Black Immigrant Daily News

Joe Budden says he tried to battle DMX but it didn’t go as planned.

The former Slaughterhouse rapper is known for his colorful personality, and following a recent revelation, it seems he’s led a pretty colorful life as well. Joe Budden recently revealed that he once tried to battle the legendary DMX on the set of the 1998 Hype Williams movie Belly.

Joe Budden explained just how the encounter happened during a recent appearance on the Flip Da Script Podcast. He even gave details of how he approached the deceased rapper after he saw him shooting a scene in the film outside of his mother’s home in New Jersey.

The “Walk With Me” rapper jokingly added that he was battling DMX, but the late rapper had no trouble in taking him down.

“It was me just rapping, but he was supposed to rap. This was on — they shot [one of the scenes in] Belly outside of my mom’s building, which was Jersey City. So I caught DMX on one of them nights, but he had to go shoot a scene,” he added.

Admitting defeat at the hands of the iconic rapper, Budden also shared that the encounter helped give him the spark he needed to pursue what would become a successful career. He explained that it was after that encounter that he was able to connect with Swizz Beatz. That connection led to a decision to try and put him in a group with rappers Cassidy and Drag-On, even though that never came to fruition.

Joe Budden added that the group never materialised because it was very early in everyone’s career and nobody had made it yet. The combination at the time just didn’t work, he added. Even so, he was thankful to Swizz for having a vision for his career.

“It just didn’t work. I didn’t even learn about that until a few years later. I was just coming around rhyming, maybe Swizz had plans. This was before anybody was anybody.”

His relationship with the production guru never materialized into anything but it was these early encounters that gave him the impetus to transition into working with Just Blaze, who went on to produce his 2003 breakout hit “Pump It Up.”

Even though he did not go on to work with DMX, Budden has openly revealed that he has nothing but respect for the Ruff Ryders legend. After his death in April 2021, he used his The Joe Budden Podcast to publicly state just that.

During that podcast, he said he had nothing but the utmost respect for DMX and the road that he paved for himself. He also shared that he always enjoyed meeting up with the “Slippin” rapper as they always hit it off.

“I was in a studio where I wasn’t supposed to be at and bumped into him. I was walking down Collins in Miami and bumped into him. I was in Atlanta somewhere and bumped into him. You could see him and speak to him — and he would talk to you! No matter what the f#ck was going on with him,” he added.

Even with all the respect he has for Swizz Beatz, they recently got into it after he co-signed a tweet claiming uncredited singer Jermaine Paul “cooked” his wife Alicia Keys on her 2004 hit “Diary.”

At the time, Swizz responded swiftly to his claim as he tweeted, “Let’s not do this ! I never get into your zones! Leave my wife out of everything but greatness! Please.”

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Kelis gets backlash from Beyhive after calling out Beyonce over alleged song sample.

Beyoncé is being accused of having no integrity and having “no soul” after Kelis claims that one of her songs was sampled for the singer’s Renaissance album to be released on Friday, July 29.

On Thursday, Kelis reacted to news that she was sampled for the album noting that she was not informed before the album tracklist was released.

“My mind is blown too because the level of disrespect and utter ignorance of all 3 parties involved is astounding. I heard about this the same way everyone else did,” Kelis wrote from her Bountyandfull Instagram account.

She was responding to a Kelis fan page sharing that her song “Energy” was sampled for Beyoncé’s album. The singer blasted Beyoncé for not informing her about the song.

“Nothing is ever as it seems, some of the people in this business have no soul or integrity and they have everyone fooled,” her status said.

In other comments, Kelis also claimed that Beyoncé stole her music.

“It’s not a collab it’s theft,” she said in response to a fan saying that “that’s a collab the world really needs.”

This is the second time an artist has called out Beyoncé for sampling their track without the respect to at least call and speak with the artist.

Last month, Beyoncé released her title track, “Break My Soul,” which sampled Robin S.’s “Show Me Love (Stonebridge Mix).” The song release, however, caused controversy as Robin claimed she was unaware that the singer was sampling her song. In a Good Morning Britain interview, Robin claimed that her son called her and told her her song was sampled after it was released.

