,” he recalled to E!. “My phone rang. It was my son. I picked it up and said, ‘Hey man,’ and he said, ‘Dad, dad, you got it. You got that s–t.’” 

“It means the world because he’s seen it all,” Lindo was quoted as saying. “He’s seen it away from the red carpet. He’s seen both sides of it. So, along with my wife, they have the internal and the external perspective on this journey. It felt completely right on to receive this news from my son.”

Lindo  faces off against Jacob Elordi (Frankenstein), Stellan Skarsgård (Sentimental Value), Benicio Del Toro (One Battle After Another) and Sean Penn (One Battle After Another) in his category.

But, however, it turns out, Lindo told E!: “It’s just incredibly joyful and affirming. Affirming that audiences inside and outside of the industry have responded to this work so fully, and the fact that the work has touched people, I believe, in the depth of their humanity. I don’t have the words to explain how gratifying and affirming that feels. It’s extraordinary.”

For many in the Caribbean diaspora, the moment already carries meaning: a son of Jamaican immigrants, whose artistry endured decades of industry blind spots, finally standing where history says he always belonged.

The Academy Awards, hosted by Conan O’Brien, air Sunday, March 15, 2026, on ABC.

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From ‘Shottas’ To ‘Cool Runnings’ – Caribbean Movies Gen Z Is Rediscovering

News Americas, FORT LAUDERDALE, Fl: Generation Z – generally defined as people born between 1997 and 2012 – spend a significant amount of time on digital platforms. Social media and video-based apps are central to how this generation consumes culture, with YouTube, TikTok, and Instagram ranking among their most-used platforms (Pew Research Center). That pattern has created a new pathway for older films, including Caribbean movies released decades before Gen Z was born.

Gen Z is rediscovering classic Caribbean movies like Shottas, Cool Runnings, and The Harder They Come through streaming, TikTok, and music-driven digital culture.

Titles from the 1970s through the early 2000s are reaching younger audiences through streaming platforms, social video, and soundtrack-driven discovery. In many cases, these films were originally watched by Gen Z’s parents or older relatives, especially within Caribbean and diaspora households. Today, they are being encountered independently, through digital circulation rather than family viewing.

Digital Discovery And Generational Distance

One of the most visible examples is Shottas. The film circulates widely on TikTok and Instagram, where short clips tied to dancehall tracks appear under hashtags related to Jamaican culture and early-2000s aesthetics, such as #Shottas. These clips often omit context, allowing music, fashion, and setting to communicate tone quickly. Viewers encountering the film for the first time frequently comment that they discovered it through social media rather than through family viewing or traditional broadcast.

By contrast, Cool Runnings reaches Gen Z primarily through streaming. Since its inclusion on Disney+, the film has appeared in reaction videos, ranking lists, and commentary threads on YouTube and TikTok. Gen Z viewers are more likely than older cohorts to engage with films through reactions and short commentary rather than full reviews, according to Nielsen. Cool Runnings benefits from this pattern because its pacing, humor, and soundtrack translate well into short clips.

Music As A Bridge Between Eras

Soundtracks play a central role in rediscovery. ‘The Harder They Come’ continues to surface because its music remains widely streamed. Jimmy Cliff’s title track appears in film edits, playlists, and recommendation threads on platforms such as Letterboxd, where younger users often note encountering the music before the film itself. This mirrors broader findings from Spotify and Apple Music, which show Gen Z frequently discovering older media through soundtrack-driven exploration.

Dancehall Queen (1997) has gained renewed visibility among Gen Z viewers through fashion- and performance-focused clips shared on Instagram Reels and TikTok. Short excerpts featuring Audrey Reid’s dancehall performances circulate as references for styling, movement, and stage presence, often detached from the film’s broader storyline. The visual elements of these scenes – custom outfits, bold color choices, body-focused silhouettes, and competitive presentation – align closely with contemporary dancehall-inspired music videos.

This continuity is frequently noted in discussions comparing the film’s imagery to modern productions such as Major Lazer’s ‘Watch Out For This,’ (Bumaye), which draws on similar dancehall fashion codes, performance framing, and crowd dynamics. For younger viewers, Dancehall Queen functions as a visual reference point, offering a clear line between 1990s Jamaican dancehall culture and its ongoing influence on global music video aesthetics.

Rockers continues to circulate because it offers direct access to late-1970s Jamaican music culture at work. Performance and sound system scenes featuring artists such as Jacob Miller and Burning Spear are frequently shared on YouTube and referenced in reggae-focused forums, where viewers often describe them as archival footage rather than traditional cinema.

The film documents how musicians rehearsed, performed, dressed, and moved through everyday spaces, with minimal separation between the music and the environment that produced it. For Gen Z audiences accustomed to behind-the-scenes content and documentary-style visuals, Rockers reads more like a record of process than a scripted narrative.

Why These Films Circulate Now

These films persist because they translate efficiently into short-form viewing. Their music establishes place and tone within seconds. Their visuals are legible without extensive explanation. Many of the most-shared clips are under 2 minutes, aligning with Gen Z’s dominant viewing habits.

There is also a secondary effect. For second-generation Caribbean viewers, these rediscoveries often prompt conversations at home about films their parents watched when they were first released. For viewers without a Caribbean background, the films function as entry points into a broader cultural archive encountered through music and visual media.

This is the space Reggae Genealogy Music Festival occupies. Through ‘Lights. Camera. Reggae,’ the festival examines how Jamaican music has shaped film, television, and global pop culture across decades, connecting archival work with present-day circulation. Hosted by Island SPACE Caribbean Museum, Reggae Genealogy builds on the museum’s mission to preserve, interpret, and present Caribbean cultural history in ways that remain accessible to new audiences. As younger viewers continue to encounter these films through modern platforms, initiatives like Reggae Genealogy provide a framework for understanding where the work came from, how it traveled, and why it still holds relevance today.

Learn more about Reggae Genealogy: Lights. Camera. Reggae, coming to Plantation, Florida, on Saturday, February 7, 2026, at reggaegenealogy.org.

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