Beyoncé later sent Robin flowers as she thanked her for her art.

In the meantime, in her note on Thursday, Beyoncé shared a little more about the upcoming album after confirming that it is a three-part series that she called “an act.” She also expressed gratitude to her children, husband, family, team, and friends, including the artists she says inspired her to create the music she did.

“Thank you to all of the pioneers who originate culture, to all of the fallen angels whose contributions have gone unrecognized for far too long. This is a celebration for you,” She said in the lengthy post.

“I just heard the record everyone is saying has my sample,” Kelis wrote. “But it’s beyond this song at this point. This was a TRIGGER for me. Milkshake alone is one of the most licensed records of our generation. I am a creator, I’m an innovator, I have done more then left my mark on an era of music and style that will go down in history. But there are bully’s and secrets and gangsters in this industry that smile and get away with it until someone says enough is enough. So I’m saying it today. I’m coming for what’s mine and I want reparations. Peace.”

So far, this is the messiest album release for the artist as her album was leaked days ago in Europe, and CDs of the project were being sold in stores. On the other hand, Beyoncé has not responded to Kelis’ claim.

Meanwhile, Beyonce’s BeyHive is responding to Kelis on Twitter.

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Kelis took to social media on Thursday night as she explained why she felt disrespected by the Beyoncé sample, which was never brought to her attention.

On her Instagram account, she released a video where she claimed that Beyoncé knows or ought to know her actions are offensive, and she also called out Pharrell Williams, who she also blamed for being involved.

Kelis was bashed by fans of the “Brown Skin Girl” artist on Thursday morning after she commented on the news of the sample where she accused Beyoncé of not having “integrity” and “no soul.”

She had shared in a comment section of a fan page that she became aware of the sample just like that everyone else, and in another comment, she claimed that the sample of her creativity without her permission was “theft.”

Beyoncé’s fans did not take too lightly to the comments, and many of them told Kelis she should be grateful an artist of such caliber was putting her in a song.

Kelis, however, pushed back against the comments in a video she shared on her Instagram account.

“It’s not about me being jealous. Jealous of someone using my song? That’s the dumbest, most ignorant thing I’ve ever heard,” Kelis said.

“It has to do with the fact that, from one artist to another, you should have the decency and common sense and the courtesy to call,” she added.

She continued, “The issue is, not only are we female artists, Black female artists in an industry — there’s not that many of us. We’ve met each other, we know each other, we have mutual friends. It’s not hard. She can contact, right?”

She also lashed out at Pharrell Williams, who reportedly owns her masters and with whom she has had issues, and claimed that both artists were disrespectful to her.

“The reality is that it’s frustrating. I have the right to be frustrated,” she said in the first video she released. “Why did no one have the human decency to call and be like ‘Yo, hey, [I’d] would like to use your record’… Pharrell knows better. This is a direct hit at me. He does this all the time, it’s very petty,” she said.

“The reason why I’m annoyed is because I know it was on purpose. This was an on-purpose, direct hit,” she added.

Kelis also corrected fans that her song “Energy,” released in 1999, which the Roc Nation artist sampled for her new track named “Get Along With You,” is not a collaboration even though she apparently received credits on the track.

“It’s called thievery because… the definition of collaboration means that we are working together,” she said before adding, “there’s no working together if you are not even checking to see if everything’s cool.”

Kelis also called out Beyoncé for being a hypocrite as she projects herself as a beacon of empowerment.

“The reality is, all of this female empowerment, it only counts if you really do it,” she said. “If you’re really living it and walking the walk. Don’t just talk the talk.”

“I think that really something needs to change. And this just might be the fuel that I needed to actually do it,” Kelis said as she highlighted that using other artists songs without permission has become commonplace and has to stop.

Beyoncé nor her label has commented on the controversy regarding the track. Her album also appears on track to be released on July 29.

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